Reading List

Authors Like Stephen King

In the early 1970s a high-school English teacher in Maine threw the opening pages of a story about a bullied girl with telekinetic powers into the bin, and his wife, Tabitha, fished them out and told him to keep going. Carrie was published in 1974. Stephen King, born in Portland, Maine, in 1947, has since published more than sixty novels, the first five of his Richard Bachman books among them, from The Shining (1977) and It (1986) to the Holly Gibney thriller Never Flinch (2025). In October 2026 came Other Worlds Than These, the last book of the trilogy he began with Peter Straub in The Talisman (1984), finished alone after Straub’s death. The ten writers below share his ground: a small town with something wrong underneath, children who see what adults will not, and fear that grows out of ordinary life.

By Lisanne Swart · 10 authors · Horror · Small-town fear · Updated October 2026


Quick answer

If you love Stephen King, start with Shirley Jackson, whose The Haunting of Hill House (1959) puts the horror inside a house and a lonely mind. For the small-town childhood of It, read Ray Bradbury’s Something Wicked This Way Comes, and for King’s own collaborator, Peter Straub’s Ghost Story. Below are seven more, from an Argentine writer of political horror to a Swedish vampire novel set in 1981.

10 authors like Stephen King

01
Horror inside the house

Shirley Jackson

American · “The Lottery” (1948), The Haunting of Hill House (1959), We Have Always Lived in the Castle (1962)

Jackson (1916–1965) lived in North Bennington, Vermont, and wrote most of her fiction while raising four children. “The Lottery”, published in The New Yorker in 1948, follows a village gathering for an annual ritual, and the magazine said it had never received so much mail about a piece of fiction. The Haunting of Hill House sends four people to stay in a reputedly haunted mansion and never quite settles whether the house or Eleanor, the lonely woman at its centre, is the source of the haunting.

The older root of King’s domestic horror. Jackson’s communities, like Derry or Castle Rock, look friendly and close ranks when it counts, and her haunted minds are as frightening as her houses. Suits readers who liked The Shining for the family rather than the ghosts.

— Lisanne
02
Horror in the suburbs

Richard Matheson

American · I Am Legend (1954), The Shrinking Man (1956), Hell House (1971)

Matheson (1926–2013) was born in Allendale, New Jersey, and wrote novels, short stories and screenplays. I Am Legend follows Robert Neville, apparently the last man alive in a Los Angeles suburb overrun by vampires, as he repairs his house by day and waits out the nights. His story “Duel” became Steven Spielberg’s 1971 television film, and King dedicated his novel Cell (2006) to Matheson and the film-maker George A. Romero.

Matheson moved horror out of castles and into the suburbs, with an ordinary man and his routines at the centre, which is the ground King built a career on. I Am Legend sits close to The Stand and Cell: a plague, an emptied world and one person trying to stay human.

— Lisanne
03
Small towns in October

Ray Bradbury

American · Fahrenheit 451 (1953), The October Country (1955), Something Wicked This Way Comes (1962)

Bradbury (1920–2012) grew up in Waukegan, Illinois, which became Green Town in his fiction. In Something Wicked This Way Comes a travelling carnival arrives one October, and two boys, Will Halloway and Jim Nightshade, discover that its owner, Mr Dark, grants people’s secret wishes in order to own them. King wrote about the novel at length in his study of horror, Danse Macabre (1981).

The direct ancestor of It and Needful Things: boyhood friendship, a Midwestern town and an evil that bargains with what people want most. Bradbury is gentler and more lyrical than King, so this suits readers who love King’s children more than his gore.

— Lisanne

Every book by Ray Bradbury →

04
King’s collaborator

Peter Straub

American · Ghost Story (1979), The Talisman (1984, with Stephen King), Koko (1988)

Straub (1943–2022) was born in Milwaukee. Ghost Story, the novel that made his name, centres on four elderly men in a small New York town who meet to tell each other ghost stories and share a secret from their youth. He co-wrote The Talisman and Black House (2001) with King, and Koko, about Vietnam veterans, won the World Fantasy Award.

The closest literary relation King has. Straub’s prose is denser and more allusive, but he shares King’s interest in how old guilt returns, and Ghost Story is a natural next step after ’Salem’s Lot. Read the two Talisman books together before Other Worlds Than These.

— Lisanne
05
Paranoia at home

Ira Levin

American · A Kiss Before Dying (1953), Rosemary’s Baby (1967), The Stepford Wives (1972)

Levin (1929–2007) was a New Yorker who wrote seven novels and several plays, including Deathtrap; his first novel won the Edgar Award for best first novel. In Rosemary’s Baby a young wife moves into an old Manhattan apartment building and becomes pregnant while her husband grows close to the elderly neighbours. King has called Levin the Swiss watchmaker of the suspense novel.

Levin shows how close horror sits to an ordinary marriage, a theme King returns to in Gerald’s Game and Rose Madder. His books are short and tightly plotted, a useful contrast for readers who find King’s long novels too long.

— Lisanne
06
British horror, no limits

Clive Barker

British · Books of Blood (1984–85), The Hellbound Heart (1986), Weaveworld (1987)

Barker was born in Liverpool in 1952 and worked in theatre before publishing the six volumes of Books of Blood, short stories whose US paperbacks carried King’s line that he had seen the future of horror and its name was Clive Barker. The Hellbound Heart became his own film Hellraiser (1987); Weaveworld hides a whole magical world inside a carpet.

Barker takes King’s ordinary people into stranger and more erotic territory, and his fantasy novels share the ambition of The Dark Tower. Suits readers who want the visceral side of King with fewer small-town comforts.

— Lisanne
07
Horror with a real history

Mariana Enríquez

Argentine · Things We Lost in the Fire (2016; English 2017), Our Share of Night (2019; English 2023)

Enríquez was born in Buenos Aires in 1973 and works as a journalist. The stories in Things We Lost in the Fire are set mostly in and around Buenos Aires, among poverty, addiction and disappearances. Our Share of Night, translated by Megan McDowell, follows a medium and his young son pursued by a wealthy occult society across Argentina from the 1960s to the 1990s, through the years of military dictatorship, and won the Premio Herralde in 2019.

Enríquez complicates King. His monsters are mostly invented; hers are tied to real political violence, the disappeared and the rich who came through it untouched. Read her after It to see a story of missing children where the history is not made up.

— Lisanne
08
Childhood in a Swedish suburb

John Ajvide Lindqvist

Swedish · Let the Right One In (2004), Handling the Undead (2005), Harbour (2008)

Lindqvist was born in 1968 in Blackeberg, a suburb of Stockholm, and worked as a magician and for twelve years as a stand-up comedian before publishing fiction. Let the Right One In is set in Blackeberg in 1981 and follows Oskar, a bullied twelve-year-old, and the strange child who moves in next door and only comes out at night. Tomas Alfredson’s 2008 film made it known around the world.

The nearest European equivalent to King’s childhood horror: a real place, a lonely boy, bullies, and parents who notice nothing. Like ’Salem’s Lot, it takes the vampire seriously and sets it among housing blocks and school corridors.

— Lisanne
09
The slasher, rewritten

Stephen Graham Jones

Blackfeet American · The Only Good Indians (2020), My Heart Is a Chainsaw (2021), The Buffalo Hunter Hunter (2025)

Jones was born in Midland, Texas, in 1972 and is an enrolled member of the Blackfeet Tribe of Montana. The Only Good Indians follows four Blackfeet men haunted, a decade later, by an elk hunt that broke the rules, and won the Bram Stoker Award. The Buffalo Hunter Hunter won the Bram Stoker Award for best novel and the Nebula Award in 2025.

Jones writes with King’s love of genre and teenage voices, but he asks who has been left out of American horror and whose land the haunted town is built on. Suits readers who grew up on King and want the same energy with a sharper edge.

— Lisanne
10
Real history, real ghosts

Tananarive Due

American · My Soul to Keep (1997), The Good House (2003), The Reformatory (2023)

Due was born in Tallahassee, Florida, in 1966. The Reformatory is set in 1950 at a reform school in Jim Crow Florida, where twelve-year-old Robert Stephens Jr. can see the ghosts of boys who died there. It is dedicated to Due’s great-uncle Robert Stephens, who died at the real Dozier School for Boys in 1937, and won the Bram Stoker, Shirley Jackson and World Fantasy awards.

The Reformatory reads like a companion to King’s The Institute: children held by a cruel institution, and a boy with a gift the adults want to use. Due grounds the supernatural in documented abuse, which makes the fear harder to put down.

— Lisanne

Where to start if you loved Stephen King

If you loved The Shining, read Shirley Jackson.

The Haunting of Hill House: a house, a fragile mind and a question that is never fully answered.

If you loved It, read Ray Bradbury.

Something Wicked This Way Comes: two boys, a travelling carnival and an October that changes them.

If you loved The Institute, read Tananarive Due.

The Reformatory: a boy who sees ghosts, held in a Florida reform school in 1950.

If you want horror from outside America, read Mariana Enríquez.

Our Share of Night: a father, a son and an occult society, across forty years of Argentine history.

If you want more Stephen King, go back to the start.

Begin with Carrie (1974) and The Shining (1977), then read The Talisman (1984) and Black House (2001) before Other Worlds Than These (2026).

Frequently asked questions about authors like Stephen King

Who writes like Stephen King?

Shirley Jackson is the closest classic match, Ray Bradbury the best for childhood and small towns, and Peter Straub, his co-author on The Talisman, the closest contemporary. For newer horror, try Stephen Graham Jones and Tananarive Due.

Does Stephen King have a new book?

Yes. Other Worlds Than These was published by Scribner on 6 October 2026. It completes the Jack Sawyer trilogy that began with The Talisman (1984) and Black House (2001), and is credited to King and Peter Straub, who died in 2022. His previous novel was the Holly Gibney thriller Never Flinch (2025).

Which Stephen King book should I read first?

The Shining (1977) is a good first book: short by his standards and focused on one family. If you prefer crime to horror, start with Mr. Mercedes (2014), the first book featuring Holly Gibney.

What should I read after It?

Ray Bradbury’s Something Wicked This Way Comes (1962), which King wrote about at length in Danse Macabre, and John Ajvide Lindqvist’s Let the Right One In (2004), about a bullied boy in a Stockholm suburb in 1981.

Is Stephen King like Shirley Jackson?

In his family and small-town horror, yes: both put the danger inside ordinary homes and communities. Jackson is quieter and more ambiguous; King is more explicit, and his books are much longer.

What did Stephen King write as Richard Bachman?

His first five Bachman novels, published between 1977 and 1984, were Rage, The Long Walk, Roadwork, The Running Man and Thinner. A bookshop clerk exposed the pseudonym in 1985.

Written by Lisanne Swart, who has curated reading lists and author guides at lisanneswart.com since 2021. Every comparison here is a judgement about method and subject, not an algorithmic match. See more on her personal bookshelf.

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