Reading List

Authors Like Claire Keegan

Small Things Like These is set in New Ross in 1985, in the weeks before Christmas. Bill Furlong, a coal and timber merchant, makes a delivery to the local convent, which also runs a laundry, and sees something there he cannot stop thinking about. That is almost the whole plot, and the book is little more than a hundred pages long. It was shortlisted for the Booker Prize in 2022, won the Orwell Prize for Political Fiction, and has since been named Book of the Century by readers of The Irish Times. Keegan was born in 1968 into a large Catholic farming family in County Wicklow, studied in New Orleans, and has published slowly: two story collections, Antarctica (1999) and Walk the Blue Fields (2007), then Foster (2010), which became The Quiet Girl, the first Irish-language film nominated for an Oscar, and So Late in the Day (2023). Readers come to her for the compression, for the moral weight carried by a single decision, and for endings that stop a sentence before you are ready. The writers below share that restraint: plain prose, very little explanation, and a great deal left for the reader to feel.

By Lisanne Swart · 10 authors · Irish fiction · The short form · Moral precision · Updated October 2026


Quick answer

If you love Claire Keegan, start with William Trevor, who picked her first book for a prize and is the writer she is most often measured against. John McGahern is the other essential Irish name, and one she reads herself. For the same quiet on a larger canvas, Colm Tóibín. Outside Ireland, Kent Haruf has the same plainness and Anton Chekhov is where the whole method begins.

10 authors like Claire Keegan

01
The ancestor · Closest match

William Trevor

Irish · b. 1928 · Short-story writer and novelist · Whitbread Book of the Year 1994

Trevor was born in Mitchelstown, County Cork, in 1928, and spent more than fifty years writing stories and short novels about provincial Irish and English lives quietly ruined by one decision or one failure of nerve. The Story of Lucy Gault, about a girl whose parents leave Ireland believing she has drowned, was shortlisted for the Booker Prize in 2002. He was given an honorary knighthood in 2002 and died in 2016. He chose Keegan's first collection, Antarctica, for the prize named after him.

The writer Keegan is most often compared to, and rightly. Trevor gives the same weight to an ordinary, unremarkable person, and he almost never comments on what he shows. If Foster made you want more of exactly that, the collected stories run to well over a thousand pages.

— Lisanne

Every book by William Trevor →

02
Rural Ireland, stripped bare

John McGahern

Irish · b. 1934 · Novelist

McGahern grew up in Leitrim and Roscommon. His second novel, The Dark (1965), was banned in Ireland and he lost his teaching job in Dublin as a result. Amongst Women, about a former IRA man ruling his daughters on a small farm, was shortlisted for the Booker Prize in 1990; That They May Face the Rising Sun (2002) follows a year among the neighbours of a lake. He died in 2006.

The other essential Irish name, and a writer Keegan has singled out herself: she has called the ending of The Barracks one of the finest by any Irish writer. McGahern does with a farmhouse kitchen what Keegan does with a coal yard — the institution is never named as the villain, but it is in every room.

— Lisanne
03
The same quiet, at novel length

Colm Tóibín

Irish · b. 1955 · Novelist

Tóibín was born in Enniscorthy, County Wexford, in 1955, and has set much of his fiction there. Brooklyn, about a young woman who emigrates to New York in the 1950s, won the Costa Novel Award; Nora Webster follows a widow rebuilding her life in Enniscorthy at the end of the 1960s; Long Island (2024) returns to the heroine of Brooklyn. The Master, about Henry James, was shortlisted for the Booker Prize in 2004.

Same country, same restraint, more room. Tóibín stays so close to a character's private decisions that the reader feels a choice being made in real time, which is exactly what happens to Furlong. Nora Webster is the closest in feeling to Keegan.

— Lisanne

Every book by Colm Tóibín →

04
The family, with the anger showing

Anne Enright

Irish · b. 1962 · Novelist · Booker 2007

Enright was born in Dublin in 1962. The Gathering, in which a woman returns for the wake of her brother, who has taken his own life, and works back through three generations of family secrets, won the Booker Prize in 2007. The Green Road, about four grown children called home to the west of Ireland by their mother, was Irish Novel of the Year in 2015.

Enright works the same Irish material — the family that will not name what happened to it — but in a sharper, more sardonic voice. Read her if the subject draws you and you want the anger closer to the surface than Keegan ever lets it come.

— Lisanne
Every book by Anne Enright →
05
The institutions, in a lyrical key

Sebastian Barry

Irish · b. 1955 · Novelist and playwright · Costa Book of the Year 2008

Barry recovers the lives of people left out of Irish history, often members of his own family. The Secret Scripture, narrated by a woman who has spent decades in a Irish psychiatric hospital, won the Costa Book of the Year in 2008, and Days Without End, about an Irish emigrant soldier in the American West, won it again in 2016; he is the only writer to have won it twice.

Where Keegan strips the prose bare, Barry lets it sing. The subject is the same, though: the women Irish institutions shut away, and the people nobody was counting. The Secret Scripture reads as a companion to Small Things Like These.

— Lisanne
06
The short form as a whole instrument

Alice Munro

Canadian · b. 1931 · Short-story writer · Nobel 2013

Munro spent her whole career writing short stories, most of them set in small-town Ontario, that carry the time-span of a novel. She won the Nobel Prize in 2013 as “master of the contemporary short story” and died in May 2024. Two months later her daughter Andrea Skinner wrote in the Toronto Star that Munro's husband, Gerald Fremlin, had sexually abused her as a child and that Munro had stayed with him after learning of it; Fremlin pleaded guilty to indecent assault in 2005.

The other great modern case for short fiction as enough. If Keegan showed you that a hundred pages can hold a whole life, Munro shows that thirty can, by moving through decades in a single story without ever seeming to hurry.

— Lisanne

Every book by Alice Munro →

07
The American equivalent

Kent Haruf

American · b. 1943 · Novelist

Haruf was born in Pueblo, Colorado, and set all six of his novels in the fictional plains town of Holt. Plainsong, about a teacher, a pregnant teenager and two elderly bachelor farmers, was a finalist for the National Book Award. Our Souls at Night, about two widowed neighbours who begin spending their nights together, was published in 2015, the year after his death.

The closest match in feeling outside Ireland. Haruf writes in plain declarative sentences, refuses to explain his people, and builds his books around ordinary decency under pressure — which is exactly what Furlong is faced with. Our Souls at Night is also short enough to read in an evening.

— Lisanne

Every book by Kent Haruf →

08
Where the method begins

Anton Chekhov

Russian · b. 1860 · Short-story writer and playwright

Chekhov trained and worked as a doctor while writing hundreds of short stories, and later the plays The Seagull, Uncle Vanya, Three Sisters and The Cherry Orchard. His stories, among them “Peasants” and “The Lady with the Dog”, changed the short story into a form built on implication rather than plot. He died of tuberculosis in 1904, at forty-four.

Keegan has named “Peasants” among the books that matter most to her and praised Chekhov's economy and light hand. The lineage is visible on the page: the lack of judgement, the small gesture that carries the whole story, and the ending that leaves the decision with the reader.

— Lisanne

Every book by Anton Chekhov →

09
Her favourite American

Flannery O'Connor

American · b. 1925 · Short-story writer · National Book Award 1972

O'Connor was born in Savannah, Georgia, lived most of her adult life on her mother's farm near Milledgeville after a lupus diagnosis in 1950, and died in 1964 at thirty-nine. A devout Catholic, she wrote two novels and two collections of stories about grace arriving violently in the rural South. The Complete Stories won the National Book Award in 1972. Her published letters contain racist remarks, and in 2020 Loyola University Maryland removed her name from a residence hall.

Keegan has called O'Connor her favourite American short-story writer, and the connection is the Catholic moral imagination: a single moment in which a character is offered a chance to do right. O'Connor is darker and far funnier, but both writers build a story towards that one choice.

— Lisanne

Every book by Flannery O'Connor →

10
The contemporary Irish voice

Donal Ryan

Irish · b. 1976 · Novelist

Ryan was born in north Tipperary in 1976 and worked as a civil servant at the National Employment Rights Authority; his first two novels were rejected dozens of times before publication. The Spinning Heart, set in a rural village after the Celtic Tiger crash and told in twenty-one voices, won the Guardian First Book Award and was longlisted for the Booker Prize in 2013. He received the European Union Prize for Literature in 2015.

Short, Irish and morally serious, with the same ear for how people in a small place speak around a thing rather than about it. Where Keegan holds a single note, Ryan builds a chorus, but the economy is the same.

— Lisanne

Where to start if you loved Claire Keegan

If you want the closest match, read William Trevor.

Start with the collected stories: the writer Keegan is measured against, and he holds up.

If you loved Small Things Like These, read John McGahern.

Amongst Women is the same restraint aimed at a family instead of an institution.

If you loved Foster, read Colm Tóibín.

Nora Webster gives you that interiority at novel length, without ever raising its voice.

If you want to go back to the source, read Anton Chekhov.

“Peasants” and “The Lady with the Dog”: the economy Keegan says she learned from.

Frequently asked questions about authors like Claire Keegan

Who should I read if I love Claire Keegan?

William Trevor is the closest — Irish, short, unsparing about small cruelties, and almost free of authorial comment; he chose Keegan's first collection for the prize named after him. John McGahern is the other essential Irish name, especially Amongst Women. Outside Ireland, Kent Haruf's Colorado novels share the plainness and the moral weight, and Anton Chekhov is where the whole method begins.

What books are like Small Things Like These?

For the same subject — Irish institutions and the women they shut away — read Sebastian Barry's The Secret Scripture. For the same restraint, John McGahern's Amongst Women and William Trevor's The Story of Lucy Gault. For a short novel about ordinary decency, Kent Haruf's Our Souls at Night.

What books are like Foster?

Foster is about a girl sent to live with relatives on a farm for a summer. The closest books in feeling are William Trevor's stories, Colm Tóibín's Nora Webster and Kent Haruf's Plainsong, all of which follow people being quietly kind, or failing to be, without the narrator stepping in.

Which writers does Claire Keegan admire?

In a list of books that matter to her, Keegan named Chekhov's “Peasants”, James Joyce's Dubliners, Flannery O'Connor's Complete Stories — O'Connor is her favourite American short-story writer — John McGahern's The Barracks, Thomas Hardy's Tess of the d'Urbervilles, Pat Barker's Regeneration, Louis MacNeice's poems and Elizabeth Bishop's Geography III.

Are there other authors who write very short novels like Claire Keegan?

Yes. Kent Haruf's Our Souls at Night, John McGahern's Amongst Women and William Trevor's late novels are all short. For stories that carry a novel's weight, Alice Munro and Chekhov are the masters, and Donal Ryan's The Spinning Heart is a short novel told in twenty-one voices.

Which Irish authors are similar to Claire Keegan?

William Trevor and John McGahern are the direct ancestors. Among living writers, Colm Tóibín shares the interiority and restraint, Anne Enright the family material with more anger, Sebastian Barry the institutional history in a more lyrical voice, and Donal Ryan the compression.

Is Claire Keegan similar to Sally Rooney?

Not particularly, beyond both being contemporary Irish writers with very large international readerships. Rooney writes longer, dialogue-driven novels about young people talking through their relationships; Keegan writes very short fiction in which almost nobody says what they mean. Readers who want Keegan's restraint should look to Trevor and McGahern instead.

Footnotes

Written by Lisanne Swart, who has curated reading lists and author guides at lisanneswart.com since 2021. Every comparison here is a judgement about method and subject, not an algorithmic match. See more on her personal bookshelf.

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