Reading List

Authors Like John Berendt

John Berendt was a New York magazine man — an associate editor at Esquire in the 1960s, editor of New York from 1977 to 1979, an Esquire columnist from 1982 — when he started spending time in Savannah, Georgia, and in 1985 he more or less moved there. He stayed on and off for eight years. At the centre of what he found was a killing: in May 1981 the antiques dealer Jim Williams shot Danny Hansford, a young man who worked for him, in Mercer House on Monterey Square, and was tried four times over eight years before he was finally acquitted. Midnight in the Garden of Good and Evil came out in January 1994 and spent a record 216 weeks on the New York Times best-seller list. Readers come to it less for the trial than for the town: the Lady Chablis, the voodoo practitioner Minerva, the piano-playing host Joe Odom, a city that would rather gossip than judge. Berendt did it again in Venice with The City of Falling Angels (2005), built around the fire that destroyed the Fenice opera house in 1996. The writers below share his method or his material — a real place observed long enough for its own cast to carry the story, or the South at its strangest, or society and crime in the same room.

By Lisanne Swart · 10 authors · Narrative nonfiction · True crime · The eccentric South · Updated October 2026


Quick answer

If you love John Berendt, start with Truman Capote, whose In Cold Blood invented the form Berendt works in. For the same patience with a place and its oddballs, read Susan Orlean's The Orchid Thief. For murder among the rich, written by someone who knew them, Dominick Dunne. And for the Savannah behind the book, Flannery O'Connor, who grew up on Lafayette Square.

10 authors like John Berendt

01
Where the form started · Closest match

Truman Capote

American · b. 1924 · Novelist and reporter

Capote was born in New Orleans and spent part of his childhood in Monroeville, Alabama, next door to Harper Lee. In Cold Blood, his account of the 1959 murder of the Clutter family in Holcomb, Kansas, was serialised in The New Yorker and published as a book in 1966, and won the Edgar Award for fact crime. Capote called it “immaculately factual”, but later research, including Kansas Bureau of Investigation files reported in 2013, found errors, and his biographer Gerald Clarke said the final scene was invented.

The direct ancestor. Capote showed that a real murder could be written with a novelist's control of scene, voice and timing, and Berendt took that licence to Savannah. The difference is temperature: Capote is grave and fixed on the killers, Berendt is amused and fixed on the town. Both books also share the same argument about how far a writer may arrange the facts.

— Lisanne

Every book by Truman Capote →

02
Same method, Florida swamps

Susan Orlean

American · b. 1955 · Reporter

Orlean has been a staff writer at The New Yorker since 1992. The Orchid Thief follows the Florida orchid collector John Laroche and the obsessive world around him, and became the basis for Spike Jonze's film Adaptation (2002). The Library Book is built around the April 1986 fire at the Los Angeles Central Library.

The closest match in method. Orlean, like Berendt, goes to a place, stays, and lets one magnetic eccentric lead her into a whole subculture. The Library Book pairs especially well with The City of Falling Angels: both use a fire in a beloved public building to open up a city.

— Lisanne

Every book by Susan Orlean →

03
Murder in society

Dominick Dunne

American · b. 1925 · Reporter and novelist

Dunne turned to journalism after his daughter, the actress Dominique Dunne, was killed in 1982; his account of her killer's trial ran in Vanity Fair in March 1984. For the next twenty-five years he covered the trials of the rich and famous for the magazine, among them Claus von Bülow, the Menendez brothers and O.J. Simpson. His novels, beginning with The Two Mrs. Grenvilles, fictionalise real society killings. In 2005 he settled a slander suit brought by the former congressman Gary Condit and apologised.

If what held you in Midnight was money, manners and a murder trial in the same room, Dunne is the writer who made that his whole career. He is angrier than Berendt and much closer to his subjects, but he has the same ear for what people say at parties when a killing is the only topic.

— Lisanne
04
Savannah's own

Flannery O'Connor

American · b. 1925 · Novelist and short-story writer · National Book Award 1972

O'Connor was born in Savannah in 1925 and lived until 1938 at 207 East Charlton Street on Lafayette Square, a few blocks from Mercer House. She spent most of her adult life in Milledgeville, Georgia, writing two novels and two collections of stories about violence, grace and the grotesque in the rural South. The Complete Stories won the National Book Award in 1972, after her death.

The fiction that explains the place. Berendt's Savannah is full of people other cities would call grotesque and Savannah calls neighbours; O'Connor wrote that Georgia with far more violence and far less charm. Read her stories after Midnight to see the same eccentricity without the cocktail party.

— Lisanne

Every book by Flannery O'Connor →

05
A Southern city's comic cast

John Kennedy Toole

American · b. 1937 · Novelist · Pulitzer 1981

Toole was born in New Orleans and died by suicide in 1969, with his novel unpublished. His mother, Thelma Toole, spent years pressing the manuscript on the novelist Walker Percy, who wrote its foreword; LSU Press published A Confederacy of Dunces in 1980, and it won the Pulitzer Prize for Fiction in 1981.

The novel that does for New Orleans what Midnight does for Savannah: a sprawling cast of local eccentrics, each one stranger than the last, and a city that seems to produce them. Ignatius J. Reilly would have been a regular at Joe Odom's house. Toole's book is fiction, but readers who loved the comedy in Berendt's book usually love this.

— Lisanne

Every book by John Kennedy Toole →

06
Berendt's Esquire, the 1960s

Gay Talese

American · b. 1932 · Reporter

Talese left The New York Times in 1965 to write for Esquire, where “Frank Sinatra Has a Cold”, a profile written without an interview with Sinatra, ran in 1966. His books include Honor Thy Father (1971), on the Bonanno crime family, and the memoir Unto the Sons (1992). In 2016 the credibility of The Voyeur's Motel was questioned after The Washington Post found its subject had not owned the motel for part of the period he described; Talese briefly disowned the book, then withdrew that statement.

The magazine school Berendt came out of. Talese and Berendt were both at Esquire in the 1960s, and both work by hanging around: watching the people near a subject until the subject reveals itself. Talese's manner is cooler and more formal, but the patience is the same.

— Lisanne

Every book by Gay Talese →

07
Status and the Southern city

Tom Wolfe

American · b. 1930 · Reporter and novelist

Wolfe was born in Richmond, Virginia, and became the best-known name of the New Journalism, which brought fiction's techniques to reporting, in books such as The Electric Kool-Aid Acid Test (1968) and The Right Stuff (1979). He then turned to the novel: The Bonfire of the Vanities is set in 1980s New York, and A Man in Full follows a failing Atlanta property developer.

Wolfe is the great observer of status, and that is half of what Midnight is about: who gets asked to which party in Savannah, and why. A Man in Full takes the same interest to Atlanta, with the old South and the new money in the same room. Wolfe is louder and more satirical; Berendt lets the snobbery speak for itself.

— Lisanne

Every book by Tom Wolfe →

08
A real crime inside a portrait of a city

Erik Larson

American · b. 1954 · Historian

Larson was a features writer for The Wall Street Journal and Time before writing narrative history. The Devil in the White City sets the building of the 1893 Chicago World's Fair beside the crimes of the serial killer H.H. Holmes; it won the 2004 Edgar Award for fact crime and was a National Book Award finalist. His later books include In the Garden of Beasts (2011) and The Splendid and the Vile (2020).

Like Berendt, Larson uses a murder as the spine of a much larger portrait of a city and its society. He works from archives rather than from living witnesses, so the texture is different — less gossip, more period detail — but the pleasure of watching a whole world assemble around a crime is the same.

— Lisanne

Every book by Erik Larson →

09
A local murder case, rebuilt

David Grann

American · b. 1967 · Reporter

Grann is a staff writer at The New Yorker. Killers of the Flower Moon reconstructs the killings of members of the Osage Nation in 1920s Oklahoma and the early FBI's investigation; it won the Edgar Award for fact crime and was a National Book Award finalist. The Lost City of Z (2009) and The Wager (2023) are adventure histories.

Grann shares Berendt's interest in how a community closes ranks around a killing, and how long the truth takes to come out. He is the more rigorous of the two, and darker: what is comedy in Savannah is a conspiracy in Osage County. Read Killers of the Flower Moon if the trial was what kept you turning pages.

— Lisanne

Every book by David Grann →

10
The essayist of place

Joan Didion

American · b. 1934 · Essayist · National Book Award 2005

Didion was born in Sacramento and made her name with the essays of Slouching Towards Bethlehem and The White Album, about California in the 1960s and 70s. The Year of Magical Thinking, about the year after the death of her husband, the writer John Gregory Dunne — Dominick Dunne's brother — won the National Book Award in 2005.

Read Didion for the other way of writing a place: Berendt lets a city perform, Didion reads it for signs of what is going wrong. Her California is as specific as his Savannah, but colder. She is the writer to go to when you want the atmosphere of Midnight with a sharper argument underneath.

— Lisanne

Every book by Joan Didion →

Where to start if you loved John Berendt

If you want the form at its source, read Truman Capote.

In Cold Blood: the nonfiction novel Midnight descends from.

If you want the eccentrics again, read Susan Orlean.

The Orchid Thief: one Florida obsessive, and everyone around him.

If you want society and a trial, read Dominick Dunne.

Justice, his Vanity Fair trial pieces, then The Two Mrs. Grenvilles.

If you want the South in fiction, read John Kennedy Toole.

A Confederacy of Dunces: New Orleans, as strange as Savannah.

Frequently asked questions about authors like John Berendt

Who should I read if I love John Berendt?

Truman Capote first: In Cold Blood (1966) created the nonfiction novel that Midnight in the Garden of Good and Evil belongs to. Susan Orlean is the closest living writer in method, Dominick Dunne wrote murder among the rich for twenty-five years, and Erik Larson and David Grann build big narratives around real crimes. For the South in fiction, read Flannery O'Connor and John Kennedy Toole.

What books are like Midnight in the Garden of Good and Evil?

Capote's In Cold Blood for a real murder told like a novel; Susan Orlean's The Orchid Thief for a place and its eccentrics; Dominick Dunne's The Two Mrs. Grenvilles for a society killing; Erik Larson's The Devil in the White City for a crime set inside a portrait of a city; and John Kennedy Toole's A Confederacy of Dunces for a Southern city's comic cast.

Is Midnight in the Garden of Good and Evil a true story?

Mostly. The shooting of Danny Hansford by Jim Williams in May 1981 and Williams's four trials are real, and so are many of the people. But Berendt took liberties: he did not meet several of the characters until 1985 or later, moved the shooting to the middle of the book, and invented or combined some relationships. Some of the people he portrayed disputed how they were shown.

What else has John Berendt written?

One other book: The City of Falling Angels (2005), about Venice in the years after the fire that destroyed the Fenice opera house in 1996. It uses the same method as Midnight — a real event, and the people of a city who gather around it. Before that he spent his career in magazines, at Esquire and as editor of New York.

Is there a film of Midnight in the Garden of Good and Evil?

Yes. Clint Eastwood directed it in 1997, with Kevin Spacey as Jim Williams, Jude Law as Danny Hansford and John Cusack as John Kelso, a character loosely based on Berendt. The Lady Chablis played herself. It premiered in Savannah in November 1997.

Did Midnight in the Garden of Good and Evil win the Pulitzer?

No. It was a finalist for the Pulitzer Prize for General Nonfiction in 1995. It did set a record of 216 weeks on the New York Times best-seller list.

Footnotes

Written by Lisanne Swart, who has curated reading lists and author guides at lisanneswart.com since 2021. Every comparison here is a judgement about method and subject, not an algorithmic match. See more on her personal bookshelf.

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