Reading List

Authors Like Sarah Polley

In 2015 Sarah Polley suffered a concussion whose symptoms dragged on for three and a half years, until a specialist in Pittsburgh told her to stop resting in a dark room and move towards whatever set them off. A child actor in Road to Avonlea, she had already made Stories We Tell (2012), a documentary in which her family tells how she learned that her biological father was the producer Harry Gulkin. Run Towards the Danger (2022) applies the same advice to six memories she had avoided. In 2023 she won the Academy Award for Best Adapted Screenplay for Women Talking, from Miriam Toews’s novel, and in 2026 she began filming Sylvia Plath’s The Bell Jar with Billie Eilish. The ten writers below share her ground: the body as evidence, memory tested against other people’s versions, and the question of who gets to tell a story.

By Lisanne Swart · 10 authors · Personal essays · Memory and the body · Updated October 2026


Quick answer

If you love Sarah Polley, start with Miriam Toews, whose Women Talking (2018) Polley adapted for the screen. Mary Karr writes memoir as an argument with her own memory, as Polley does in Stories We Tell, and Deborah Levy’s short “living autobiography” mixes a life in pieces with thinking about how to tell it. Further down are the earlier women who wrote illness and the mind, and a novelist who turned away from autobiography altogether.

10 authors like Sarah Polley

01
Illness and memory, early

Virginia Woolf

British · Mrs Dalloway (1925), On Being Ill (1926), Moments of Being (1976)

Woolf (1882–1941) was at the centre of the Bloomsbury group and ran the Hogarth Press with her husband, Leonard. Her essay On Being Ill asks why illness is not one of literature’s great subjects. “A Sketch of the Past”, the memoir she wrote in 1939 and 1940, was published after her death in Moments of Being.

The writer who first treated a sick body and a disordered memory as material for serious prose. “A Sketch of the Past” does what Polley’s essays do: it returns to childhood scenes and asks why some stay vivid and others vanish.

— Lisanne

Every book by Virginia Woolf →

02
The book Polley is filming

Sylvia Plath

American · The Bell Jar (1963), Ariel (1965)

Plath was born in Boston in 1932 and died in London in 1963, aged 30. The Bell Jar, published a month before her death under the pseudonym Victoria Lucas, draws on her summer as a guest editor at Mademoiselle and the breakdown that followed. Ariel appeared two years after her death, and her Collected Poems won the Pulitzer Prize in 1982.

Polley’s next film, and a close relative of her essays: a young woman’s breakdown told with dark humour and exactness, and a book drawn from life. Read it for what Polley sees in it before the film arrives.

— Lisanne

Every book by Sylvia Plath →

03
The story Polley adapted

Margaret Atwood

Canadian · The Handmaid’s Tale (1985), Alias Grace (1996)

Atwood was born in Ottawa in 1939 and has won the Booker Prize twice, for The Blind Assassin (2000) and, jointly, for The Testaments (2019). Alias Grace, shortlisted for the Booker, is about Grace Marks, a servant convicted with James McDermott of the 1843 murders of their employer Thomas Kinnear and his housekeeper Nancy Montgomery. In 2016 she signed a petition calling for an independent investigation into the University of British Columbia’s handling of the case of the novelist Steven Galloway, fired after a student accused him of sexual misconduct; her 2018 essay defending it, “Am I a Bad Feminist?”, drew strong criticism.

Polley wrote and produced the television series of Alias Grace (2017), about a woman whose own account of a crime cannot be checked. It is the same question at the heart of Stories We Tell: what happens when the only witness is the person telling the story.

— Lisanne

Every book by Margaret Atwood →

04
Women Talking, the novel

Miriam Toews

Canadian · A Complicated Kindness (2004), All My Puny Sorrows (2014), Women Talking (2018)

Toews was born in Steinbach, Manitoba, in 1964 to Mennonite parents. A Complicated Kindness won the Governor General’s Award for Fiction, and All My Puny Sorrows draws on the period before her sister Marjorie’s suicide in 2010. Women Talking is her fictional response to attacks in the Manitoba Colony in Bolivia between 2005 and 2009, where men drugged and raped women. Her memoir A Truce That Is Not Peace appeared in 2025.

The closest match on this list. Toews and Polley both turn real harm into talk: women arguing, joking and deciding together what to do. Toews brings more comedy to grief, and both are interested in what women owe each other.

— Lisanne
05
Grief, recorded exactly

Joan Didion

American · Slouching Towards Bethlehem (1968), The White Album (1979), The Year of Magical Thinking (2005)

Didion was born in Sacramento, California, in 1934. She wrote essays and reporting about California, the 1960s and American politics. The Year of Magical Thinking, about the year after the death of her husband, John Gregory Dunne, won the National Book Award. She died in 2021.

Didion shares Polley’s method of looking at her own mind as if it were someone else’s case file. The Year of Magical Thinking records what grief does to reasoning, much as Polley records what concussion did to hers.

— Lisanne

Every book by Joan Didion →

06
Memoir that checks itself

Mary Karr

American · The Liars’ Club (1995), Lit (2009), The Art of Memoir (2015)

Karr was born in Groves, Texas, in 1955. The Liars’ Club is her memoir of a Texas childhood, and The Art of Memoir is her book about the form. In a 2015 NPR interview she described memory as faulty reportage and said she sends her manuscripts to the people she writes about because she mistrusts her own recollections.

Stories We Tell asks each member of Polley’s family for their version and lets them contradict each other. Karr does the same on the page, checking her memories against the people who were there, and writes about a chaotic childhood with the same lack of self-pity.

— Lisanne

Every book by Mary Karr →

07
Essays on pain and empathy

Leslie Jamison

American · The Empathy Exams (2014), The Recovering (2018), Splinters (2024)

Jamison was born in Washington, D.C., in 1983 and teaches at Columbia University. The Empathy Exams is a collection of essays about pain, her own and other people’s; Splinters is a memoir of early motherhood and the end of her marriage.

Jamison and Polley both write essays that move from a private injury to a wider question about how we respond to other people’s suffering. Jamison is more openly analytical and footnoted; Polley stays closer to the scene.

— Lisanne

Every book by Leslie Jamison →

08
Abuse, and the shape of telling it

Carmen Maria Machado

American · Her Body and Other Parties (2017), In the Dream House (2019)

Machado was born in Allentown, Pennsylvania, in 1986. Her Body and Other Parties, a finalist for the National Book Award, is a collection of stories about women’s bodies. In the Dream House is a memoir of an abusive relationship between two women, told through the forms of genre fiction.

Both writers address abuse by someone they trusted and think hard, on the page, about why they stayed quiet and how to be believed. Machado breaks her memoir into short chapters in different genres; Polley uses separate essays for the same effect.

— Lisanne

Every book by Carmen Maria Machado →

09
A life, in short books

Deborah Levy

British, born in South Africa · Things I Don’t Want to Know (2013), The Cost of Living (2018), Real Estate (2021)

Levy was born in Johannesburg in 1959. The apartheid government placed her father, Norman Levy, under a banning order, and the family moved to London in 1968. Swimming Home (2011) and Hot Milk (2016) were both shortlisted for the Booker Prize. Her “living autobiography”, three short books from Things I Don’t Want to Know to Real Estate, is about writing, motherhood and making a life after marriage.

Levy, like Polley, builds a memoir from a handful of scenes rather than a full chronology, and treats a woman’s right to tell her own story as part of the subject. Her books are shorter and more essayistic, with more room for ideas.

— Lisanne

Every book by Deborah Levy →

10
The argument with confession

Rachel Cusk

British-Canadian · A Life’s Work (2001), Aftermath (2012), Outline (2014)

Cusk was born in Saskatoon, Canada, in 1967 and grew up partly in Los Angeles before moving to England. Her memoir of early motherhood, A Life’s Work, and her account of divorce, Aftermath, drew hostile reactions for their candour. In Outline and its sequels Transit (2016) and Kudos (2018), a writer called Faye listens while other people tell her about their lives.

The writer on this list who complicates the rest. After the backlash to her memoirs Cusk moved away from confession, and in Outline her narrator almost disappears behind other people’s stories. Read her against Polley to see the cost of telling, and of refusing to.

— Lisanne

Every book by Rachel Cusk →

Where to start if you loved Sarah Polley

If you loved Women Talking, read Miriam Toews.

The novel itself, then All My Puny Sorrows: grief, sisters and dark comedy.

If you loved Stories We Tell, read Mary Karr.

The Liars’ Club: a family memoir that knows memory is unreliable.

If you loved the title essay, read Joan Didion.

The Year of Magical Thinking: a mind watching itself under strain.

If you want the essays on being believed, read Carmen Maria Machado.

In the Dream House: abuse, silence and the form of telling it.

If you want more Sarah Polley, read the book and watch the films.

Run Towards the Danger (2022) is her only book so far. Her documentary Stories We Tell (2012) is the best companion to it.

Frequently asked questions about authors like Sarah Polley

Who writes like Sarah Polley?

Miriam Toews, Mary Karr and Deborah Levy are the closest matches. Polley adapted Toews’s novel Women Talking, Karr checks her memoirs against the people she writes about, and Levy’s “living autobiography” tells a woman’s life in a few short books.

What should I read after Run Towards the Danger?

Mary Karr’s The Liars’ Club (1995) for a memoir that questions its own memory, and Carmen Maria Machado’s In the Dream House (2019) for abuse and silence. Joan Didion’s The Year of Magical Thinking (2005) is closest to the title essay.

Is Women Talking based on a book?

Yes. It is based on Miriam Toews’s novel Women Talking (2018). Polley’s screenplay won the Academy Award for Best Adapted Screenplay in 2023.

Does Sarah Polley have a new book?

No new book has been announced; Run Towards the Danger (2022) is her only book so far. Her next project is a film of Sylvia Plath’s The Bell Jar starring Billie Eilish, which began filming in 2026.

How many books has Sarah Polley written?

One: Run Towards the Danger: Confrontations with a Body of Memory (2022), a collection of six personal essays. She has also written screenplays, including Away from Her (2006) and Women Talking (2022), and the television series Alias Grace (2017).

Is Sarah Polley like Joan Didion?

In method. Both write about their own minds under strain, Didion in grief and Polley after a long concussion, with the same exactness and lack of self-pity. Didion’s essays range more widely into politics and California.

Written by Lisanne Swart, who has curated reading lists and author guides at lisanneswart.com since 2021. Every comparison here is a judgement about method and subject, not an algorithmic match. See more on her personal bookshelf.
Start Typing