Reading List

Authors Like Rachel Monroe

Frances Glessner Lee, a Gilded Age heiress, built miniature murder scenes to train detectives. Lorri Davis, a landscape architect, became the advocate and then the wife of Damien Echols, convicted in a 1993 child-murder case. Lindsay Souvannarath, 23, made a pact with a man she met online to carry out a Valentine’s Day mass shooting, a plot police foiled in 2015. In Savage Appetites (2019), Rachel Monroe sets their stories beside the 1969 murder of Sharon Tate, in sections called Detective, Victim, Defender and Killer, and asks why women make up most of the audience for true crime, herself included: as a child she read Helter Skelter. Monroe, born in Richmond, Virginia, in 1982, is a contributing writer at The New Yorker and a volunteer firefighter in Marfa, Texas. The ten writers below share her question: what our fascination with crime says about the people watching.

By Lisanne Swart · 10 authors · True crime · Women and obsession · Updated October 2026


Quick answer

The closest matches are Janet Malcolm, who asked what journalists owe the people they write about, Leslie Jamison, who puts her own feelings under the same scrutiny as her subjects, and Kate Summerscale, who reconstructs a Victorian murder through the detective who investigated it. The list also includes In Cold Blood, an Australian writer in the public gallery of a murder trial, and a novelist who writes the dark side of teenage girls.

10 authors like Rachel Monroe

01
The ethics of the story

Janet Malcolm

American, born in Prague · In the Freud Archives (1984), The Journalist and the Murderer (1990), The Silent Woman (1994)

Malcolm (1934–2021) was born in Prague. The Journalist and the Murderer opens by calling what journalists do ‘morally indefensible’ and examines Joe McGinniss, who came to believe Jeffrey MacDonald was guilty but kept up the appearance of believing him innocent to keep his access. The psychoanalyst Jeffrey Masson sued her for libel over In the Freud Archives; a jury found for Malcolm in 1994.

Malcolm asks the question that runs under Savage Appetites: what does the person telling a crime story take from the people in it? Monroe implicates herself as a consumer of crime; Malcolm implicates the writer.

— Lisanne

Every book by Janet Malcolm →

02
Feeling, examined

Leslie Jamison

American · The Empathy Exams (2014), The Recovering (2018), Make It Scream, Make It Burn (2019)

Jamison, born in 1983, made her name with The Empathy Exams, essays on pain and on what it means to feel for other people. The Recovering: Intoxication and Its Aftermath sets her own drinking and recovery beside the lives of writers who drank, and Splinters (2024) is a memoir of motherhood and the end of a marriage.

Jamison and Monroe both write criticism that doubles as confession, testing their own appetites, for drama, sympathy or a drink, against what they see in others. Read The Empathy Exams after Savage Appetites.

— Lisanne

Every book by Leslie Jamison →

03
The Victorian case file

Kate Summerscale

English · The Suspicions of Mr Whicher (2008), The Wicked Boy (2016), The Peepshow (2024)

Summerscale, born in London in 1965, won the Samuel Johnson Prize for The Suspicions of Mr Whicher, about the Road Hill House murder and the detective who investigated it. The Wicked Boy won the Edgar Award for Best Fact Crime, and The Peepshow, on the murders at 10 Rillington Place, won the CWA Gold Dagger for Non-Fiction in 2025.

Summerscale, like Monroe, is interested in what a famous case did to the people who followed it as much as in the crime itself. She works in the archive where Monroe works in the present, which makes her the historical companion to Savage Appetites.

— Lisanne

Every book by Kate Summerscale →

04
Where modern true crime began

Truman Capote

American · Breakfast at Tiffany’s (1958), In Cold Blood (1966)

Capote (1924–1984) read a short New York Times report in November 1959 about the murder of the Clutter family in Holcomb, Kansas, and travelled there with Harper Lee, who helped him win the trust of local people. In Cold Blood was serialised in The New Yorker before it appeared as a book. Critics later found invented quotations and scenes, and the Kansas detective Alvin Dewey said its final scene was Capote’s invention.

In Cold Blood gives the killers depth and the reader a seat at the scene, the pleasure Savage Appetites asks you to question. Read the two together: the classic, and the book that examines its audience.

— Lisanne

Every book by Truman Capote →

05
California, at the end of the sixties

Joan Didion

American · Slouching Towards Bethlehem (1968), The White Album (1979), The Year of Magical Thinking (2005)

Didion (1934–2021) was born in Sacramento. Slouching Towards Bethlehem collects her magazine pieces on California and the counterculture of Haight-Ashbury; the title essay of The White Album recounts the summer of 1968, when a psychiatric evaluation recorded her vertigo and nausea. The Year of Magical Thinking, on the year after her husband’s sudden death, won the National Book Award.

Didion turned a reporter’s eye on her own nerves as well as on her subjects, the method Monroe uses on her own appetite for crime. Both return to California at the end of the 1960s, Didion in The White Album, Monroe in her chapter on Sharon Tate.

— Lisanne

Every book by Joan Didion →

06
The view from the public gallery

Helen Garner

Australian · Monkey Grip (1977), Joe Cinque’s Consolation (2004), This House of Grief (2014)

Garner, born in Geelong in 1942, began as a novelist with Monkey Grip. Her non-fiction follows real cases: a Canberra killing in Joe Cinque’s Consolation, and in This House of Grief the case of Robert Farquharson, who drove his children into a dam. The First Stone (1995), on a sexual harassment case at Ormond College, drew heavy criticism, and her collected diaries, How to End a Story, won the Baillie Gifford Prize in 2025.

Garner, like Monroe, sits among the spectators and admits what drew her there. She writes openly about the discomfort of watching other people’s catastrophes, and she is the best way to read the same questions outside the American tradition.

— Lisanne
07
The obsessive amateur

Michelle McNamara

American · I’ll Be Gone in the Dark (2018)

McNamara (1970–2016) started the TrueCrimeDiary website in 2006 and helped coin the name ‘Golden State Killer’. She died with her book about two-thirds finished; the crime writers Paul Haynes and Billy Jensen and her husband, Patton Oswalt, completed it. It came out in February 2018, and two months later police arrested Joseph James DeAngelo.

McNamara is the figure Monroe’s detective chapter describes: a woman lit up by a case she cannot let go. Her book is obsession from the inside; Savage Appetites examines it from outside.

— Lisanne

Every book by Michelle McNamara →

08
The crime behind the story

Sarah Weinman

Canadian · The Real Lolita (2018), Scoundrel (2022), Without Consent (2025)

Weinman, from Ottawa, is a journalist and an authority on crime fiction. The Real Lolita tells the story of the 1948 kidnapping of eleven-year-old Sally Horner, believed to have inspired Nabokov; Scoundrel follows a convicted murderer who persuaded women, conservatives and the courts to free him; Without Consent covers a landmark trial in the long campaign to make marital rape a crime. She also edited the Library of America set Women Crime Writers.

Weinman shares Monroe’s interest in the women around a crime and in the stories told about it afterwards. Scoundrel sits especially close to Monroe’s chapter on Lorri Davis: both ask what leads a woman to devote herself to a man convicted of murder.

— Lisanne

Every book by Sarah Weinman →

09
One crime, a whole society

Patrick Radden Keefe

American · Say Nothing (2018), Empire of Pain (2021), London Falling (2026)

Keefe, born in 1976, is an investigative journalist. Say Nothing, built around the 1972 abduction and murder of Jean McConville during the Troubles, won the National Book Critics Circle Award and the Orwell Prize; Empire of Pain won the Baillie Gifford Prize. His newest book, London Falling (April 2026), investigates the death of the teenager Zac Brettler and his ties to the London underworld.

Keefe treats a single crime as a way into a whole society, the method Monroe applies to four women and their audiences. He is the reporter of this list: read him for the archive and the interview, with the writer kept in the background.

— Lisanne

Every book by Patrick Radden Keefe →

10
The dark side of girlhood, in fiction

Megan Abbott

American · Dare Me (2012), The Fever (2014), You Will Know Me (2016)

Abbott, born in 1971, published a non-fiction book, The Street Was Mine (2002), before her first novel, Die a Little (2005); Queenpin won an Edgar Award in 2008. Dare Me, set among high-school cheerleaders, was adapted for television in 2019, and El Dorado Drive won the Los Angeles Times Book Prize for mystery and thriller in 2025.

Abbott writes in fiction what Monroe documents in her killer chapter: girls and women whose rivalries, crushes and secrets turn dangerous. Read her for the emotional texture that reporting cannot reach.

— Lisanne

Where to start if you loved Rachel Monroe

If you want the ethics of true crime, read Janet Malcolm.

The Journalist and the Murderer (1990): what a writer owes the people in the story.

If you want the classic behind the genre, read Truman Capote.

In Cold Blood (1966): the Clutter murders, and the invented scenes behind the legend.

If you want a trial outside America, read Helen Garner.

This House of Grief (2014): a father’s murder case, watched from the public gallery.

If you want an obsession from the inside, read Michelle McNamara.

I’ll Be Gone in the Dark (2018): one woman’s hunt for the Golden State Killer.

If you want more Monroe, read Savage Appetites.

Her only book so far (2019); after that, her reporting for The New Yorker, where she has been a contributing writer since 2021.

Frequently asked questions about authors like Rachel Monroe

Who writes like Rachel Monroe?

Janet Malcolm, Leslie Jamison and Kate Summerscale are the closest: Malcolm for the ethics of crime writing, Jamison for the self-examination, Summerscale for the reconstructed case. Helen Garner and Michelle McNamara also write about crime and their own place in the story.

Does Rachel Monroe have a new book?

No second book had been announced by October 2026. Savage Appetites (2019) is her only book; she also wrote a chapter for the anthology Unspeakable Acts (2020) and writes for The New Yorker.

What should I read after Savage Appetites?

Janet Malcolm’s The Journalist and the Murderer (1990) for the ethics of telling crime stories, and Helen Garner’s This House of Grief (2014) for a writer watching a murder case and her own reactions to it.

Who are the four women in Savage Appetites?

The book has four sections, Detective, Victim, Defender and Killer, built around Frances Glessner Lee, the murder of Sharon Tate, Lorri Davis and Lindsay Souvannarath.

Is Rachel Monroe like Joan Didion?

In some ways. Both write personal, reported prose about California at the end of the 1960s, Didion in The White Album, Monroe in her chapter on Sharon Tate, but Monroe’s real subject is the audience for crime.

Written by Lisanne Swart, who has curated reading lists and author guides at lisanneswart.com since 2021. Every comparison here is a judgement about method and subject, not an algorithmic match. See more on her personal bookshelf.
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