Reading List

Authors Like Patricia Highsmith

Mary Patricia Plangman was born in Fort Worth, Texas, in 1921 and later took her stepfather’s surname. Her first novel, Strangers on a Train (1950), about two men who meet by chance and talk about swapping murders, was filmed by Alfred Hitchcock the following year. Her second, The Price of Salt (1952), a love story between two women, came out under the name Claire Morgan and was reissued under her own name, as Carol, only in 1990. In 1955 she introduced Tom Ripley, a charming young man who kills and gets away with it, and followed him through five novels until 1991. She kept snails, around 300 of them at her house in Suffolk, and left some 8,000 pages of diaries and notebooks when she died in Locarno, Switzerland, in 1995. The ten writers below share her territory: crime written from the inside, guilt that never quite arrives, and obsession dressed as ordinary life.

By Lisanne Swart · 10 authors · Psychological suspense · Crime from the inside · Updated October 2026


Quick answer

If you love Patricia Highsmith, start with Ruth Rendell, whose A Demon in My View stays close to a killer’s mind. Jim Thompson’s The Killer Inside Me gives you a pleasant small-town murderer narrating in the first person, and Ottessa Moshfegh’s Eileen a young woman drawn into a crime. Further down are the novelists Highsmith herself read, from Dostoevsky to Camus.

10 authors like Patricia Highsmith

01
Guilt from the inside

Fyodor Dostoevsky

Russian · Notes from Underground (1864), Crime and Punishment (1866), The Brothers Karamazov (1880)

Dostoevsky was born in Moscow in 1821 and died in St Petersburg in 1881. In 1849 he was sentenced to death for belonging to a radical circle, reprieved at the last moment and sent to a Siberian prison camp. Crime and Punishment follows Raskolnikov, a poor former student who murders a pawnbroker to prove he is above ordinary morality, and the guilt that follows. His journalism contains antisemitic passages that scholars still discuss.

Biographers count Dostoevsky among Highsmith’s main influences, and Ripley is a Raskolnikov without the guilt: a young man who kills to become someone else and is never made to pay. Reading Crime and Punishment shows exactly what Highsmith took away.

— Lisanne

Every book by Fyodor Dostoevsky →

02
The killer without remorse

Albert Camus

French · The Stranger (1942), The Plague (1947), The Fall (1956)

Camus was born in French Algeria in 1913 and died in a car crash in France in 1960, three years after winning the Nobel Prize in Literature. The Stranger is narrated by Meursault, a clerk in Algiers who shoots a man on a beach and is condemned as much for failing to weep at his mother’s funeral as for the killing.

Highsmith read The Stranger in 1946 and was deeply impressed. Meursault’s flat, unrepentant voice is close to the moral blankness of her killers, and both writers leave the reader to supply the judgement the narrator will not.

— Lisanne

Every book by Albert Camus →

03
The pleasant murderer narrates

Jim Thompson

American · The Killer Inside Me (1952), The Grifters (1963), Pop. 1280 (1964)

Thompson was born in Anadarko, Oklahoma Territory, in 1906 and died in Los Angeles in 1977. The Killer Inside Me is narrated by Lou Ford, an amiable, slightly dull-seeming deputy sheriff in a small Texas town who is a murderer; The Grifters was filmed by Stephen Frears in 1990. The critic Geoffrey O’Brien called him a “Dimestore Dostoevsky”.

Thompson and Highsmith were writing their killers at the same moment, and Lou Ford and Tom Ripley both hide murder behind good manners. Thompson is rawer and more violent, a paperback writer where Highsmith is a cool stylist, but the charm works on the reader in the same way.

— Lisanne
04
He called her the poet of apprehension

Graham Greene

British · Brighton Rock (1938), The End of the Affair (1951), The Quiet American (1955)

Greene was born in Berkhamsted in 1904 and died in Switzerland in 1991. Brighton Rock follows Pinkie, a teenage gangster in Brighton, and the young waitress he marries to keep her from giving evidence; The End of the Affair is a love story in which jealousy turns into an argument with God. He called Highsmith “the poet of apprehension”.

Greene admired her, and both write guilt, betrayal and the crime that cannot be undone, often among the English and Americans abroad. Greene’s killers live inside a Catholic world of sin and grace; Highsmith’s live in a world without judgement, which makes the pairing instructive.

— Lisanne

Every book by Graham Greene →

05
Is she a poisoner?

Daphne du Maurier

British · Rebecca (1938), My Cousin Rachel (1951), “Don’t Look Now” (1971)

Du Maurier was born in London in 1907 and spent most of her life in Cornwall, where she died in 1989. Rebecca follows a young second wife haunted by the memory of her husband’s first; My Cousin Rachel leaves its narrator, and the reader, unable to decide whether the woman he loves poisoned the cousin who raised him. In 1941 critics pointed out similarities between Rebecca and the Brazilian writer Carolina Nabuco’s A Sucessora (1934); du Maurier said she had never heard of it.

Du Maurier shares Highsmith’s skill with suspicion and obsession inside an apparently respectable life: Philip in My Cousin Rachel is as possessed as any Highsmith narrator. Du Maurier is more romantic and gothic; Highsmith flatter and colder.

— Lisanne

Every book by Daphne du Maurier →

06
The killer’s point of view

Ruth Rendell

British · A Demon in My View (1976), A Judgement in Stone (1977), A Dark-Adapted Eye (1986, as Barbara Vine)

Rendell was born in London in 1930 and died in 2015. Alongside her Inspector Wexford detective novels, which began with From Doon with Death (1964), she wrote stand-alone psychological novels: A Demon in My View won the Gold Dagger, and A Judgement in Stone tells you in its first sentence who killed the Coverdale family and why. As Barbara Vine she won the Edgar Award for A Dark-Adapted Eye. She was made a life peer in 1997.

The British writer closest to Highsmith’s method: the reader knows or soon suspects who the killer is, and the suspense lies in watching an ordinary mind move towards violence. Rendell is more interested in social class and in the victims; Highsmith stays with the killer.

— Lisanne

Every book by Ruth Rendell →

07
The outsider among the rich

Donna Tartt

American · The Secret History (1992), The Little Friend (2002), The Goldfinch (2013)

Tartt was born in Greenwood, Mississippi, in 1963. The Secret History is narrated by Richard Papen, a student from a modest Californian background who joins a clique of wealthy classics students at a Vermont college and becomes complicit in a murder that the novel reveals in its first pages. The Goldfinch won the Pulitzer Prize in 2014.

Richard Papen is a cousin of Tom Ripley: a young man without money who wants into a glamorous circle and accepts murder as the price. Both novels make the reader complicit by making that world desirable. Tartt writes at greater length, and her narrator feels the guilt Ripley never does.

— Lisanne

Every book by Donna Tartt →

08
The woman as Ripley

Gillian Flynn

American · Sharp Objects (2006), Dark Places (2009), Gone Girl (2012)

Flynn was born in Kansas City, Missouri, in 1971 and wrote for Entertainment Weekly before publishing her first novel. Gone Girl alternates between a husband suspected of killing his missing wife and the wife’s diary, until the novel turns on itself halfway through; David Fincher filmed it in 2014 from Flynn’s own screenplay.

Amy Dunne is the best-known female heir to Ripley: intelligent, theatrical and untroubled by conscience. Flynn shares Highsmith’s interest in marriage as a contest, as in Deep Water, and in the reader’s guilty pleasure in a clever killer; she is louder and more plot-driven.

— Lisanne

Every book by Gillian Flynn →

09
Discomfort as a style

Ottessa Moshfegh

American · Eileen (2015), My Year of Rest and Relaxation (2018), Lapvona (2022)

Moshfegh was born in Boston in 1981. Eileen, narrated by a young woman who worked at a boys’ prison in 1960s Massachusetts, looking back on the week she left her hometown for good, won the PEN/Hemingway Award and was shortlisted for the Booker Prize. My Year of Rest and Relaxation follows a young New Yorker who sets out to sleep for a year.

Moshfegh writes the unlikeable narrator Highsmith made possible: people whose thoughts are petty, cruel and oddly funny, drifting towards a crime. Readers who love the queasy closeness of Deep Water or Edith’s Diary will recognise the method.

— Lisanne

Every book by Ottessa Moshfegh →

10
The love story and the crime

Sarah Waters

Welsh · Fingersmith (2002), The Night Watch (2006), The Paying Guests (2014)

Waters was born in Wales in 1966 and writes historical novels, often about women who love women. Fingersmith is a Victorian story of a swindle in which two young women, one of them a thief, fall in love; The Paying Guests, set in London in 1922, follows a spinster and her lodger’s wife into an affair and a killing. Fingersmith and The Night Watch were both shortlisted for the Booker Prize.

Waters complicates Highsmith from the side of Carol. Highsmith kept her love story between women apart from her crime novels; The Paying Guests puts love and a body in the same house and asks what the women owe each other. Waters is warmer and more interested in tenderness than in cold calculation.

— Lisanne

Every book by Sarah Waters →

Where to start if you loved Patricia Highsmith

If you loved The Talented Mr. Ripley, read Donna Tartt.

The Secret History: an outsider, a rich circle and a murder accepted as the price.

If you loved Strangers on a Train, read Jim Thompson.

The Killer Inside Me: an amiable small-town man with a murderer inside.

If you loved Carol, read Sarah Waters.

The Paying Guests: love between two women and a crime under the same roof.

If you want the source, read Dostoevsky.

Crime and Punishment: the guilt Highsmith took away from Ripley.

If you are new to Highsmith, start with The Talented Mr. Ripley.

Then Strangers on a Train, Carol and Deep Water; the later Ripley novels are best read in order.

Frequently asked questions about authors like Patricia Highsmith

Who writes like Patricia Highsmith?

Ruth Rendell, Jim Thompson and Ottessa Moshfegh are the closest, all writing crime or wrongdoing from inside the mind of the person committing it. From her own reading, Dostoevsky’s Crime and Punishment and Camus’s The Stranger are the books behind Ripley.

What should I read after The Talented Mr. Ripley?

Stay with Highsmith for Ripley Under Ground (1970), the second of five Ripley novels. Outside her work, Donna Tartt’s The Secret History (1992) and Gillian Flynn’s Gone Girl (2012) both put a charming, ruthless character at the centre.

What books are like Carol?

Carol, first published as The Price of Salt in 1952, was unusual for its time in giving two women a hopeful ending. Sarah Waters’s Fingersmith and The Paying Guests are the closest modern novels, combining love between women with suspense.

Is there a new Patricia Highsmith film?

Yes: A Talent for Murder, directed by Anton Corbijn with Helen Mirren as Highsmith, opened in US cinemas on 23 October 2026. It is a fictional thriller about her, adapted from Joanna Murray-Smith’s play Switzerland, not an adaptation of one of her novels.

Which Highsmith book should I read first?

The Talented Mr. Ripley (1955) is the usual starting point. Strangers on a Train (1950) was her first novel, and Carol, first published under the name Claire Morgan, is the one to read for her love story.

Was Patricia Highsmith antisemitic?

Yes. Her diaries and biographers record open antisemitism and racism, including letters she sent under dozens of false names in the 1980s attacking Israel and Jewish influence. Many readers still read her novels knowing this.

Written by Lisanne Swart, who has curated reading lists and author guides at lisanneswart.com since 2021. Every comparison here is a judgement about method and subject, not an algorithmic match. See more on her personal bookshelf.

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