Reading List

Authors Like Jack Kerouac

In April 1951, in about three weeks, Jack Kerouac typed On the Road single-spaced, with no margins and no paragraph breaks, on sheets pasted together into a roll roughly 120 feet long, so that he never had to stop to feed in paper. Viking published a revised version six years later, on 5 September 1957, and a rave in The New York Times made him famous almost overnight. The book is a thinly disguised account of his trips across America with Neal Cassady, who appears as Dean Moriarty, with Allen Ginsberg as Carlo Marx and William S. Burroughs as Old Bull Lee. What readers come to Kerouac for is usually one of two things — the motion, or the Buddhism of The Dharma Bums (1958) — and the long, breathless, confessional sentence that carries both. The writers below are the friends who were in the car, the women who were written out of the story, the novelists Kerouac learned from, and the ones who took the road on after him.

By Lisanne Swart · 10 authors · Beat Generation · Road writing · Spontaneous prose · Updated October 2026


Quick answer

If you love Jack Kerouac, start with the friends who were in the car: Allen Ginsberg, whose Howl made the same argument in verse, and William S. Burroughs. For the Buddhism and the mountains, read Gary Snyder, the real Japhy Ryder. For the Beat years seen by the women in them, Joyce Johnson and Diane di Prima. And for the road a decade later, Ken Kesey.

10 authors like Jack Kerouac

01
Beat · Poetry

Allen Ginsberg

American · b. 1926 · Poet · National Book Award 1974

Ginsberg met Kerouac in New York in the mid-1940s, while he was a student at Columbia, and appears in On the Road as Carlo Marx. He first read “Howl” at the Six Gallery in San Francisco in 1955; City Lights published it in 1956, and in 1957 Judge Clayton Horn ruled at the obscenity trial that it was not obscene. The Fall of America shared the National Book Award in 1974, the year he and Anne Waldman founded the Jack Kerouac School of Disembodied Poetics at Naropa. He was a member of the North American Man/Boy Love Association, which he said he joined in defence of free speech.

The other half of the same movement, and the one who kept it alive for forty more years. Howl and On the Road came out a year apart and make the same argument in two forms: long, incantatory lines about the friends society wrote off. Read Ginsberg for the sound Kerouac was chasing in prose.

— Lisanne
02
Beat · Experimental

William S. Burroughs

American · b. 1914 · Novelist

Burroughs was the older figure of the original circle and appears in On the Road as Old Bull Lee. In early 1957 Kerouac and Ginsberg visited him in Tangier and helped type and assemble the fragments that became Naked Lunch, published in Paris in 1959; its title came from Ginsberg's misreading of a phrase in Burroughs' manuscript, which Kerouac urged him to keep. In 1951 in Mexico City he shot and killed his wife, Joan Vollmer; he left Mexico before the trial ended and was convicted in absentia and given a two-year suspended sentence.

By far the strangest writer of the three, and the one to read if what draws you to the Beats is the willingness to break the form rather than the romance of the road. Where Kerouac's sentences rush forward, Burroughs' book is a set of hallucinatory routines arranged in no fixed order — the same refusal of the well-made novel, pushed to its limit.

— Lisanne
Every book by William S. Burroughs →
03
Beat · Buddhism

Gary Snyder

American · b. 1930 · Poet · Pulitzer 1975

Snyder read at the same 1955 Six Gallery reading as Ginsberg, worked as a fire lookout in the North Cascades in 1952 and 1953, translated the Cold Mountain poems of the Chinese recluse Han Shan, and from 1956 spent most of the next thirteen years in Japan studying Zen, becoming a disciple of the abbot of Daitoku-ji in Kyoto. He is the model for Japhy Ryder in The Dharma Bums. Turtle Island won the Pulitzer Prize for Poetry in 1975.

He is what Kerouac wanted to become in The Dharma Bums and could not: the mountains, the meditation and the discipline, kept up for a lifetime. His poems are plain, physical and quiet, the opposite of Kerouac's rush. Read him if the mountain-and-meditation Kerouac is the one you liked.

— Lisanne

Every book by Gary Snyder →

04
Beat · The women's side

Joyce Johnson

American · b. 1935 · Memoirist and novelist · National Book Critics Circle Award 1983

Johnson, born Joyce Glassman in New York, was twenty-one when Allen Ginsberg set her up on a blind date with Kerouac in January 1957, eight months before On the Road came out. Minor Characters, her memoir of those years, won the National Book Critics Circle Award in 1983. She later published their letters as Door Wide Open (2000) and a biography of Kerouac's early years, The Voice Is All (2012).

The necessary correction to every other book on this list. The road was open to the men; Johnson writes what it was to be the person waiting in the apartment, and she writes it with a precision most of them never managed. The Voice Is All is also one of the best books about how Kerouac found his style.

— Lisanne
05
Beat · Poetry

Diane di Prima

American · b. 1934 · Poet

Di Prima was born in Brooklyn; her first book, This Kind of Bird Flies Backward (1958), came out from Totem Press, run by Hettie Jones and LeRoi Jones, and with LeRoi Jones she edited the newsletter The Floating Bear, which got her arrested by the FBI in 1961 over two poems it printed. Memoirs of a Beatnik appeared from Olympia Press in 1969, Revolutionary Letters in 1971 and her long poem Loba in 1978. She was named poet laureate of San Francisco in 2009.

The Beat Generation from inside, written by a woman who was not waiting for anyone. Di Prima shares Kerouac's appetite and speed, but she is funnier about sex, sharper about money and far more political. Memoirs of a Beatnik is the bohemian New York of the 1950s with the romance and the bravado deliberately turned up.

— Lisanne
06
Acknowledged influence

Thomas Wolfe

American · b. 1900 · Novelist

Wolfe, from Asheville, North Carolina, wrote enormous, rhapsodic autobiographical novels about a young man's hunger for America. His editor at Scribner's, Maxwell Perkins, cut the manuscript of Look Homeward, Angel heavily before it appeared in 1929, and condensed a far longer manuscript into Of Time and the River. He died in 1938, aged 37. Kerouac's first novel, The Town and the City (1950), was heavily influenced by him.

Where the sound comes from. Kerouac took from Wolfe the idea that his own life and America itself could be the subject of one long, lyrical book, and the long, cataloguing sentence that goes with it. Read Look Homeward, Angel to hear On the Road's rhythm a generation earlier.

— Lisanne
07
Precursor · Autobiographical

Henry Miller

American · b. 1891 · Novelist

Miller wrote first-person, loosely structured, sexually explicit autobiographical novels about being broke in Paris. Tropic of Cancer was published there in 1934 and kept out of the United States by Customs; Grove Press published it in America in 1961, and in 1964 the Supreme Court overruled state findings that it was obscene. He wrote the preface to the Avon paperback of Kerouac's The Subterraneans.

The clearest precursor. Kerouac's spontaneous prose is Miller's method — the self as subject, written fast, without apology — with the engine of a car under it instead of a Paris garret. Miller is cruder and more cynical, and his sexual politics have aged worse, but the line between them is direct.

— Lisanne

Every book by Henry Miller →

08
The next generation

Ken Kesey

American · b. 1935 · Novelist

Kesey wrote One Flew Over the Cuckoo's Nest out of his work as a night aide at the Menlo Park veterans' hospital, where he had also volunteered for government-funded LSD trials. In June 1964 he and the Merry Pranksters set off across America in a painted school bus, Furthur, with Neal Cassady — the model for Dean Moriarty — driving the eastbound leg; in New York, Cassady introduced Kesey to Kerouac and Ginsberg.

The literal bridge from the Beats to the counterculture: the same continent, the same restlessness and the same driver, ten years later. His novels are more conventionally built than Kerouac's, but Sometimes a Great Notion has the same scale of ambition. Tom Wolfe's The Electric Kool-Aid Acid Test is the account of that bus trip from outside.

— Lisanne
09
Gonzo · The road

Hunter S. Thompson

American · b. 1937 · Journalist

Thompson took the first-person American road narrative into journalism and let the reporter's own state become the story. Fear and Loathing in Las Vegas, about two drug-fuelled trips to Las Vegas with the lawyer Oscar Zeta Acosta, ran in Rolling Stone in November 1971 and came out as a book, illustrated by Ralph Steadman, in 1972. At the Beat Generation conference at New York University in 1994 he said that On the Road convinced him his own writing could find a publisher.

The direct descendant: same country, same car, same conviction that the trip is the point. The difference is temperament. Kerouac is searching for something and half believes he will find it; Thompson, a decade of disillusionment later, has concluded the search is a joke, and that is what makes Fear and Loathing so funny.

— Lisanne

Every book by Hunter S. Thompson →

10
Autobiographical · Low life

Charles Bukowski

German-American · b. 1920 · Poet and novelist

Bukowski was born in Andernach, Germany, and grew up in Los Angeles. He worked for the US Postal Service for more than a decade, quit in 1969 with financial backing from John Martin of Black Sparrow Press, and wrote Post Office in less than a month. His novels, including Factotum (1975) and Ham on Rye (1982), follow his alter ego Henry Chinaski through drinking, dead-end jobs and bad relationships.

No romance about the road at all — just the drinking, the rent and the wreckage, told in plain, short sentences. Read him if the Kerouac you recognise is the one who drank himself to death at forty-seven rather than the one in the car. Both write thinly veiled autobiography in the first person; Bukowski simply refuses to call it a quest.

— Lisanne

Where to start if you loved Jack Kerouac

If you want the friends, read Allen Ginsberg.

Howl and Other Poems: the same argument as On the Road, in verse, a year earlier.

If you want the Buddhism, read Gary Snyder.

Riprap: the real Japhy Ryder, who went and did it.

If you want the other side of the story, read Joyce Johnson.

Minor Characters: the Beat years from inside the apartment rather than the car.

If you want the road a decade later, read Ken Kesey.

Then Tom Wolfe's The Electric Kool-Aid Acid Test, with Neal Cassady at the wheel again.

Frequently asked questions about authors like Jack Kerouac

Who should I read if I love Jack Kerouac?

Allen Ginsberg and William S. Burroughs first: they were the same movement, met Kerouac in New York in the mid-1940s and appear in On the Road as Carlo Marx and Old Bull Lee. For the Buddhism of The Dharma Bums, read Gary Snyder, the real Japhy Ryder. For the women's side of the Beat years, Joyce Johnson and Diane di Prima. For where his style came from, Thomas Wolfe; for where the road went next, Ken Kesey and Hunter S. Thompson.

What books are like On the Road?

Hunter S. Thompson's Fear and Loathing in Las Vegas (1972) is the road trip a decade and a half later, and Thompson said On the Road made him believe he could be published. Tom Wolfe's The Electric Kool-Aid Acid Test (1968) follows Ken Kesey's 1964 bus trip with Neal Cassady driving. Joyce Johnson's Minor Characters (1983) covers the same people and years from the point of view of the women left behind, and Diane di Prima's Memoirs of a Beatnik (1969) is the same bohemian New York written by a woman.

What should I read after The Dharma Bums?

Gary Snyder, the poet Japhy Ryder is based on: start with Riprap (1959) or Turtle Island, which won the Pulitzer Prize for Poetry in 1975. Kerouac's own Desolation Angels picks up with his summer as a fire lookout on Desolation Peak in 1956. Allen Ginsberg's later poetry, after he became a practising Buddhist, is the other natural next step.

Were there women writers in the Beat Generation?

Yes, and they were left out of most early accounts. Joyce Johnson, Diane di Prima, Hettie Jones and Carolyn Cassady were all there and all wrote about it. Johnson's Minor Characters, a memoir of the Beat years that includes her relationship with Kerouac, won the National Book Critics Circle Award in 1983; di Prima published her first book in 1958 and became poet laureate of San Francisco in 2009.

Which writers influenced Jack Kerouac?

Thomas Wolfe above all: Kerouac's first novel, The Town and the City (1950), is heavily influenced by him, and Wolfe's long, lyrical autobiographical novels about America are the clearest source of Kerouac's ambition and rhythm. Henry Miller's first-person, unapologetic autobiographical fiction is the other clear precursor; Miller later wrote the preface to a paperback edition of The Subterraneans.

Is Hunter S. Thompson similar to Jack Kerouac?

They share the American road, the first-person method and the drugs, but not the temperament. Thompson started reading Kerouac in the late 1950s and said in 1994 that On the Road convinced him his own writing could find a publisher. Kerouac is searching for something and half believes he will find it; Thompson has already concluded the search is a joke.

Which Jack Kerouac book should I read first?

On the Road (1957) is the usual first book and still the best way in. The Dharma Bums (1958) is shorter, warmer and easier, and is the better start if the Buddhism interests you more than the driving. Every title is covered, in order, in my guide to the books written by Jack Kerouac.

Footnotes

Written by Lisanne Swart, who has curated reading lists and author guides at lisanneswart.com since 2021. Every comparison here is a judgement about method and subject, not an algorithmic match. See more on her personal bookshelf.

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