John Irving

Reading List

Authors Like John Irving

Esther Nacht is born in Vienna in 1905. Her father dies on the ship to Portland, Maine; her mother is murdered by antisemites shortly after they land; and Dr Wilbur Larch, who runs the orphanage at St Cloud's, cannot find a single family willing to adopt a Jewish child. That is the opening of Queen Esther (Simon & Schuster, November 2025, 432 pages), Irving's sixteenth novel, published at eighty-three, which returns after forty years to the orphanage of The Cider House Rules and then takes Esther to Vienna and on to Mandatory Palestine. He has written orphans, wrestlers, bears, Vienna and New England since Setting Free the Bears in 1968, and the recurrence is deliberate: The World According to Garp (1978) won the National Book Award, The Cider House Rules (1985) brought him an Academy Award for his own screenplay in 2000, and A Prayer for Owen Meany (1989) is the one readers press on each other. He was born in Exeter, New Hampshire, in 1942, wrestled competitively and coached it for years, studied in Vienna, and now lives in Toronto, where he is at work on another novel. His own rule, given in an interview last year: he does not do the future, he only writes about the past. The ten below are chosen on plot, comedy and size.

By Lisanne Swart · 10 authors · Literary fiction · New England and Vienna · Sixteen novels · Updated September 2026


Quick answer

If you love John Irving, the two names he supplies himself are Charles Dickens, whose plotting and orphans he has never stopped borrowing, and Günter Grass, whose The Tin Drum he read as a student in Vienna and never got over. Kurt Vonnegut taught him at Iowa. For the same big comic-tragic family novel now, read Robertson Davies, Michael Chabon or Wally Lamb. For Queen Esther, read Nicole Krauss. And Richard Ford is the argument against: the same American life with none of the machinery.

Every book by John Irving →

Where to start if you loved John Irving

If you want the one he learned from, read Charles Dickens.

Great Expectations. An orphan, a benefactor, and a plot that pays off everything.

If you want the book that made him, read Günter Grass.

The Tin Drum. A boy who stops growing at three and screams glass apart.

If you loved Owen Meany, read Robertson Davies.

Fifth Business. A snowball thrown in 1908, and sixty years of consequences.

If you loved Queen Esther, read Nicole Krauss.

The History of Love. A lost manuscript, a refugee, and a girl named after it.

If you want the argument against him, read Richard Ford.

The Sportswriter. The same American life, with the plot machinery removed.

If you want more novels of this kind

My shelf of the best fiction has the rest.

10 authors like John Irving

01
Older than the genre · The one he names first

Charles Dickens

British · David Copperfield (1850), Great Expectations (1861), Our Mutual Friend (1865)

Dickens wrote fifteen novels, most of them serialised in monthly parts, which is why they are long, densely plotted and full of characters who disappear for two hundred pages and return at exactly the moment they are needed. Orphans, absent fathers, inheritances, coincidence used shamelessly and social outrage underneath the comedy: Oliver Twist, Bleak House, Great Expectations. He gave public readings until they ruined his health, and died in 1870.

The writer Irving has spent fifty years openly imitating, and reviewers reach for the word Dickensian in nearly every notice he gets. The inheritance is precise: the orphan at the centre, the enormous cast held in place by plot, the willingness to be funny and appalling in the same chapter, and the refusal to pretend coincidence is beneath a serious novel. Read Great Expectations, then The Cider House Rules, and the debt is unmistakable.

— Lisanne
Every book by Charles Dickens →

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02
The book that made him a novelist

Günter Grass

German · The Tin Drum (1959), Cat and Mouse (1961)

The Tin Drum is narrated from a mental institution by Oskar Matzerath, who decides at three to stop growing, keeps a tin drum and can shatter glass by screaming, and whose story carries Danzig from the 1920s through the war. Grass received the Nobel Prize in Literature in 1999. In 2006, at seventy-eight, he disclosed that he had served in the Waffen-SS as a teenage conscript, having spent decades as Germany's foremost moral voice on the Nazi past, and the revelation caused a lasting controversy. He died in 2015.

Irving read The Tin Drum as a student in Vienna and has said for decades that it showed him what a novel could carry. The line runs straight into Garp and Owen Meany: a small, strange, unforgettable protagonist; comedy pushed until it turns; and a century of history arriving through one family's kitchen. Irving was also among Grass's most prominent defenders after 2006, which is worth knowing before you read either man on the other.

— Lisanne
03
His teacher at Iowa

Kurt Vonnegut

American · Slaughterhouse-Five (1969), Cat's Cradle (1963)

Slaughterhouse-Five is about the firebombing of Dresden, which Vonnegut survived as a prisoner of war in an underground meat locker, told through a man who has come unstuck in time and keeps being abducted by aliens, because he could not write it any other way. He taught at the Iowa Writers' Workshop in the mid-1960s, where his students included Irving, and died in 2007.

Irving's actual teacher, and the source of the permission that runs through all his books: that a novel can be funny on the page where the worst thing happens, and that a plainly stated absurdity can carry more weight than solemnity. Vonnegut is far shorter and far more despairing; Irving took the tone and added five hundred pages of plot. Read Slaughterhouse-Five, which takes an evening.

— Lisanne

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Authors like Kurt Vonnegut →

04
The Canadian equivalent

Robertson Davies

Canadian · Fifth Business (1970), The Manticore (1972), World of Wonders (1975)

The Deptford Trilogy begins with a snowball thrown in an Ontario village in 1908 that misses its target, hits a pregnant woman and sets three lives running for sixty years: a schoolmaster who becomes a scholar of saints, a millionaire, and a boy who is abducted and becomes a great magician. Davies edited a newspaper, founded a university college in Toronto and wrote three trilogies, and died in 1995.

The closest match in the whole shelf, and startlingly under-read outside Canada. Davies does what Irving does — an enormous plot turning on a single childhood accident, eccentrics treated with complete seriousness, comedy and moral argument in the same paragraph, and a narrator looking back over decades — with more learning and less sentimentality. If you loved A Prayer for Owen Meany, read Fifth Business next. It is the recommendation on this page I would defend hardest.

— Lisanne
05
The big American novel, still being written

Michael Chabon

American · The Amazing Adventures of Kavalier & Clay (2000), The Yiddish Policemen's Union (2007)

Kavalier & Clay follows two cousins, one of whom escapes Prague in 1939 in a crate with a golem, who invent a comic-book superhero in New York and get rich and ruined by it; it won the Pulitzer Prize in 2001. The Yiddish Policemen's Union imagines a Jewish settlement in Alaska instead of Israel and puts a detective story inside it. Chabon has also written screenplays and a good deal about fatherhood.

The generation after Irving doing the same thing: long, plotted, comic novels with real historical grief inside them and no embarrassment about entertaining you. Both writers are drawn to escape artists, invented families and the twentieth century as a machine that separates people. Chabon writes better sentences; Irving builds a better plot engine. Kavalier & Clay is also the obvious next book after Queen Esther.

— Lisanne
06
The same emotional register, unashamed

Wally Lamb

American · She's Come Undone (1992), I Know This Much Is True (1998)

Lamb taught high school English in Connecticut for twenty-five years and wrote two enormous novels about damaged New England families that both became Oprah's Book Club selections and sold in the millions. I Know This Much Is True follows identical twins, one of whom has schizophrenia, across forty years and a family history reaching back to Sicily; HBO adapted it in 2020 with Mark Ruffalo playing both brothers. He has taught writing in a women's prison for decades.

The nearest living writer working Irving's emotional territory without irony: New England, a family carrying an inherited injury, six hundred pages, and a narrator who wants you to feel it. Lamb has none of Irving's comic machinery and more direct pain. If what you love in Irving is being made to care enormously about a family for a very long time, this is the shelf.

— Lisanne
Every book by Wally Lamb →
07
The prolific comic novelist

T. C. Boyle

American · World's End (1987), The Tortilla Curtain (1995), Drop City (2003)

Boyle has published around twenty novels and hundreds of stories, at a pace that has become part of his reputation. World's End, which won the PEN/Faulkner Award, runs three centuries of Hudson Valley families into each other; The Tortilla Curtain puts a liberal Los Angeles couple and an undocumented Mexican couple on a collision course; Drop City takes a California commune to Alaska. He was also taught at Iowa, a few years after Irving.

The same appetite: dark comedy, ambitious historical scaffolding, and a willingness to let a plot run away with itself. Boyle is more satirical and less interested in making you love anybody, which is the whole difference — Irving wants you attached to his people and Boyle is happy for you to watch them from a distance. World's End is the closest of his to an Irving novel.

— Lisanne
08
The century arriving through one family

Salman Rushdie

British-Indian · Midnight's Children (1981), The Satanic Verses (1988), Knife (2024)

Midnight's Children tells Indian independence through Saleem Sinai, born at the stroke of midnight on 15 August 1947 and telepathically linked to the thousand other children born in that hour; it won the Booker Prize and later two anniversary votes for the best of all its winners. The Satanic Verses brought a fatwa in 1989 and nine years in hiding. In August 2022 he was stabbed on stage in New York and lost the sight in one eye; Knife is his account of it.

The other great inheritor of The Tin Drum, which makes him and Irving cousins by way of Grass. Both write a small, physically unusual narrator through whom a whole national history is filtered, both use comedy as the delivery mechanism for atrocity, and both are unashamed of enormous plots. Rushdie is more linguistically extravagant and less interested in New England. Read Midnight's Children.

— Lisanne

Every book by Salman Rushdie →

09
After Queen Esther

Nicole Krauss

American · The History of Love (2005), Great House (2010), Forest Dark (2017)

The History of Love braids an old Polish Jewish refugee in New York, a teenage girl named after a character in a lost book, and the manuscript that connects them across sixty years. Great House, a National Book Award finalist, follows a desk through several owners and continents. Forest Dark moves between Tel Aviv and New York and takes Kafka's afterlife seriously as a plot.

The right next book after Queen Esther, and a better one on the same material. Krauss writes European Jewish inheritance, Israel and the objects that carry a family across a century with a formal delicacy Irving does not attempt, and she is writing from inside the tradition rather than about it. Both build books out of coincidence and lost documents. Read The History of Love.

— Lisanne
10
The argument against him

Richard Ford

American · The Sportswriter (1986), Independence Day (1995), Canada (2012)

The Frank Bascombe novels follow a failed novelist turned sportswriter and then estate agent through four books and forty years of ordinary American life in New Jersey: a divorce, the death of a child, an election weekend, a diagnosis. Independence Day won both the Pulitzer Prize and the PEN/Faulkner Award in 1996, the first novel to take both. Almost nothing happens in them, on purpose.

The case against everything Irving does structurally. Irving builds an enormous plot machine — the bear, the wrestling, the orphanage, the accident that pays off four hundred pages later — and Ford writes the same American man in the same period with none of it, and gets his effects entirely from attention. The standing criticism of Irving is that the props recur and the sentiment is unearned; read a hundred pages of The Sportswriter and you will know whether you agree.

— Lisanne
Every book by Richard Ford →

Frequently asked questions about authors like John Irving

Who should I read if I love John Irving?

Start with the two writers he names himself: Charles Dickens for the plotting and the orphans, and Günter Grass for the small strange narrator carrying a century. Kurt Vonnegut taught him at Iowa and gave him the tone. Robertson Davies is the closest living equivalent and the recommendation most Irving readers have never had. Michael Chabon and T. C. Boyle write the big plotted American novel now, and Wally Lamb the emotional New England version. Salman Rushdie is his cousin by way of Grass. Nicole Krauss is where to go after Queen Esther, and Richard Ford is the argument against.

What is Queen Esther about?

Esther Nacht, born in Vienna in 1905, whose father dies on the crossing to Maine and whose mother is murdered by antisemites soon after they arrive. She becomes the only Jewish orphan at St Cloud's, the orphanage from The Cider House Rules, and Dr Larch cannot place her; at fourteen she is fostered by the Winslows, a New England family. The novel then spans eight decades and four Winslow generations, taking Esther to Vienna and on to Mandatory Palestine, where she plays a part in the founding of the state. It was published in November 2025.

Is Queen Esther a sequel to The Cider House Rules?

No, and the jacket copy has misled a lot of readers on this. Dr Larch and the orphanage appear at the start and then the book leaves them behind after a few pages; Berta, from The World According to Garp, gets a cameo. It is a standalone novel that borrows a setting and one or two familiar faces. If you go in expecting more Homer Wells you will be disappointed, and if you go in expecting a novel about the woman on the cover you will find the title is doing something more oblique than it appears.

Which John Irving book should I start with?

A Prayer for Owen Meany (1989) if you want the one readers love most: a boy with a wrecked voice who believes he is God's instrument, and a friendship that runs from a Little League accident to Vietnam. The World According to Garp (1978) if you want the one that made him, and be warned it is much darker than its reputation. The Cider House Rules (1985) if you want the most humane, and it is also his most Dickensian. Any of the three works as an entry point.

What is the criticism of John Irving?

Repetition, chiefly. Bears, wrestling, Vienna, New England boarding schools, orphans, absent parents, sexual outsiders and a fatal accident recur across sixteen novels, and reviewers have been noting it since A Son of the Circus in 1994. The second charge is sentimentality: the plots are engineered so that the reader is made to feel a great deal, and the machinery is visible. His defenders answer that the recurrence is a signature rather than a rut, and that Dickens repeated himself too. Richard Ford is the fastest way to test the objection.

Is John Irving writing another book?

Yes. He told an interviewer around the publication of Queen Esther, at eighty-three, that he was already at work on another novel from his office in Toronto. No title or date has been announced. He has published sixteen novels since 1968 and has said repeatedly that he writes the last sentence first and works backwards, which is why the plots resolve as tightly as they do.

Did he really win an Oscar?

Yes, for best adapted screenplay, for The Cider House Rules at the 2000 Academy Awards — his own adaptation of his own novel, which took thirteen years and four directors to reach the screen. He wrote a book about the process, My Movie Business. The film also won Michael Caine an Oscar for best supporting actor. Among his other adaptations, The World According to Garp (1982) with Robin Williams and Glenn Close is the one still worth watching.

What order should I read his novels in?

Any order — they share no characters, with the partial exception of Queen Esther, which visits the Cider House Rules orphanage. A good route is A Prayer for Owen Meany, then The Cider House Rules, then The World According to Garp. The Hotel New Hampshire (1981) is the strangest of the famous ones. The later novels are longer and more uneven; In One Person (2012) is the best of them, and The Last Chairlift (2022) runs to nearly nine hundred pages.

From the bookshelf

“I don't do the future, I only write about the past.”

— John Irving, interview with Hadassah Magazine, 2025.

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