Reading List

Authors Like Anthony Trollope

Anthony Trollope joined the General Post Office as a junior clerk in 1834, and in 1841 volunteered for an unwanted surveyor’s post in central Ireland, inspecting mail routes from a base in Banagher. He is credited with bringing the pillar box to Britain. He wrote before work: at his table every morning at 5.30, woken by an old groom he paid £5 a year extra for the duty, with his watch in front of him and a target of 250 words every quarter of an hour. By his death in 1882 he had published 47 novels, among them the six Chronicles of Barsetshire, beginning with The Warden (1855), and the six Palliser novels of politics and marriage. An Autobiography, published the year after he died, set out his word counts and earnings, and critics held it against him for decades. The ten writers below share his ground: money, marriage, institutions and the steady pressure of the neighbours.

By Lisanne Swart · 10 authors · Victorian novels · Clergy, money and politics · Updated October 2026


Quick answer

If you love Anthony Trollope, start with Margaret Oliphant, whose Chronicles of Carlingford follow the clergy and society of one provincial town, as Barsetshire does. For the provincial novel at its deepest, read George Eliot’s Middlemarch, and for parish comedy in the twentieth century, Barbara Pym. Further down are the writers he read and argued with, from Jane Austen to Charles Dickens, whom he parodied in The Warden.

10 authors like Anthony Trollope

01
The novel he ranked first

Jane Austen

British · Pride and Prejudice (1813), Emma (1815), Persuasion (1817)

Austen was born in 1775 at Steventon in Hampshire, where her father was the rector, and died in Winchester in 1817, aged 41. Her six novels follow young women of the gentry and the clergy through courtship, in a world where a husband’s income can decide a whole life. In An Autobiography Trollope recalled deciding as a young man that Pride and Prejudice was the best novel in the English language.

The writer behind Trollope’s comedy of marriage and money. Both weigh love against income without becoming cynical, and both set their sharpest scenes in drawing rooms and rectories. Austen works with a few families in a village; Trollope turns the same eye on a cathedral city and then on Parliament.

— Lisanne

Every book by Jane Austen →

02
Characters who come back

Honoré de Balzac

French · Eugénie Grandet (1833), Le Père Goriot (1835), Lost Illusions (1837–1843)

Balzac was born in Tours in 1799 and died in Paris in 1850. He gathered around ninety novels and stories into La Comédie humaine, a portrait of French society after Napoleon, and from Le Père Goriot onwards he brought characters such as the ambitious Eugène de Rastignac back from book to book. Money drives almost every plot: dowries, debts, inheritances and speculation.

The model for a fictional world built across many books. Trollope’s novels pass characters between them in the same way: Plantagenet Palliser first appears as a minor figure in The Small House at Allington, a Barsetshire novel. Balzac is hotter and more melodramatic; Trollope is calmer, and just as exact about what everything costs.

— Lisanne
03
The editor who brought him in

William Makepeace Thackeray

British · Vanity Fair (1847–1848), The History of Henry Esmond (1852)

Thackeray was born in Calcutta in 1811 and died in London in 1863. Vanity Fair, subtitled “A Novel without a Hero”, follows the penniless Becky Sharp as she climbs through English society in the years around Waterloo. As editor of the new Cornhill Magazine he encouraged Trollope to write for it, and Framley Parsonage was serialised there from 1860. In 1879 Trollope published a short book about him.

The closest of his contemporaries in tone. Both write social climbing and marriage as comedy with an edge, with a narrator who talks to the reader and refuses to make anyone a hero. Thackeray is the sharper satirist; Trollope is kinder to his characters, even the climbers.

— Lisanne
04
The reformer he parodied

Charles Dickens

British · Bleak House (1853), Little Dorrit (1857), Great Expectations (1861)

Dickens was born in Portsmouth in 1812 and died in Kent in 1870. His novels attack institutions: the Court of Chancery in Bleak House, the debtors’ prison and the Circumlocution Office in Little Dorrit. In The Warden (1855) Trollope mocked him as “Mr Popular Sentiment”, a novelist who turns a public scandal into a tearjerker. Dickens’s treatment of his wife Catherine, whom he left in 1858, has damaged his reputation; letters published in 2019 indicate he tried to have her committed to an asylum.

The writer whose work argues with Trollope’s. Both write about church charities, courts and government offices, but Dickens wants to expose and reform them, while Trollope shows how decent people end up on the wrong side of a bad system. Read The Warden beside Little Dorrit and you can follow the argument.

— Lisanne

Every book by Charles Dickens →

05
The small town, from the women’s side

Elizabeth Gaskell

British · Cranford (1853), North and South (1855), Wives and Daughters (1866)

Gaskell was born in London in 1810, grew up in Knutsford in Cheshire and married a Unitarian minister in Manchester. Cranford is a comedy of genteel women in a small town modelled on Knutsford, while North and South sets a clergyman’s daughter among the Manchester mill owners. She died in 1865 before finishing Wives and Daughters, which was published the following year.

Gaskell shares Trollope’s patience with small-town gossip, inheritance and the marriage market, and Wives and Daughters has the same slow, humane comedy as Doctor Thorne. She also brings in the industrial North and its workers, which Trollope’s cathedral close mostly leaves out.

— Lisanne

Every book by Elizabeth Gaskell →

06
Another clerical town

Margaret Oliphant

Scottish · Salem Chapel (1863), The Perpetual Curate (1864), Miss Marjoribanks (1866)

Oliphant was born near Musselburgh in 1828 and died in Wimbledon in 1897. Left a widow with young children, she wrote more than 120 books, from novels to histories, to support her family. Her Chronicles of Carlingford, serialised in Blackwood’s Magazine in the 1860s, are set in a provincial English town divided between church and chapel; Miss Marjoribanks follows a doctor’s daughter who sets out to organise its society.

The closest match to Barsetshire: a series of novels about one town, its clergy and its quarrels over livings and congregations. Oliphant is drier and more ironic about her heroines’ ambitions, and Lucilla Marjoribanks belongs beside Mrs Proudie as a woman determined to run everything.

— Lisanne
07
The provincial novel at full depth

George Eliot

British · Adam Bede (1859), The Mill on the Floss (1860), Middlemarch (1871–1872)

George Eliot was the pen name of Mary Ann Evans, born in Warwickshire in 1819; she died in London in 1880. Middlemarch, published in eight parts, follows the marriages and careers of a Midlands town around the time of the 1832 Reform Act, from an idealistic young woman who marries a dry elderly scholar to an ambitious doctor who falls into debt.

A natural companion to Barsetshire for its picture of a whole provincial town. Both novelists are interested in how money, gossip and marriage limit what decent people can do. Eliot stops to analyse her characters’ inner lives at length, where Trollope keeps the story moving.

— Lisanne

Every book by George Eliot →

08
Money and marriage in New York

Edith Wharton

American · The House of Mirth (1905), The Custom of the Country (1913), The Age of Innocence (1920)

Wharton was born into a wealthy New York family in 1862 and died in France in 1937. Her novels dissect old New York society and the new money pushing into it: Lily Bart in The House of Mirth cannot afford to marry for love, and Undine Spragg in The Custom of the Country marries her way upwards through a series of husbands. The Age of Innocence made her the first woman to win the Pulitzer Prize for the Novel, in 1921.

Wharton does for New York what Trollope does for London in The Way We Live Now: she follows money into marriage and shows society absorbing whoever it can profit from. Undine Spragg and Lizzie Eustace of The Eustace Diamonds would understand each other. Wharton is harder on her heroines, and her endings are bleaker.

— Lisanne

Every book by Edith Wharton →

09
Parish life, a century on

Barbara Pym

British · Excellent Women (1952), A Glass of Blessings (1958), Quartet in Autumn (1977)

Pym was born in Oswestry, Shropshire, in 1913 and died in 1980. Her comedies of curates, jumble sales and unmarried women in church congregations went out of fashion, and her publisher turned her down in 1963. In 1977 Philip Larkin and Lord David Cecil both named her one of the most underrated writers of the century in the Times Literary Supplement, and Quartet in Autumn was shortlisted for the Booker Prize that year.

The twentieth-century heir to Barchester’s clergy and their households. Pym shares Trollope’s amused patience with church politics and with women who notice everything, but her world is smaller and lonelier, and her heroines are usually the ones nobody marries.

— Lisanne

Every book by Barbara Pym →

10
A Trollope in the rectory

Joanna Trollope

British · The Choir (1988), A Village Affair (1989), The Rector’s Wife (1991)

Joanna Trollope was born in 1943 in her grandfather’s rectory in Minchinhampton, Gloucestershire, and Anthony Trollope was her fifth-generation uncle. The Choir, her first contemporary novel, is set around a cathedral choir; The Rector’s Wife, about a clergyman’s wife who takes a job to escape the parish, displaced Jeffrey Archer from the top of the hardback bestseller list. Critics labelled her books “Aga sagas”; she has called them “quite subversive, quite bleak”.

The family connection is real, and so is the shared subject: The Choir brings the cathedral politics of Barchester Towers into modern England. Joanna Trollope writes marriages from the inside and leaves public life alone, so she suits readers who come to Trollope for the families rather than the politics.

— Lisanne

Where to start if you loved Anthony Trollope

If you loved Barchester Towers, read Margaret Oliphant.

Miss Marjoribanks: a provincial town and the young woman determined to run it.

If you loved The Way We Live Now, read Edith Wharton.

The Custom of the Country: new money, serial marriage and a society that lets it in.

If you want the provincial novel at its deepest, read George Eliot.

Middlemarch: a whole town, its marriages and its debts.

If you want the clergy in the twentieth century, read Barbara Pym.

Excellent Women: a vicarage, a curate and an unmarried woman who is always useful.

If you have not started Trollope yet, read The Warden.

It is short, it opens the Barsetshire series and leads straight into Barchester Towers; for the political novels, begin with Can You Forgive Her?

Frequently asked questions about authors like Anthony Trollope

Who writes like Anthony Trollope?

Margaret Oliphant is the closest, with her Chronicles of Carlingford about the clergy and society of a provincial town. George Eliot’s Middlemarch, Elizabeth Gaskell’s Wives and Daughters and Thackeray’s Vanity Fair are the other Victorian matches, and Barbara Pym and Joanna Trollope carry his church comedy into the twentieth century.

What should I read after Barchester Towers?

Stay with Trollope for Doctor Thorne (1858) and the rest of the Barsetshire series, which ends with The Last Chronicle of Barset (1867). Outside it, Margaret Oliphant’s Miss Marjoribanks and Barbara Pym’s Excellent Women share its comedy of church life.

What books are like The Way We Live Now?

Edith Wharton’s The Custom of the Country (1913) and Balzac’s Lost Illusions both follow money and ambition through society and marriage. Dickens’s Little Dorrit has its own celebrated financier who turns out to be a fraud, Mr Merdle.

Which Trollope book should I read first?

The Warden (1855) is short and opens the Barsetshire series; most readers go straight on to Barchester Towers (1857). For politics, start the Palliser novels with Can You Forgive Her?, and for a single stand-alone novel, read The Way We Live Now (1875).

Is Trollope like Dickens?

They wrote at the same time about some of the same institutions, in different ways. Dickens attacks abuses and wants them reformed; Trollope shows how ordinary people get caught inside them, and in The Warden he parodied Dickens as “Mr Popular Sentiment”.

How many novels did Trollope write?

He published 47 novels, as well as short stories, travel books and An Autobiography, which appeared the year after his death in 1882. He wrote most of them before going to work at the Post Office, at his desk from 5.30 every morning.

Written by Lisanne Swart, who has curated reading lists and author guides at lisanneswart.com since 2021. Every comparison here is a judgement about method and subject, not an algorithmic match. See more on her personal bookshelf.

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“All those I think who have lived as literary men,—working daily as literary labourers,—will agree with me that three hours a day will produce as much as a man ought to write.”

— Anthony Trollope, An Autobiography.

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