Reading List

Authors Like Louise Erdrich

In 1953 Patrick Gourneau, chairman of the Turtle Mountain Band of Chippewa and Louise Erdrich’s grandfather, worked nights as a watchman at a jewel-bearing plant while he fought a congressional plan to terminate his tribe. His granddaughter turned that year into The Night Watchman, which won the Pulitzer Prize in 2021. Erdrich was born in Little Falls, Minnesota, in 1954, grew up in Wahpeton, North Dakota, where her parents taught at a Bureau of Indian Affairs boarding school, and now runs Birchbark Books in Minneapolis. Since Love Medicine (1984) she has built a world of linked families around a North Dakota reservation, told in many voices; The Round House (2012) won the National Book Award. In March 2026 she published Python’s Kiss, a collection of stories. The ten writers below share her territory: land, family and memory, and history told by the people it was done to.

By Lisanne Swart · 10 authors · Native American fiction · Linked family novels · Updated October 2026


Quick answer

If you love Louise Erdrich, start with Tommy Orange, whose There There (2018) tells one story through many Native voices, as Love Medicine does. William Faulkner built the kind of linked world of families in one invented county that she built in North Dakota, and Angeline Boulley, also Ojibwe, writes the crime on tribal land at the heart of The Round House. Further down are the writers of the Native American Renaissance, and one who publicly disagreed with her.

10 authors like Louise Erdrich

01
The linked county before hers

William Faulkner

American · The Sound and the Fury (1929), As I Lay Dying (1930)

Faulkner set most of his fiction in Yoknapatawpha County, an imagined corner of Mississippi, where the same families recur across novels and decades. As I Lay Dying is told in fifty-nine short sections by fifteen narrators. He won the Nobel Prize in Literature in 1949.

The model for Erdrich’s method: one invented place, families who reappear from book to book, and a story split among many voices. Faulkner’s subject is the white South and what it inherited; Erdrich turns the same method on a reservation and its neighbouring towns.

— Lisanne

Every book by William Faulkner →

02
Myth inside a family saga

Gabriel García Márquez

Colombian · One Hundred Years of Solitude (1967), Love in the Time of Cholera (1985)

García Márquez was born in Aracataca, Colombia, in 1927 and worked as a journalist before One Hundred Years of Solitude, which follows seven generations of the Buendía family in the invented town of Macondo. He won the Nobel Prize in Literature in 1982 and died in Mexico City in 2014.

Another writer who makes an invented town hold a whole history, and who lets the miraculous sit beside the ordinary without comment. Erdrich’s spirits and tricksters come from Ojibwe tradition rather than Latin American magic realism, but readers of one usually take to the other.

— Lisanne
03
The novel that opened the door

N. Scott Momaday

Kiowa · House Made of Dawn (1968), The Way to Rainy Mountain (1969)

Momaday was born in Lawton, Oklahoma, in 1934. House Made of Dawn, about Abel, a young man who returns from the Second World War to his pueblo in New Mexico, won the Pulitzer Prize for Fiction in 1969, the first by a Native American writer, and opened what critics called the Native American Renaissance. He died in 2024.

The book that made Erdrich’s career imaginable. Momaday shares her concern with veterans coming home and with the pull between the reservation and the city; his prose is more incantatory, closer to poetry.

— Lisanne
04
The argument with The Beet Queen

Leslie Marmon Silko

Laguna Pueblo · Ceremony (1977), Almanac of the Dead (1991)

Silko was born in Albuquerque in 1948 and grew up at Laguna Pueblo. Ceremony follows Tayo, a Laguna veteran of the Second World War, as traditional ceremony helps him recover. In a review of The Beet Queen she criticised Erdrich for putting postmodern technique ahead of the political struggles of Native people.

The writer on this list who argues with the subject. Silko wants Native fiction to confront land, power and history directly; Erdrich often comes at them through family and comedy. Read Ceremony beside Tracks to see both answers.

— Lisanne
05
Blackfeet history, unsoftened

James Welch

Blackfeet and A’aninin · Winter in the Blood (1974), Fools Crow (1986)

Welch was born in Browning, Montana, in 1940. Winter in the Blood follows an unnamed young man drifting between his family’s ranch and the bars of northern Montana. Fools Crow, set among the Pikuni Blackfeet around 1870, ends with the Marias Massacre; it won the American Book Award. He died in 2003.

Like Tracks, Fools Crow imagines a tribe’s world from inside at the moment it is being broken. Welch is sparer than Erdrich, and his humour, in Winter in the Blood, is darker.

— Lisanne
06
Poetry and memory

Joy Harjo

Muscogee · In Mad Love and War (1990), Crazy Brave (2012)

Harjo was born in Tulsa, Oklahoma, in 1951 and is a poet, memoirist and saxophonist. She served three terms as Poet Laureate of the United States, from 2019 to 2022, the first Native American to hold the post. Crazy Brave is a memoir of her childhood, a violent stepfather and how she became a poet.

Erdrich began as a poet, with Jacklight (1984), and Harjo is the companion for that side of her. Both write ancestors, dreams and survival as present things, not history.

— Lisanne
07
Ojibwe, across the border

Richard Wagamese

Canadian, Ojibwe · Indian Horse (2012), Medicine Walk (2014)

Wagamese was born in Minaki, Ontario, in 1955, a member of the Wabaseemoong Independent Nations. Indian Horse follows Saul Indian Horse, a gifted young hockey player who survives a residential school; it was filmed in 2017. Medicine Walk follows a teenage boy taking his dying father into the backcountry to be buried. Wagamese died in 2017.

The same Ojibwe world as Erdrich’s, seen from the Canadian side. Wagamese shares her subjects, residential schools, broken families and the long work of repair, in plainer, more direct prose.

— Lisanne
08
Many voices, one city

Tommy Orange

Cheyenne and Arapaho · There There (2018), Wandering Stars (2024)

Orange was born in Oakland, California, in 1982. There There follows twelve Native characters converging on a powwow at the Oakland Coliseum; it was a finalist for the Pulitzer Prize. Wandering Stars begins with a survivor of the Sand Creek Massacre of 1864 and follows his descendants to the present day.

The closest heir to Love Medicine: a novel made of many Native voices, each chapter a different life, adding up to a community. Orange’s world is urban where Erdrich’s is mostly rural, which makes them good to read side by side.

— Lisanne
09
Ojibwe crime, for every age

Angeline Boulley

Ojibwe (Sault Tribe) · Firekeeper’s Daughter (2021), Warrior Girl Unearthed (2023)

Boulley is an enrolled member of the Sault Tribe of Chippewa Indians and grew up in Sault Ste. Marie, Michigan. Firekeeper’s Daughter, about an eighteen-year-old Ojibwe woman who becomes an informant in an FBI investigation after witnessing a murder, won the Michael L. Printz Award and an Edgar Award. Her third novel, Sisters in the Wind, appeared in 2025.

The companion for The Round House: a young narrator, a crime on tribal land and the question of who has the right to investigate it. Boulley writes for young adults but suits any Erdrich reader.

— Lisanne
10
The other side of the prairie

Willa Cather

American · O Pioneers! (1913), My Ántonia (1918)

Cather was born in Virginia in 1873 and moved to Nebraska at nine, where she grew up among Czech, Swedish and German immigrant farmers. My Ántonia follows a Bohemian girl through the hardships of prairie homesteading. Cather won the Pulitzer Prize in 1923 for One of Ours.

Cather wrote the Plains as settler country, where Native people barely appear. Erdrich’s North Dakota, with German butchers and Ojibwe families on the same land, reads in part as an answer: the same prairie, with the people Cather left out put back in.

— Lisanne

Every book by Willa Cather →

Where to start if you loved Louise Erdrich

If you loved Love Medicine, read Tommy Orange.

There There: twelve Native lives converging on one Oakland powwow.

If you loved The Round House, read Angeline Boulley.

Firekeeper’s Daughter: an Ojibwe teenager, a murder and an FBI investigation.

If you loved Tracks, read James Welch.

Fools Crow: the Blackfeet world around 1870, at the moment it is broken.

If you want the classic behind her method, read William Faulkner.

As I Lay Dying: one family, fifteen narrators, one journey.

If you want more Louise Erdrich, start with the prizewinners.

Love Medicine (1984), The Round House (2012) and The Night Watchman (2020); then try Python’s Kiss (2026) for her stories.

Frequently asked questions about authors like Louise Erdrich

Who writes like Louise Erdrich?

Tommy Orange, William Faulkner and Angeline Boulley are the closest matches. Orange tells one story through many Native voices, Faulkner built a linked world of families in one invented county, and Boulley, also Ojibwe, writes crime on tribal land.

What should I read after The Round House?

Angeline Boulley’s Firekeeper’s Daughter (2021), another story of a young Ojibwe narrator caught up in a crime investigation. Leslie Marmon Silko’s Ceremony (1977) is the classic about a young man’s recovery through tradition.

What should I read after The Night Watchman?

James Welch’s Fools Crow (1986) and Tommy Orange’s Wandering Stars (2024), both about Native families living through violence and policies meant to erase them.

Does Louise Erdrich have a new book?

Yes. Python’s Kiss, a collection of stories drawn from about twenty years of her work, was published by Harper on 24 March 2026, with artwork by her daughter Aza Erdrich Abe. Her most recent novel is The Mighty Red (2024).

Which Louise Erdrich book should I read first?

Love Medicine (1984), her first novel, introduces the families she returns to. The Round House (2012) is the most accessible as a single story, and The Night Watchman (2020) won the Pulitzer Prize.

Is Louise Erdrich like Leslie Marmon Silko?

They are often read together as writers of the Native American Renaissance, but they disagree. Silko criticised The Beet Queen for putting technique ahead of Native political struggles; Erdrich tends to come at history through family and comedy.

Written by Lisanne Swart, who has curated reading lists and author guides at lisanneswart.com since 2021. Every comparison here is a judgement about method and subject, not an algorithmic match. See more on her personal bookshelf.
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