Reading List

Authors Like Sylvia Plath

Sylvia Plath was born in Boston in 1932, won a guest editorship at Mademoiselle in the summer of 1953, and spent the following autumn at McLean Hospital — the months she turned into The Bell Jar. She went to Cambridge on a Fulbright, met Ted Hughes at a party on 25 February 1956 and married him four months later. In her lifetime she published one collection, The Colossus (1960), and one novel, under the name Victoria Lucas, a month before she died in London in February 1963. Almost everything she is read for now came after: Ariel in 1965, in an order Hughes chose; Collected Poems in 1981, which won the Pulitzer the next year; and in May 2026 Faber's The Poems of Sylvia Plath, edited by Amanda Golden and Karen V. Kukil, which almost doubles that earlier collection. The writers below share either her subject — a mind under pressure, and a woman's life measured against what was expected of it — or her method: a poem made out of the private life, at full volume and with complete control.

By Lisanne Swart · 10 authors · Confessional poetry · The psychiatric novel · Updated October 2026


Quick answer

If you love Sylvia Plath, start with Anne Sexton, her friend and rival from Robert Lowell's poetry class. For the novel side of The Bell Jar, read Janet Frame's Faces in the Water and Susanna Kaysen's Girl, Interrupted, set in the same hospital. For the poems, Sharon Olds and Louise Glück are the living line. And for the opposite view of all of it, Elizabeth Bishop.

10 authors like Sylvia Plath

01
Plath's closest contemporary

Anne Sexton

American · b. 1928 · Poet · Pulitzer 1967

Sexton began writing poetry in her late twenties on her psychiatrist's advice, and in 1959 she and Plath sat in the same Boston University class taught by Robert Lowell, going on to the Ritz bar together afterwards. Live or Die won the Pulitzer Prize in 1967. Her daughter Linda Gray Sexton's memoir Searching for Mercy Street (1994) gives a much harder account of her as a mother, and is worth knowing about before you read the poems about her children.

The other half of the conversation. Sexton and Plath read each other closely and competed openly, and Sexton's elegy for her, “Sylvia's Death”, is the strangest tribute either of them wrote. Sexton is looser, louder and funnier — she will tell you the joke Plath would cut — and reading the two side by side shows how much of Plath's force is control.

— Lisanne

Every book by Anne Sexton →

02
Where confessional poetry started

Robert Lowell

American · b. 1917 · Poet · Pulitzer 1947

Life Studies broke with the formal, impersonal American poetry of the 1950s and wrote openly about family, marriage and Lowell's own hospitalisations; the label “confessional” was first used in a review of it. Plath audited his class in 1959, and he wrote the introduction to the American edition of Ariel in 1966. The Dolphin (1973), which won the Pulitzer, reworked his ex-wife Elizabeth Hardwick's private letters into poems, and was objected to by his closest friend, Elizabeth Bishop.

Read him to see what Plath took and what she refused. Lowell gave her permission to use her own life; what he did not give her was her speed. His poems are dense, historical and Boston-Brahmin; hers became faster and colder. The Dolphin is also the clearest case of the question that hangs over the whole school: what you are allowed to take from other people's lives.

— Lisanne
03
The interior, an earlier generation

Virginia Woolf

English · b. 1882 · Novelist and essayist

Woolf rebuilt the English novel around consciousness — the thought between two actions — and wrote openly in her essays about what it cost a woman to write at all. Mrs Dalloway sets a society hostess's day in London against a shell-shocked veteran's. Her diaries, published in part as A Writer's Diary in 1953, were among the books Plath read in England.

If The Bell Jar was what you loved, this is its ancestor in English: a mind recorded from the inside with complete exactness, and the pressure on it rendered without melodrama. Start with Mrs Dalloway; go to A Room of One's Own when you want the argument behind Esther Greenwood's fig tree.

— Lisanne

Every book by Virginia Woolf →

04
The psychiatric novel, from inside

Janet Frame

New Zealand · b. 1924 · Novelist · Commonwealth Writers' Prize 1989

Frame spent most of eight years in New Zealand psychiatric hospitals after a misdiagnosis of schizophrenia, and was scheduled for a lobotomy that was cancelled when her first book of stories won a national prize. Faces in the Water is a novel drawn from those years. Her three-volume autobiography became Jane Campion's film An Angel at My Table (1990).

The closest thing to The Bell Jar written by anyone else, and a harder book: Esther is in hospital for months, Frame's narrator for years. What they share is a voice that stays sharp and darkly funny while describing an institution designed to blunt it.

— Lisanne
05
Same hospital, fourteen years later

Susanna Kaysen

American · b. 1948 · Memoirist

In 1967, at eighteen, Kaysen was admitted to McLean Hospital outside Boston and stayed eighteen months. Girl, Interrupted is a short, fragmentary memoir of that time, with copies of her case file reproduced between the chapters. McLean is where Plath was treated in 1953, and where Lowell was a patient too.

The memoir that pairs with The Bell Jar on every shelf, and rightly: same building, same kind of girl, same question of who decides what counts as sane. Kaysen is drier and more sceptical than Plath; she is interested in the diagnosis as much as the illness. It reads in an afternoon.

— Lisanne
Every book by Susanna Kaysen →
06
The body and the family, at full volume

Sharon Olds

American · b. 1942 · Poet · Pulitzer 2013

Olds writes about her parents, her children, sex and marriage with a directness that made her one of the most-read American poets of the last forty years. The Dead and the Living won the National Book Critics Circle Award; Stag's Leap, a sequence about her husband leaving her after thirty years, won both the Pulitzer Prize and the T.S. Eliot Prize.

The father poems are the obvious link to “Daddy”, but Stag's Leap is the better reason to read her after Plath: a marriage ending, written by a woman who survives it and goes on writing about it for a whole book. It is the confessional poem given more time.

— Lisanne
Every book by Sharon Olds →
07
The same refusal to soften

Louise Glück

American · b. 1943 · Poet · Nobel 2020

Glück published her first collection in 1968 and won the Nobel Prize in 2020, cited for her “unmistakable poetic voice that with austere beauty makes individual existence universal”. The Wild Iris, a garden sequence in which flowers, the gardener and a god all speak, won the Pulitzer in 1993. Ararat is her book of family and grief.

The heir to Plath's coldness rather than her heat. Glück writes family, desire and death in short, flat, exact lines that never ask for sympathy. Readers who love the later Ariel poems — the ones that sound carved — usually love her.

— Lisanne

Every book by Louise Glück →

08
The Bell Jar for now

Ottessa Moshfegh

American · b. 1981 · Novelist

My Year of Rest and Relaxation follows a young woman in Manhattan in 2000 who decides to sleep for a year with the help of a careless psychiatrist and a cabinet of prescriptions. Eileen, about a prison secretary in 1960s Massachusetts, was shortlisted for the Booker Prize in 2016.

The novel most often handed to readers who loved The Bell Jar, and the comparison holds: a privileged, intelligent young woman in New York who cannot make herself want the life she has been offered, narrated with savage comedy. Moshfegh is nastier than Plath and more deadpan, but the anger is the same anger.

— Lisanne
09
The confessional line, rewritten

Ocean Vuong

Vietnamese-American · b. 1988 · Poet and novelist · T.S. Eliot Prize 2017

Vuong was born near Saigon in 1988 and raised in Hartford, Connecticut. Night Sky with Exit Wounds won the T.S. Eliot Prize in 2017. On Earth We're Briefly Gorgeous is a novel written as a letter from a son to a mother who cannot read it, about war, addiction and first love.

The clearest proof that Plath's way of writing the self is still alive. Vuong writes family and the body with the same intensity and the same compressed, startling image, but he points it outward, at a history as much as at a self. Start with the poems if it was Ariel you loved.

— Lisanne

Every book by Ocean Vuong →

10
The counterpoint

Elizabeth Bishop

American · b. 1911 · Poet · Pulitzer 1956

Bishop published only about a hundred poems and won the Pulitzer in 1956. She had as much private grief as any confessional poet — her father died before she was one and her mother was committed when she was five — and wrote about it almost never directly. She was Lowell's closest friend for thirty years and objected strongly when he put Hardwick's letters into The Dolphin.

The poet to read when you want to understand what the confessional school was arguing against. Bishop keeps the camera on the world and lets the feeling leak in at the edges; “One Art” is a poem about loss that never raises its voice. After a lot of Plath she is a relief, and she makes Plath's choices clearer.

— Lisanne

Where to start if you loved Sylvia Plath

If you want The Bell Jar again, read Janet Frame.

Faces in the Water: the same sharp voice, from much further inside the hospital.

If you want Ariel's nerve, read Anne Sexton.

Live or Die — the friend and rival, louder and funnier.

If you want it written now, read Ottessa Moshfegh.

My Year of Rest and Relaxation: Esther Greenwood in 2000, with a prescription pad.

If you want the other side of the argument, read Elizabeth Bishop.

Geography III, and then “One Art” twice.

Frequently asked questions about authors like Sylvia Plath

Who should I read if I love Sylvia Plath?

Anne Sexton first — she and Plath were in Robert Lowell's poetry class together in 1959 and wrote the two bodies of work that define confessional poetry. For The Bell Jar, read Janet Frame's Faces in the Water and Susanna Kaysen's Girl, Interrupted, which is set in the same hospital. Among living poets, Sharon Olds and Louise Glück are the closest, and Ocean Vuong carries the same intensity into a new generation.

What books are like The Bell Jar?

Janet Frame's Faces in the Water (1961) and Susanna Kaysen's Girl, Interrupted (1993) are the closest on subject: a young woman's breakdown and hospitalisation, told in her own sharp voice. Ottessa Moshfegh's My Year of Rest and Relaxation (2018) is the nearest modern novel in tone. Virginia Woolf's Mrs Dalloway is the older book that does the interior the same way.

Who are the confessional poets?

The name was first used in a 1959 review of Robert Lowell's Life Studies, and is usually applied to Lowell, Anne Sexton, Sylvia Plath, W.D. Snodgrass and John Berryman: American poets of the late 1950s and 1960s who wrote openly about family, marriage, sex and mental illness. Most of them disliked the label. Sharon Olds and Louise Glück are often named as the next generation.

Was Ted Hughes a confessional poet?

Not in his main work, which is about animals, landscape and myth. But Birthday Letters (1998), published months before he died, is a book of eighty-eight poems addressed to Plath about their marriage, and it is the one place he wrote in her mode. It is worth reading after Ariel, though it is his side of the story and should be read as that.

What is the new Sylvia Plath poetry collection?

The Poems of Sylvia Plath, published by Faber in May 2026 and edited by Amanda Golden and Karen V. Kukil. It almost doubles the content of the 1981 Collected Poems that Ted Hughes edited and includes many poems left out of it. Faber also published a 60th-anniversary edition of The Bell Jar in February 2026, marking the first UK edition under Plath's own name in 1966.

Footnotes

Written by Lisanne Swart, who has curated reading lists and author guides at lisanneswart.com since 2021. Every comparison here is a judgement about method and subject, not an algorithmic match. See more on her personal bookshelf.

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