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In 2016 Grann was going through a British archive looking into mutinies when he found a journal written in stilted eighteenth-century prose by John Byron, a sixteen-year-old midshipman and the future grandfather of the poet. Byron had sailed on HMS Wager, which wrecked off Patagonia in 1741; of roughly 250 men who set out, a few dozen made it home, and they came back with irreconcilable accounts of what had happened on the island. Some were charged with mutiny, which carried a death sentence, so the accounts were not merely different, they were survival strategies. The Wager (2023) spends two years in archives, one boat trip to Wager Island, and then gives you three competing versions and declines to arbitrate. That is the Grann method: The Lost City of Z (2009) on Percy Fawcett vanishing into the Amazon, Killers of the Flower Moon (2017) on the murders of Osage people for their oil rights, The White Darkness (2018) on a man walking into Antarctica alone. He has been a staff writer at The New Yorker since 2003, and six of his books or articles have been adapted for the screen, including Scorsese's Killers of the Flower Moon in 2023. The ten below are chosen on how they handle an archive and what they do with the gaps in it.
By Lisanne Swart · 10 authors · Narrative non-fiction · Archives and obsession · Six screen adaptations · Updated September 2026
Quick answer
If you love David Grann, the closest match is Hampton Sides: expeditions that went badly wrong, reconstructed from logbooks and letters with the same forward pull. Nathaniel Philbrick's In the Heart of the Sea is the direct maritime ancestor of The Wager, and Alfred Lansing's Endurance is the book the whole genre is measured against. Erik Larson and Candice Millard work the same archival seam, and Patrick Radden Keefe the modern investigative one. And David Treuer is the argument against the vantage point of Killers of the Flower Moon.
10 authors like David Grann
Where to start if you loved David Grann
If you want the closest match, read Hampton Sides.
In the Kingdom of Ice. A ship sent north on a wrong theory, and the walk out of Siberia.
If you loved The Wager, read Nathaniel Philbrick.
In the Heart of the Sea. The whaleship Essex, and the account nobody wanted published.
If you want the book the genre is measured against, read Alfred Lansing.
Endurance. The same catastrophe logic, with a group that held together.
If you want it again this decade, read Julian Sancton.
Madhouse at the End of the Earth. One Antarctic winter, and a crew that came apart.
If you want the argument against him, read David Treuer.
The Heartbeat of Wounded Knee. The same century, written from inside it.
If you want more non-fiction of this kind
My shelf has the rest.
Frequently asked questions about authors like David Grann
Who should I read if I love David Grann?
Hampton Sides is the closest — the same collapsed expedition rebuilt from logbooks and letters. Nathaniel Philbrick's In the Heart of the Sea is the direct ancestor of The Wager and Alfred Lansing's Endurance is the standard the whole genre works against. Erik Larson and Candice Millard share the archival method, Julian Sancton has written the nearest thing to a Grann book this decade, and Robert Kurson is the specialist in obsessives. Patrick Radden Keefe is the modern investigative equivalent and Ben Macintyre the British one. David Treuer is the argument against the vantage point of Killers of the Flower Moon.
Which David Grann book should I start with?
The Wager (2023) if you want the best-constructed one: a shipwreck off Patagonia in 1741, castaways who came home with irreconcilable accounts, and a court martial where the wrong version meant hanging. Killers of the Flower Moon (2017) if you want the most important: the Osage murders of the 1920s and the money behind them. The Lost City of Z (2009) is the most purely adventurous. The White Darkness (2018) is short, illustrated and can be read in an evening.
Is David Grann writing a new book?
Nothing has been announced as of September 2026. His books have appeared roughly every three to six years and he remains a staff writer at The New Yorker, where most of them began as articles. The Wager, published in April 2023, is the most recent.
Is The Wager being made into a film?
It has been in development since before publication. Apple Original Films bought the rights, with Martin Scorsese attached to direct and Leonardo DiCaprio to star and produce — their second Grann adaptation after Killers of the Flower Moon. Scorsese has since said publicly that it is his next feature, while also noting that shooting on water is complicated enough that the schedule is uncertain. No release date has been set. Options and announcements frequently outrun actual production, so treat it as likely rather than imminent.
What is the criticism of Killers of the Flower Moon?
That the frame belongs to the outsiders. The subtitle is The Osage Murders and the Birth of the FBI, and the book's structure follows the investigation, which means the Osage largely appear as victims and witnesses in a story organised around the arrival of federal agents. Grann added a final section drawing on Osage descendants and archives, and Scorsese restructured the film substantially in response to similar objections. The reasonable response is not to skip the book but to read David Treuer or Osage writers alongside it.
What actually happened to the Wager?
HMS Wager was part of a British squadron sent in 1740 to seize a Spanish treasure galleon. It wrecked off the coast of Patagonia in 1741. Of roughly 250 men who set out on the ship, a few dozen eventually reached England, arriving in separate groups months apart and with contradictory accounts — one party accusing the other of mutiny, which was a capital offence. The court martial that followed was less about what happened on the island than about whose version would be accepted.
How does David Grann do his research?
Archives first, for years. He found The Wager in 2016 while going through a British archive on mutinies, in the journal of a sixteen-year-old midshipman, and spent about two years in records before writing — logbooks, muster books, court-martial transcripts, Admiralty reports, correspondence, sea ballads and drawings. He then went to Wager Island in Patagonia, having admitted he dislikes camping. He has described the island as functioning almost like a laboratory for testing human nature.
Why do so many of his books become films?
Because they are structured like films already: one obsession, a clear question, a confined setting and an ending that turns. Six of his books or articles have been adapted, including The Lost City of Z (2016), The Old Man & the Gun (2018) and Killers of the Flower Moon (2023), with The Wager and The White Darkness in development. It is worth reading the books first: the adaptations necessarily resolve ambiguities that Grann deliberately leaves open.
Sources
- David Grann reconstructs the story of shipwreck and mutiny — 60 Minutes transcript, CBS News, 23 July 2023
- David Grann: a deep dive into The Wager — Nieman Storyboard
- Grann sails high seas to reconstruct mutiny tale — The Morning Call
- Leonardo DiCaprio and Martin Scorsese tackling The Wager for Apple — The Hollywood Reporter
- Interview with David Grann on the sources behind The Wager — BookPage
List last reviewed 9 September 2026.
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“Almost like a laboratory, testing human nature under extraordinary circumstances.”
— David Grann, on the castaways of the Wager.
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