Reading List

Authors Like Donna Tartt

Knopf paid four hundred and fifty thousand dollars for a first novel by a twenty-eight-year-old, and it opens by telling you who died and who killed him, then spends five hundred pages on why that does not help. Tartt has published three books in thirty-three years — 1992, 2002, 2013 — and won the Pulitzer for the third. Ten years is a long time between books, which is why people arrive at a page like this. The writers below split the inheritance up: some have the closed group and the buried body, some have the ornate untrustworthy narrator, one wrote the Bennington novel from the other side of the same campus at the same time.

By Lisanne Swart · 10 authors · Dark academia · Long novels · A decade apart · Updated September 2026


Quick answer

If you want the closest match to The Secret History, read M. L. Rio's If We Were Villains — the same machine, Shakespeare instead of Greek. Tana French's The Likeness is the closed group with the camera turned round, from the outsider's side. For where the form comes from, read Evelyn Waugh's Brideshead Revisited and Nabokov's Pale Fire. And for the other Bennington novel, written at the same time by the man she dedicated her book to, read Bret Easton Ellis.

10 authors like Donna Tartt

01
The same machine · Closest match

M. L. Rio

American · If We Were Villains (2017)

Seven fourth-year acting students at a small conservatory live inside Shakespeare so completely that they quote him at each other in ordinary conversation. One of them dies. The novel is narrated ten years later by Oliver Marks, on the day he is released from prison, to the detective who put him there.

The identical narrative machine, and not the identical mood: a tiny, competitive, over-educated group; a death that the survivors close ranks around; and a narrator confessing long afterwards. Rio is warmer and faster than Tartt and the group is a company rather than a cult. It is the book most people mean when they ask what to read after The Secret History.

— Lisanne
02
The closed group, from outside

Tana French

American-born Irish · The Likeness (2008), In the Woods (2007)

In The Likeness, Detective Cassie Maddox is sent undercover into a household of five postgraduate students who live together in a crumbling house and have cut themselves off from everyone else. One of them has been murdered. French writes crime novels that are really about self-deception, each narrated by a different detective who is unreliable in a way they do not recognise.

This is the closed group with the camera turned round. Tartt puts you inside the circle and makes you complicit; French sends someone in from outside and lets you watch her want to belong. Same subject — the seduction of a group that thinks it is exempt — approached from the opposite direction.

— Lisanne

Every book by Tana French →

03
Where the form comes from

Evelyn Waugh

English · Brideshead Revisited (1945), A Handful of Dust (1934)

Brideshead Revisited is narrated by Charles Ryder, an outsider of modest background who is taken up by a beautiful, doomed, aristocratic family at Oxford and spends the rest of his life measuring everything against those two years. Waugh's earlier novels are savage comedies; this one is the elegiac exception, and he was uncomfortable about it afterwards.

The Secret History runs Brideshead's exact engine: a provincial narrator is admitted to a charmed circle, is changed by it, and tells you about it from a ruined future. Read them together and Tartt's book stops looking like a thriller and starts looking like what it is, which is a novel about class and access wearing a murder as a coat.

— Lisanne
04
The untrustworthy narrator

Vladimir Nabokov

Russian-American · Pale Fire (1962), Lolita (1955)

Pale Fire is a 999-line poem by a fictional poet, wrapped in a foreword, a commentary and an index by his neighbour Charles Kinbote, who believes the poem is secretly about him. The reader assembles the real story out of the gap between the two. Lolita is the other great exercise in a narrator whose beautiful sentences are the crime scene.

Nabokov is the source of Tartt's central trick: the ornate, charming, classically educated narrator whose prose is so good that you keep granting him things you should not. Richard Papen and Humbert Humbert are the same device at different temperatures. If you enjoyed being manipulated by The Secret History, this is where the manipulation was invented.

— Lisanne

Every book by Vladimir Nabokov →

Authors like Vladimir Nabokov →

05
Guilt without punishment

Patricia Highsmith

American · The Talented Mr Ripley (1955), Strangers on a Train (1950)

Highsmith wrote crime from the criminal's side, in worlds where murderers routinely get away with it and the tension comes from watching them stay calm. Tom Ripley kills a man, takes his name and his money, and the series continues for four more books without a reckoning.

The structural inheritance is guilt uncoupled from punishment. Tartt's students are not caught in any way that matters; what destroys them is proximity to each other and to what they did. Highsmith invented that shape — the novel where the plot resolves and the moral situation does not — and nobody has done it better since.

— Lisanne
Every book by Patricia Highsmith →
06
The long novel, alive

Eleanor Catton

New Zealand · The Luminaries (2013), Birnam Wood (2023)

The Luminaries won the Booker Prize in 2013 when Catton was twenty-eight, the youngest winner then on record, and it is 832 pages of gold-rush New Zealand built on an astrological structure in which each section is half the length of the one before. Birnam Wood is a much faster thriller about a guerrilla gardening collective and a billionaire.

The closest living answer to the objection that nobody writes the long, structurally ambitious, plotted novel any more. Catton has Tartt's appetite for architecture and for the group whose ideals curdle, and she publishes rather more often than once a decade.

— Lisanne
07
The other Bennington novel

Bret Easton Ellis

American · The Rules of Attraction (1987), Less Than Zero (1985)

The Rules of Attraction is set at Camden College, a thinly disguised Bennington, and is narrated in rotating first person by students who are sleeping with, misreading and failing to notice each other. It is deliberately flat and affectless where Tartt is ornate, and it is very funny about the same social world.

The most documented connection on this page, and the one most lists miss. Tartt dedicated The Secret History to Ellis; they were at Bennington together; and it was Ellis who moved her manuscript toward an agent. Read the two novels side by side and you get one campus written twice in the same years, once as tragedy and once as farce.

— Lisanne
08
The withheld centre

Hanya Yanagihara

American · A Little Life (2015)

Four men are followed from college in Massachusetts into middle age in New York, and gradually the novel narrows onto one of them and what was done to him as a child. It is 814 pages long and it withholds the central facts for hundreds of them. Widely acclaimed on release, its reputation has since become genuinely divided — Daniel Mendelsohn in the New York Review of Books called the violence gratuitous, and that argument has not gone away.

The shared method is the withheld centre: both novels organise everything around a fact the characters will not say, and both run on the reader's growing certainty that something is being kept from them. Go in knowing it is contested and that it is much harder going than Tartt. Some readers regard it as the best novel of the last decade and some regard it as manipulative; both have read it carefully.

— Lisanne
Every book by Hanya Yanagihara →
09
The group that thinks it is exempt

Roberto Bolaño

Chilean · The Savage Detectives (1998), 2666 (2004)

The Savage Detectives follows two young poets who found a tiny avant-garde movement in Mexico City in the 1970s and then disappear. The middle of the book is told as oral testimony by more than fifty other people who met them over twenty years, none of whom has the whole picture.

The same subject as The Secret History — a small, arrogant, self-mythologising group of young people convinced that art exempts them from ordinary life — followed much further, into what they become at forty. Where Tartt gives you one narrator who was there, Bolaño gives you fifty who were nearly there.

— Lisanne
10
The long American novel

John Irving

American · A Prayer for Owen Meany (1989), The World According to Garp (1978)

Irving writes long, heavily plotted novels in which a small New England town is given the weight of an epic, and in which an event announced early — often a death — hangs over everything that follows. A Prayer for Owen Meany tells you in its first paragraph what the narrator's friend did to his mother.

The other great American novel narrated by a man looking back at a New England adolescence he never recovered from, and the closest match on this page for scale and for the pleasure of a plot that pays off across six hundred pages. Irving is warmer than Tartt and considerably less interested in whether you find his narrator admirable.

— Lisanne
Every book by John Irving →

Authors like John Irving →

Where to start if you loved Donna Tartt

If you want the closest match, read M. L. Rio.

If We Were Villains is the same machine with Shakespeare instead of Greek. Warmer, faster, and it knows exactly what it is doing.

If you want it from the outside, read Tana French.

The Likeness puts a detective inside a closed household of students. Same seduction, opposite vantage point.

If you want where it comes from, read Waugh and Nabokov.

Brideshead Revisited for the engine, Pale Fire for the narrator you should not trust.

If you want the other Bennington novel, read Bret Easton Ellis.

The Rules of Attraction is the same campus in the same years, told flat and funny. She dedicated her book to him.

If you want another long one, read Eleanor Catton.

The Luminaries is 832 pages, structurally ridiculous in the best way, and won the Booker.

If you want her own three books first

My guide to Donna Tartt has all three, and what the ten-year gaps actually contain.

Frequently asked questions about authors like Donna Tartt

Who writes books most like Donna Tartt?

M. L. Rio's If We Were Villains (2017) is the closest single book to The Secret History — a small group of over-invested students, a death, and a narrator confessing a decade later. Tana French's The Likeness (2008) is the same situation from the outside. For the tradition Tartt is writing in rather than a modern echo, read Evelyn Waugh's Brideshead Revisited and Nabokov's Pale Fire.

Is Donna Tartt writing a fourth novel?

She has said she is, and that is all anyone actually knows. In December 2023 she was asked directly by The Queen's Reading Room whether she was working on a new novel and answered, in full, “I am.” There is no title, no publisher and no date. Be careful with what you find online: a Goodreads listing in May 2023 claimed a June 2023 release, and her agent Nicole Aragi told Publishers Lunch that this was not true and had it removed. A search for “Tartt fourth novel” also turns up Contrapposto, which is by Dave Eggers.

What should I read after The Secret History?

If We Were Villains by M. L. Rio if you want the same shape immediately. The Likeness by Tana French if you would rather it be a proper crime novel. Brideshead Revisited if what you loved was the class dynamic and the narrator's longing to belong. And The Rules of Attraction by Bret Easton Ellis, which is the same college in the same years written by the friend she dedicated the book to.

Why does Donna Tartt only publish every ten years?

Three novels in thirty-three years: The Secret History in 1992, The Little Friend in 2002 and The Goldfinch in 2013, which won the Pulitzer Prize for Fiction in 2014. She has never given a mechanical explanation beyond the length of time the books take her, and she gives very few interviews. The practical consequence for a reader is that there are only three, and this page exists because that is not many.

Are there books like The Secret History that are not dark academia?

Yes, and they are often the better recommendation. Highsmith's Ripley novels have the guilt without the campus. Bolaño's The Savage Detectives has the self-mythologising young group without the Greek. John Irving's A Prayer for Owen Meany has the New England adolescence and the death announced in advance. Dark academia is a shelving category; what Tartt actually writes is a novel about a closed group and what it costs to have been let in.

Which Donna Tartt novel should I read first?

The Secret History (1992), and it is not close. It is the book that made her, it is the one every recommendation on this page is measured against, and the other two assume you have met her voice. The Goldfinch (2013) is the Pulitzer winner and the most conventionally satisfying. The Little Friend (2002) is the one readers argue about.

Written by Lisanne Swart, who has curated reading lists and author guides at lisanneswart.com since 2021. Every comparison here is a judgement about method and subject, not an algorithmic match. See more on her personal bookshelf.

From the bookshelf

“A great sorrow, and one that I am only beginning to understand: we don't get to choose our own hearts.”

— Donna Tartt, The Secret History.

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