Reading List

Authors Like Hilary Mantel

Wolf Hall (2009) opens in Putney in 1500, with the teenage Thomas Cromwell knocked down on the cobbles by his father. Hilary Mantel followed him across three novels to the scaffold in 1540 and won the Booker Prize twice along the way, for Wolf Hall and Bring Up the Bodies (2012), the first woman to do so. She had started out in the 1970s with a novel about the French Revolution that did not find a publisher until 1992, A Place of Greater Safety. Her memoir, Giving Up the Ghost (2003), describes years of undiagnosed endometriosis and the ghosts she believed she had seen. She died in September 2022, and in May 2026 the Liverpool Everyman staged a play adapted from her story “The Assassination of Margaret Thatcher”. The ten writers below share her ground: history seen from inside one mind, power and its bargains, and the dead who will not stay quiet.

By Lisanne Swart · 10 authors · Historical fiction · Tudor England · Updated October 2026


Quick answer

If you love Hilary Mantel, start with C. J. Sansom, whose Shardlake novels begin in 1537 with a lawyer working for Thomas Cromwell, and Robert Graves, whose I, Claudius (1934) put a reader inside a survivor’s head at a murderous court long before Wolf Hall. For famous history told from inside one household, read Maggie O’Farrell’s Hamnet (2020). The list also includes the play that made Cromwell a villain before Mantel turned the story round.

10 authors like Hilary Mantel

01
The survivor narrates the court

Robert Graves

British · Goodbye to All That (1929), I, Claudius (1934)

Graves was born in Wimbledon in 1895 and was badly wounded at the Somme; Goodbye to All That is his memoir of the First World War. I, Claudius and its sequel, Claudius the God, are narrated by the Roman emperor, a stammering scholar his family underestimated, and won the James Tait Black Prize. He died in Majorca in 1985.

Graves showed that a historical novel could live inside one survivor’s head at a deadly court, which is what Mantel does with Cromwell. His voice is drier and more gossipy; hers more intimate.

— Lisanne
02
A ruler from the inside

Marguerite Yourcenar

Belgian-born French · Memoirs of Hadrian (1951), The Abyss (1968)

Yourcenar was born in Brussels in 1903 and lived most of her later life in Maine. Memoirs of Hadrian is written as a long letter from the dying Roman emperor to the young Marcus Aurelius. In 1980 she became the first woman elected to the Académie française. She died in 1987.

Yourcenar spent years on Hadrian as Mantel did on Cromwell, and both write a powerful man from inside his own thoughts. Hadrian looks back calmly; Cromwell is always caught in the middle of events.

— Lisanne
03
The version Mantel overturned

Robert Bolt

British · A Man for All Seasons (1960)

Bolt (1924–1995) was born near Manchester and worked as a schoolteacher before his plays reached the West End. A Man for All Seasons presents Thomas More as a man of conscience who dies rather than accept Henry VIII’s break with Rome, with Cromwell as his scheming opponent; Bolt’s screenplay for the 1966 film won an Academy Award. He also wrote the screenplays for Lawrence of Arabia and Doctor Zhivago.

Read Bolt as the argument Mantel was answering: his More is a saint and his Cromwell a villain, and Wolf Hall reverses both. Seeing the story his way makes clear how much she changed.

— Lisanne
04
The supernatural, deadpan

Muriel Spark

Scottish · Memento Mori (1959), The Prime of Miss Jean Brodie (1961)

Spark was born in Edinburgh in 1918 and was received into the Catholic Church in 1954. In Memento Mori, elderly Londoners each receive an anonymous phone call telling them they must die; The Prime of Miss Jean Brodie follows a teacher in 1930s Edinburgh and the girls she shapes. She died in Tuscany in 2006.

For the Mantel of Fludd and Beyond Black: short, sharp comic novels with a Catholic sense of sin and the supernatural. Spark converted to the faith Mantel was raised in and left.

— Lisanne

Every book by Muriel Spark →

05
History, brief and oblique

Penelope Fitzgerald

British · Offshore (1979), The Blue Flower (1995)

Fitzgerald (1916–2000) published her first novel at 60 and won the Booker Prize with her third, Offshore, about people living on houseboats on the Thames. The Blue Flower follows the young German poet Novalis and his love for Sophie von Kühn, who was twelve when they met; it won the National Book Critics Circle Award in the US.

Fitzgerald wrote historical fiction as the opposite of costume drama: short, oblique and full of domestic detail, close to how Mantel makes a Tudor household feel lived in. The Blue Flower is a short way into the same immersion.

— Lisanne
06
A king’s favourite

Rose Tremain

British · Restoration (1989), Music & Silence (1999)

Tremain was born in London in 1943. Restoration follows Robert Merivel, a young doctor taken up by Charles II, and was shortlisted for the Booker Prize; Music & Silence, set at the Danish court of Christian IV, won the Whitbread Novel Award. She was made a Dame in 2020.

Tremain also writes a royal court from the inside, through a man whose fortunes depend on the king’s favour. Her Restoration England is bawdier and more comic than Mantel’s Tudor one.

— Lisanne
07
Cromwell, seen by an employee

C. J. Sansom

British · Dissolution (2003), Dark Fire (2004), Tombland (2018)

Sansom (1952–2024) was born in Edinburgh and worked as a solicitor before he began writing. Dissolution sends Matthew Shardlake, a hunchbacked lawyer working for Thomas Cromwell, to investigate a murder at a monastery in 1537; the series ran to seven novels, ending with Tombland. He died in April 2024.

Sansom’s Cromwell is the same man seen by a frightened employee, and far more ruthless than Mantel’s. Read the two together to see how differently the same history can be read.

— Lisanne
08
History that could have gone otherwise

Kate Atkinson

British · Life After Life (2013), A God in Ruins (2015), Transcription (2018)

Atkinson was born in York in 1951 and won the Whitbread Book of the Year with her first novel, Behind the Scenes at the Museum (1995). In Life After Life, Ursula Todd, born in 1910, dies and is born again many times, living through the Blitz in different versions; it and A God in Ruins both won the Costa Novel Award.

Atkinson shares Mantel’s sense that history could have gone otherwise, and her dark English comedy about families. Her games with time are a good next step after the trilogy.

— Lisanne

Every book by Kate Atkinson →

09
The great man, from the side

Maggie O'Farrell

Northern Irish-born British · Hamnet (2020), The Marriage Portrait (2022)

O’Farrell was born in Coleraine, Northern Ireland, in 1972 and grew up in Wales and Scotland. Hamnet imagines the household of William Shakespeare, never named in the novel, around the death of his son in 1596, and won the Women’s Prize for Fiction in 2020. The Marriage Portrait follows Lucrezia de’ Medici in Renaissance Ferrara.

Like Mantel, O’Farrell writes famous history through the people around the great man, in a close, sensory voice. The Marriage Portrait has the same sense of a woman caught inside a powerful household.

— Lisanne
10
Power built from nothing

Lauren Groff

American · Fates and Furies (2015), Matrix (2021), The Vaster Wilds (2023)

Groff was born in Cooperstown, New York, in 1978 and lives in Florida. Matrix imagines the life of Marie de France, a twelfth-century poet sent away from court to run a poor English abbey, which she builds into a powerful community of women. Fates and Furies was a National Book Award finalist.

Matrix is the nearest modern answer to Wolf Hall: an unwanted outsider who rises through intelligence and relentless administration in medieval England. Groff’s prose is more lyrical, and her abbess builds power among women rather than at court.

— Lisanne

Where to start if you loved Hilary Mantel

If you loved Wolf Hall, read C. J. Sansom.

Dissolution: Cromwell’s England, from the side of a lawyer who fears him.

If you loved Cromwell’s voice, read Robert Graves.

I, Claudius: an underestimated survivor narrates a deadly court.

If you loved The Mirror and the Light, read Marguerite Yourcenar.

Memoirs of Hadrian: a ruler looks back on his life as death approaches.

If you want somewhere shorter to begin, read Penelope Fitzgerald.

The Blue Flower: history in brief, oblique chapters.

If you want more Mantel, start with Wolf Hall.

Then read Bring Up the Bodies (2012) and The Mirror and the Light (2020); for her ghosts and her own life, Beyond Black (2005) and Giving Up the Ghost (2003).

Frequently asked questions about authors like Hilary Mantel

Who writes like Hilary Mantel?

C. J. Sansom, Robert Graves and Maggie O’Farrell are the closest. Sansom writes Cromwell’s England, Graves the inner voice of a survivor at a deadly court, and O’Farrell famous history from inside one household.

What should I read after Wolf Hall?

C. J. Sansom’s Dissolution (2003) is set in the same years with a far more ruthless Cromwell, and Robert Bolt’s play A Man for All Seasons (1960) tells the Thomas More story from the opposite side.

Is C. J. Sansom like Hilary Mantel?

They share a period and a man: Sansom’s Shardlake novels begin in 1537 with a lawyer working for Thomas Cromwell. Sansom writes mysteries with a ruthless Cromwell; Mantel writes literary fiction from inside Cromwell’s head.

Did Hilary Mantel finish the Cromwell trilogy?

Yes. The Mirror and the Light (2020) completes it with Cromwell’s fall and execution in 1540.

Is there anything new from Hilary Mantel?

No new book has appeared since her death in September 2022; the most recent is A Memoir of My Former Self (2023), a collection of her non-fiction. In May 2026 the Liverpool Everyman staged Alexandra Wood’s adaptation of her story “The Assassination of Margaret Thatcher”.

Which Hilary Mantel book should I read first?

Wolf Hall (2009) is the natural start. For something shorter, try Beyond Black (2005), a darkly comic novel about a medium, or her memoir Giving Up the Ghost (2003).

Written by Lisanne Swart, who has curated reading lists and author guides at lisanneswart.com since 2021. Every comparison here is a judgement about method and subject, not an algorithmic match. See more on her personal bookshelf.

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