Reading List

Authors Like Ruth Rendell

“Eunice Parchman killed the Coverdale family because she could not read or write.” That is the first sentence of A Judgement in Stone (1977), and it gives away the killer, the victims and the motive before the story begins. Ruth Rendell, born in South Woodford, Essex, in 1930, started out as a reporter on the Chigwell Times and lost the job after writing up a club dinner she had not attended, missing the fact that the speaker had died halfway through his speech. Her first novel, From Doon with Death (1964), introduced Inspector Reginald Wexford; from 1986 she also wrote as Barbara Vine, won four Gold Daggers, and sat in the House of Lords as a Labour peer until her death in 2015. The ten writers below share her question: not who did it, but what made an ordinary person capable of it.

By Lisanne Swart · 10 authors · Psychological crime · British suspense · Updated October 2026


Quick answer

If you love Ruth Rendell, start with Margaret Millar, whose Edgar-winning Beast in View (1955) follows a disturbed mind from the inside. For the Barbara Vine novels, read Sarah Waters, whose Fingersmith (2002) is built on a family deception; for the Wexford books, her friend and fellow peer P. D. James. Below are seven more, from an 1859 sensation novel to a Japanese thriller set on a factory night shift.

10 authors like Ruth Rendell

01
The sensation novel

Wilkie Collins

British · The Woman in White (1860), The Moonstone (1868)

Collins (1824–1889) was a friend and collaborator of Charles Dickens, who serialised The Woman in White in his magazine All the Year Round in 1859–60. The novel turns on a stolen identity and a woman shut away in an asylum, and is told by several narrators in turn. The Moonstone, about a diamond stolen from a country house, is often counted among the first English detective novels.

The Victorian root of the Barbara Vine novels: secrets in respectable households, documents that do not quite agree, and several witnesses each holding part of the truth. Suits readers who liked Asta’s Book, in which an old diary hides a crime.

— Lisanne
02
The killer named on page one

Francis Iles

British · Malice Aforethought (1931), Before the Fact (1932)

Francis Iles was a pen name of Anthony Berkeley Cox (1893–1971), who also wrote puzzle mysteries as Anthony Berkeley. Malice Aforethought opens with a country doctor who has already decided to murder his wife, and follows his reasoning as the plan unfolds. Before the Fact became Alfred Hitchcock’s film Suspicion (1941).

The clearest ancestor of A Judgement in Stone. Iles gave away the murderer at the start so that the suspense lay in motive and self-deception, the method Rendell made her own. Read it to see where the why-not-who tradition began.

— Lisanne
03
The disturbed mind, from inside

Margaret Millar

Canadian-American · Beast in View (1955), A Stranger in My Grave (1960)

Millar was born Margaret Sturm in Kitchener, Ontario, in 1915 and spent most of her life in Santa Barbara, California, with her husband Kenneth Millar, who wrote as Ross Macdonald. Beast in View, about a reclusive heiress tormented by anonymous phone calls, won the Edgar Award for best novel. The Mystery Writers of America made her a Grand Master in 1983.

Millar was writing psychological suspense twenty years before Rendell’s standalones, and she shares Rendell’s interest in split and hidden selves, as in A Demon in My View. Her endings turn the whole story over, so this suits readers who like a final twist that is psychological rather than procedural.

— Lisanne
04
A household after a poisoning

Shirley Jackson

American · The Haunting of Hill House (1959), We Have Always Lived in the Castle (1962)

Jackson (1916–1965) lived in North Bennington, Vermont, and became famous for “The Lottery” (1948), a story about a village’s annual ritual. We Have Always Lived in the Castle is narrated by eighteen-year-old Merricat Blackwood, who lives with her sister and her uncle in a shuttered house six years after the rest of the family died of arsenic in the sugar bowl, while the village watches.

Jackson writes what one of Rendell’s killers might sound like from the inside: calm, reasonable and very strange. Like A Judgement in Stone, the novel is about a household, a crime and the resentment of the people around it. Suits readers who want unease rather than procedure.

— Lisanne
05
The friend who kept the detective

P. D. James

British · Cover Her Face (1962), Innocent Blood (1980), A Taste for Death (1986)

James (1920–2014) was born in Oxford and worked in the civil service while writing her early novels; her first, Cover Her Face, introduced Adam Dalgliesh, a Scotland Yard detective who writes poetry. She became a Conservative life peer in 1991. She and Rendell, a Labour peer, were friends who never talked about their writing, because, Rendell said, they knew they might disagree violently.

James complicates Rendell. Both wrote psychologically serious crime about the same England, but James kept the detective and a restored moral order at the centre, while Rendell was more interested in the person who commits the crime. Read A Taste for Death beside a late Wexford to see two answers to the same question.

— Lisanne

Every book by P. D. James →

06
Guilt that looks like innocence

Minette Walters

British · The Ice House (1992), The Sculptress (1993), The Scold’s Bridle (1994)

Walters was born in Bishop’s Stortford in 1949. Her first three novels won the CWA John Creasey Award, the Edgar Award and the CWA Gold Dagger in turn, the first time a crime writer had won three major prizes with her first three books. The Sculptress follows a writer who visits a woman jailed for killing her mother and sister, and begins to doubt the confession. Her most recent novel is The Players (2025).

The writer who took up Rendell’s psychological standalones in the 1990s. Walters shares her interest in outsiders whom a community has already judged, and in how class and appearance decide who is believed. Suits readers of A Judgement in Stone and The Killing Doll.

— Lisanne
07
Ordinary women, one crime

Natsuo Kirino

Japanese · Out (1997; English 2003), Grotesque (2003; English 2007)

Kirino was born in Kanazawa in 1951. Out follows women working the night shift at a boxed-lunch factory outside Tokyo; when one of them kills her husband, the others help dispose of the body. In Stephen Snyder’s translation it was a finalist for the Edgar Award for best novel in 2004. Some critics in Japan objected to a woman writing about women and violence at all.

Kirino shares Rendell’s view that crime grows out of class, money and the dull pressure of daily life, but she sets it among working women in Tokyo rather than in English towns. A good choice for readers who want the Rendell method in a completely different society.

— Lisanne
08
Victorian deceit, modern eyes

Sarah Waters

Welsh · Fingersmith (2002), The Night Watch (2006), The Paying Guests (2014)

Waters was born in Neyland, Pembrokeshire, in 1966. Fingersmith, set in 1860s London, follows a young thief placed as maid to an heiress as part of a plot to marry her for her money and have her committed to an asylum; it was shortlisted for the Booker Prize, and Park Chan-wook adapted it as The Handmaiden (2016). The Paying Guests turns on a killing in a 1920s London house.

Waters writes the kind of novel Barbara Vine wrote: a period setting, a family deception, and a crime seen through the women it changes. The Paying Guests in particular reads like a Vine novel, with an interwar house, a secret love and a death that cannot be undone.

— Lisanne

Every book by Sarah Waters →

09
A past that will not stay buried

Tana French

Irish-American · In the Woods (2007), The Likeness (2008), The Searcher (2020)

French was born in Vermont in 1973 and trained as an actor at Trinity College Dublin. Her six Dublin Murder Squad novels are each narrated by a different detective; In the Woods, about a detective who as a boy was the only one of three children to come back from a wood, won the Edgar Award for best first novel. Her Cal Hooper trilogy ended with The Keeper in 2026.

French is the nearest current writer to Rendell’s Wexford novels and Vine books combined: crime as something a family or a group carries for decades, told by someone who is not quite reliable. Suits readers of A Dark-Adapted Eye.

— Lisanne

Every book by Tana French →

10
The crime first, then the life

Liz Nugent

Irish · Unravelling Oliver (2014), Lying in Wait (2016), Strange Sally Diamond (2023)

Nugent was born in Dublin in 1967 and worked as a stage manager before writing fiction. Unravelling Oliver opens with a respected author beating his wife into a coma and then works backwards to explain him; Lying in Wait begins with a judge’s wife admitting to a killing. Strange Sally Diamond won Crime Novel of the Year at the An Post Irish Book Awards in 2023.

Nugent repeats the opening move of A Judgement in Stone: the crime first, then the life that led to it. Her narrators are as cool and self-justifying as Rendell’s, so this suits readers who like knowing who and want to understand why.

— Lisanne

Where to start if you loved Ruth Rendell

If you loved A Judgement in Stone, read Francis Iles.

Malice Aforethought: the murderer is known from the first line, and the suspense is in his mind.

If you loved the Barbara Vine novels, read Sarah Waters.

Fingersmith: a Victorian con, a family secret and two women who are not what they seem.

If you loved the Wexford books, read P. D. James.

A Taste for Death: a long, serious police novel by Rendell’s friend and fellow peer.

If you want the same method far from England, read Natsuo Kirino.

Out: women on a factory night shift and one body to get rid of.

If you want more Ruth Rendell, go back to the start.

Read From Doon with Death (1964) for Wexford, A Judgement in Stone (1977) for the standalones, and A Dark-Adapted Eye (1986) for Barbara Vine.

Frequently asked questions about authors like Ruth Rendell

Who writes like Ruth Rendell?

Margaret Millar and Francis Iles for psychological suspense, Sarah Waters for the Barbara Vine side, and P. D. James for the Wexford-style police novel. Minette Walters and Liz Nugent are the closest living writers.

Does Ruth Rendell have a new book?

No. She died in May 2015. Dark Corners (2015) was published after her death, followed by the story collection A Spot of Folly (2017); the last novel published in her lifetime was The Girl Next Door (2014).

Which Ruth Rendell book should I read first?

A Judgement in Stone (1977) is the best introduction to her standalones. For the Barbara Vine novels, start with A Dark-Adapted Eye (1986), which won the Edgar Award for best novel.

Who was Barbara Vine?

Barbara Vine was the pen name Rendell used from 1986 for slower psychological novels about family secrets, beginning with A Dark-Adapted Eye and ending with The Child’s Child (2012).

Is Ruth Rendell like P. D. James?

They were friends, contemporaries and fellow peers who both wrote serious crime fiction, but James kept the detective at the centre, while Rendell, especially as Barbara Vine, was more interested in the mind of the person who commits the crime.

What should I read after A Judgement in Stone?

Francis Iles’s Malice Aforethought (1931), which also gives away the killer at the start, and Shirley Jackson’s We Have Always Lived in the Castle (1962), about a household after a poisoning.

Written by Lisanne Swart, who has curated reading lists and author guides at lisanneswart.com since 2021. Every comparison here is a judgement about method and subject, not an algorithmic match. See more on her personal bookshelf.
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