Reading List · Lisanne Swart

Authors Like Anna Deavere Smith

Smith invented a documentary theatre method entirely her own — conducting hundreds of interviews around a moment of social crisis, then performing the subjects’ own words verbatim, embodying dozens of real people in a single show. This list is for readers and theatregoers who want more of that tradition: playwrights working in verbatim and documentary theatre, and journalists whose method of letting real voices carry the story shares her underlying conviction that ordinary testimony is more honest than official narrative.

By Lisanne Swart · 6 authors · Documentary Theatre · Verbatim Journalism · Updated August 2026


01
Oral History · The Voice That Stays Out of the Way

Studs Terkel

American · 1912 – 2008

Terkel spent decades recording ordinary Americans talking about their work and lives, then assembling those voices into books like Working with almost no editorial intrusion — the same commitment to unfiltered testimony that drives Smith’s theatre, just on the page instead of the stage.

Where Smith performs other people’s words herself, Terkel disappears entirely and lets the tape speak — read him to see the same conviction that real testimony beats official narrative, worked through a different medium.

02
Documentary Theatre · Contemporary

Moisés Kaufman

Venezuelan-American · b. 1963

Kaufman and the Tectonic Theater Project developed ‘moment work,’ a verbatim theatre technique used in The Laramie Project, built from hundreds of interviews conducted after the murder of Matthew Shepard, structurally close to Smith’s own interview-based method.

The clearest contemporary peer working in the same documentary theatre tradition — The Laramie Project and Twilight: Los Angeles are often taught and discussed together.

03
Oral History · Nobel Laureate

Svetlana Alexievich

Belarusian · b. 1948

Alexievich won the Nobel Prize in Literature for a body of work built almost entirely from interviews with ordinary Soviet and post-Soviet citizens — about war, Chernobyl, the collapse of the USSR — assembled into what she calls a ‘novel of voices.’

The international, Nobel-recognized version of Smith’s core method: testimony assembled without a conventional narrator, treated as literature in its own right.

04
Investigative Journalism

Katherine Boo

American · b. 1964

Boo spent over three years embedded in a Mumbai slum for Behind the Beautiful Forevers, and like Smith, deliberately kept herself out of the text, letting her subjects’ documented words and actions carry the entire story.

A different medium — narrative nonfiction rather than theatre — but the same underlying discipline: extensive interviewing and observation, with the author’s own voice minimized rather than centered.

→ Books Written by Katherine Boo

05
Theatre · Interview-Based

Eve Ensler (V)

American · b. 1953

Ensler’s The Vagina Monologues was built from over 200 interviews with women about their bodies and experiences, structured as a series of monologues performed by the writer herself — a similar interview-to-performance pipeline to Smith’s method, applied to a different subject.

Useful for readers interested in how interview-based theatre can center a single issue rather than a specific event, the way Smith’s plays typically do.

06
Reportage · Immersive Testimony

Ryszard Kapuściński

Polish · 1932 – 2007

Kapuściński’s The Emperor is built almost entirely from the testimony of former palace servants describing a collapsing regime, narrated in their own voices with minimal authorial intrusion — a print journalism cousin to Smith’s theatrical method.

Read him for a print equivalent of what Smith does on stage: letting a chorus of real voices, rather than a single narrator, build the full picture of a moment.

→ Books Written by Ryszard Kapuściński

Where to start if you loved Anna Deavere Smith

If you want the print equivalent, then read Studs Terkel.

The same commitment to unfiltered testimony, assembled on the page instead of the stage.

If you want a contemporary theatrical peer, then read Moisés Kaufman.

The Laramie Project uses a nearly identical verbatim interview method.

If you want the international, Nobel-level version, then read Svetlana Alexievich.

Her ‘novel of voices’ method shares Smith’s core conviction about testimony.

If you want her own work first, then start with her plays and books.

My complete guide to Anna Deavere Smith’s own work is the place to begin.

If you want more of this tradition, then keep exploring it.

My best plays and theatre books list has the natural successors.

Frequently asked questions about authors like Anna Deavere Smith

Who is the closest theatrical peer to Anna Deavere Smith?
Moisés Kaufman and the Tectonic Theater Project, whose ‘moment work’ technique used in The Laramie Project is structurally very close to Smith’s own verbatim interview-based method.
What is verbatim or documentary theatre?
A theatrical form built from real interviews or testimony, performed using the subjects’ own words rather than invented dialogue. Anna Deavere Smith is one of its most acclaimed practitioners, alongside writers like Moisés Kaufman.
Are there journalists who work similarly to Anna Deavere Smith?
Studs Terkel’s oral histories and Svetlana Alexievich’s interview-based ‘novels of voices’ share Smith’s core method — letting real testimony carry the story with minimal authorial intrusion, just in print rather than performance.
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