Reading List

Authors Like Ariel Lawhon

Lawhon found her best book in a doctor's waiting room. She was pregnant with her fourth son, her doctor was off delivering somebody else's baby, she had finished the book she brought, and under a pile of pamphlets was a devotional that mentioned an eighteenth-century midwife called Martha Ballard. Fifteen years later that became The Frozen River (Doubleday, December 2023): a body in the ice of the Kennebec in 1789, a midwife who performs the examination, and a rape accusation against two of the town's respected men that the court has no intention of hearing. It was a Good Morning America Book Club pick, an NPR and Kirkus book of the year, and a New York Times bestseller in hardback and again in paperback. The pattern holds across her work: a real woman the record almost lost, a documented event, and a structure borrowed from crime fiction. The Wife, the Maid, and the Mistress (2014) takes the 1930 disappearance of Judge Crater; Flight of Dreams (2016) puts you on the Hindenburg; I Was Anastasia (2018) runs Anna Anderson's fifty-year claim backwards and forwards at once; Code Name Hélène (2020) is the SOE agent Nancy Wake. She lives outside Nashville with her husband and four sons. The ten below are sorted by what you actually want next: the same formula, the harder version, or the history underneath it.

By Lisanne Swart · 10 authors · Historical fiction · Real women, reconstructed · Thirty languages · Updated September 2026


Quick answer

If you love Ariel Lawhon, the closest match is Kate Quinn: real women, wartime intelligence work, and a plot that behaves like a thriller while the research stays out of the way. Marie Benedict is the nearest thing to Code Name Hélène's method, one overlooked woman per book. But the single best next read after The Frozen River is not a novel: Laurel Thatcher Ulrich's A Midwife's Tale is the Pulitzer-winning history of the actual diary Lawhon built the book from. For the literary end of the same shelf, read Geraldine Brooks.

Every book by Ariel Lawhon →

10 authors like Ariel Lawhon

01
The same formula, at speed · Closest match

Kate Quinn

American · The Alice Network (2017), The Rose Code (2021), The Briar Club (2024)

Quinn writes women in wartime intelligence work, usually braiding two timelines and building to something structured like a thriller. The Alice Network uses the real First World War spy ring run by Louise de Bettignies; The Rose Code follows three women at Bletchley Park through codebreaking and its aftermath, including the psychiatric hospital one of them ends up in; The Diamond Eye (2022) is the Soviet sniper Lyudmila Pavlichenko. She trained as a classicist and wrote four novels set in ancient Rome before moving to the twentieth century.

The nearest match on the shelf and the easiest recommendation to make. Quinn and Lawhon do the same thing: take a woman whose file exists but whose story does not, keep the historical scaffolding invisible, and let a mystery or a mission pull the reader through. Quinn writes bigger casts and moves faster; Lawhon holds a single voice for longer and is better at the domestic texture around the crime. If Code Name Hélène was the one you loved, start with The Rose Code.

— Lisanne

Every book by Kate Quinn →

02
The history The Frozen River is built on

Laurel Thatcher Ulrich

American · A Midwife's Tale (1990), Well-Behaved Women Seldom Make History (2007)

Ulrich spent years with the diary Martha Ballard kept between 1785 and 1812 — nearly ten thousand entries that previous historians had dismissed as trivial — and reconstructed from it the economy, the medicine and the sexual politics of a Maine town. A Midwife's Tale won the Pulitzer Prize for history and the Bancroft Prize in 1991 and was filmed for American Experience. She taught at Harvard for two decades. The phrase about well-behaved women, now printed on a great deal of merchandise, comes from an academic article she published in 1976.

Not a novelist, and the best possible next book anyway. This is the work that rescued Martha Ballard from the archive in the first place; Lawhon has said so plainly, and The Frozen River would not exist without it. Reading it after the novel is unusually satisfying because you can see exactly where Lawhon kept the record and where she invented — the trial is real, the diary entries are real, the murder plot is hers. It is also a genuinely gripping book, which is not something you can say about most Pulitzer-winning histories.

— Lisanne
03
One forgotten woman per book

Marie Benedict

American · The Only Woman in the Room (2019), The Mystery of Mrs. Christie (2020)

Benedict practised law for a decade before writing novels that each take a woman written out of a famous story: Mileva Marić in The Other Einstein, Hedy Lamarr in The Only Woman in the Room, Agatha Christie's eleven-day disappearance in 1926 in The Mystery of Mrs. Christie. The Personal Librarian (2021), written with Victoria Christopher Murray, is about Belle da Costa Greene, who built J. P. Morgan's library while passing as white. Her books are fixtures of American book clubs.

The closest match to Lawhon's stated project rather than her prose. Both writers pick a woman whose contribution was absorbed by a man or a court record, and both write to correct that. Benedict is more schematic — the thesis is usually visible on the first page — and less interested in suspense, where Lawhon will structure a whole novel as a murder investigation. Read Benedict if what you want is the argument; read Quinn if what you want is the plot.

— Lisanne
04
The real life behind the famous name

Paula McLain

American · The Paris Wife (2011), Circling the Sun (2015)

The Paris Wife tells the 1920s from inside Hadley Richardson's marriage to Ernest Hemingway and sold in the millions. Circling the Sun does the same for Beryl Markham, the aviator and racehorse trainer who flew the Atlantic east to west in 1936. Love and Ruin (2018) returns to Hemingway through Martha Gellhorn, who was a war correspondent long before and long after him. McLain grew up in foster care in California and began as a poet, which shows in the sentences.

The literary cousin of what Lawhon does, with the mystery machinery removed. McLain takes a woman standing just outside the frame of a famous photograph and moves the camera, and her interest is the marriage or the ambition rather than the crime. She is the better prose stylist; Lawhon is far better at making you turn the page. If I Was Anastasia made you want the interior life more than the puzzle, start with Circling the Sun.

— Lisanne
05
The literary end of the same shelf

Geraldine Brooks

Australian-American · Year of Wonders (2001), March (2005), Horse (2022)

Brooks covered the Middle East and Africa for The Wall Street Journal before turning to fiction. Year of Wonders is set in the Derbyshire village that quarantined itself during the plague of 1666; March, which imagines the absent father of Little Women at the front, won the Pulitzer Prize for fiction in 2006; Horse braids the story of the nineteenth-century racehorse Lexington and his enslaved groom with a present-day scientist and art historian. She published a memoir about the sudden death of her husband, the writer Tony Horwitz, in 2025.

What the genre looks like when the sentences are the point. Brooks works from the same instinct as Lawhon — a real event, an under-recorded life, meticulous research — but she will not resolve things neatly and her endings tend to cost her characters something. Horse also does the dual-timeline structure Lawhon uses in I Was Anastasia, with more purpose behind the switching. Read her when you want the same material handled by someone reaching for literary fiction.

— Lisanne
06
One building, two timelines

Fiona Davis

American · The Dollhouse (2016), The Lions of Fifth Avenue (2020), The Magnolia Palace (2022)

Davis builds each novel around a New York landmark and runs two timelines through it: the Barbizon Hotel for Women, the New York Public Library and the apartment inside it, the Frick mansion, Radio City Music Hall. The buildings are real, the floor plans matter, and the research into who was permitted where and when does most of the plot's work. She trained as an actor and worked as a magazine editor before writing fiction.

The most reliable next series if the structure is what you enjoy. Davis uses Lawhon's dual-timeline machinery on a smaller canvas — one building instead of one war — and she is very good at the thing Lawhon does in Flight of Dreams, where a confined space with a fixed number of people generates the whole plot. Lighter than Lawhon and less interested in injustice, but the craft is real and there are eight of them.

— Lisanne
07
The bestseller next door

Kristin Hannah

American · The Nightingale (2015), The Four Winds (2021), The Women (2024)

Hannah practised law before writing more than twenty novels. The Nightingale follows two sisters in occupied France, one of them modelled loosely on the escape-line organiser Andrée de Jongh, and has sold in the millions worldwide. The Four Winds moves to the Dust Bowl; The Women follows an American combat nurse in Vietnam and the country that refused to acknowledge that women had served. She writes deliberately for a wide audience and is routinely criticised for sentimentality by reviewers her readers do not read.

The same shelf, aimed squarely at the heart. Hannah and Lawhon both put a capable woman inside a documented catastrophe and both write to make you feel the injustice rather than analyse it; the difference is restraint. Lawhon keeps Martha Ballard dry, funny and often cold, where Hannah goes for the emotional climax and does not apologise for it. If The Frozen River worked on you and you want more of that feeling, The Women is the obvious next book.

— Lisanne

Every book by Kristin Hannah →

Authors like Kristin Hannah →

08
The same structure, from Australia

Kate Morton

Australian · The Forgotten Garden (2008), The Lake House (2015), Homecoming (2023)

Morton writes long novels in which a present-day woman uncovers a family secret buried decades or a century earlier, usually attached to a house: a Cornish cottage, an abandoned estate in Cornwall, a South Australian property where a mother and her children were found dead on Christmas Eve in 1959. Her books have sold well over ten million copies and have been translated into more than forty languages. She trained in drama and wrote a doctorate on tragedy in nineteenth-century fiction.

The non-American version of the same reading experience. Morton uses Lawhon's two-timeline structure at greater length and with more patience, and her mysteries are domestic rather than judicial — nobody is on trial, but somebody has been lying for fifty years. She is the better choice if what you liked about I Was Anastasia was the slow assembly of an identity, and the wrong choice if you wanted the courtroom.

— Lisanne
09
Older than the genre

Anya Seton

American · Dragonwyck (1944), Katherine (1954)

Katherine is the story of Katherine Swynford, the governess who became John of Gaunt's mistress and eventually his wife, and whose descendants took the English throne; Seton worked from the medieval record and the novel has stayed in print for seventy years. Dragonwyck became a 1946 film with Gene Tierney and Vincent Price. She was the daughter of the naturalist Ernest Thompson Seton, researched obsessively, and was writing documented women back into the story decades before it had a marketing category.

The ancestor of everything on this list. Seton was doing Lawhon's job in the 1950s: a real woman found in the archives, the documented events kept, the interior life supplied, and enough narrative pull to sell in enormous numbers. The prose is of its period and the romance is more central than it would be now. Read Katherine to see how old this form is, and how little of it Lawhon actually had to invent.

— Lisanne
10
The argument against the genre

Hilary Mantel

British · Wolf Hall (2009), Bring Up the Bodies (2012), The Mirror & the Light (2020)

Mantel won the Booker Prize twice, for the first two volumes of a trilogy narrated from inside Thomas Cromwell's head in the present tense, with no dual timeline, no modern framing and very little explanation offered to the reader. She wrote fiction for twenty-five years before it, including a novel about the French Revolution written in her twenties that took decades to be published. Her 2013 London Review of Books lecture on royal bodies, which discussed how the Duchess of Cambridge was being presented in public, was reported as a personal attack and caused a lasting row. She died in 2022.

The case against the whole formula, made by someone who could clearly do it and refused. Mantel takes documented lives and gives you no signposts: no chapter telling you what year it is and why it matters, no present-day researcher to explain the stakes, no reassurance that the person you are reading was on the right side. It is harder work than Lawhon and it is the standard the genre gets measured against. Read the first fifty pages of Wolf Hall and you will know immediately which of the two you actually want.

— Lisanne

Every book by Hilary Mantel →

Where to start if you loved Ariel Lawhon

If you want the closest match, read Kate Quinn.

The Rose Code. Three women at Bletchley Park, and what happened to them afterwards.

If you loved The Frozen River, read Laurel Thatcher Ulrich.

A Midwife's Tale. The real diary, the real trial, and a Pulitzer Prize.

If you want the same project, read Marie Benedict.

The Only Woman in the Room. Hedy Lamarr, and the invention nobody credited her for.

If you want better sentences, read Geraldine Brooks.

Year of Wonders. A village that locked itself in with the plague, in 1666.

If you want the argument against the genre, read Hilary Mantel.

Wolf Hall. Thomas Cromwell, present tense, and no help for the reader.

If you want more historical fiction

My shelf of the best fiction has the rest.

Frequently asked questions about authors like Ariel Lawhon

Who should I read if I love Ariel Lawhon?

Kate Quinn is the closest — real women, wartime intelligence, and a thriller's structure with the research kept out of sight. Marie Benedict does the same recovery project one woman at a time, Paula McLain does it with better sentences and no mystery, and Fiona Davis and Kate Morton run the same dual-timeline machinery around buildings and family secrets. Kristin Hannah is the bigger-selling neighbour who aims at the heart rather than the head. Geraldine Brooks is the literary end of the shelf and Anya Seton the ancestor of all of it. If you want to see the genre challenged, read Hilary Mantel. And after The Frozen River, read Laurel Thatcher Ulrich's A Midwife's Tale.

Which Ariel Lawhon book should I start with?

The Frozen River (2023). It is her best-reviewed and best-selling book, it works as a standalone mystery, and Martha Ballard's voice carries the whole thing. If you would rather start with the wartime material, Code Name Hélène (2020) follows Nancy Wake from Marseille to the SOE. I Was Anastasia (2018) is the most formally ambitious and the most divisive, because one of its two narratives runs backwards; read it third, not first.

Is Ariel Lawhon writing a new book?

Nothing has been announced. As of September 2026 her most recent novel remains The Frozen River, published by Doubleday in December 2023, which returned to the bestseller lists on its paperback release. She has published roughly every two to three years since her debut in 2014, so a gap of this length is not unusual for her, but there is no title, publisher or date in circulation.

Is The Frozen River based on a true story?

Substantially, yes. Martha Ballard was real and kept a diary of nearly ten thousand entries between 1785 and 1812. The rape accusation by Rebecca Foster against Judge Joseph North was real, as was the trial and its outcome, and Ballard recorded it. The murder plot around the body in the Kennebec is Lawhon's invention. The cleanest way to see the seam is to read Laurel Thatcher Ulrich's A Midwife's Tale, the 1990 history that brought the diary out of obscurity and won the Pulitzer Prize.

Who was Martha Ballard?

A midwife and healer in Hallowell, Maine, who delivered more than eight hundred babies and kept a daily record of births, deaths, illnesses, debts and local scandals for twenty-seven years, at a time when most women in the town could not read or write. Lawhon has also pointed out that she was the great-aunt of Clara Barton, who founded the American Red Cross, and the great-great-grandmother of Mary Hobart, one of the first women to practise medicine in the United States.

What order should I read Ariel Lawhon's books in?

Any order — they share no characters and each takes a different period. By publication: The Wife, the Maid, and the Mistress (2014), Flight of Dreams (2016), I Was Anastasia (2018), Code Name Hélène (2020), When We Had Wings (2022, written with two other authors) and The Frozen River (2023). Most readers arrive at the last one first and work backwards, which is fine; the early novels are noticeably lighter.

How did Ariel Lawhon find Martha Ballard?

In a waiting room. She was pregnant with her fourth son and her doctor was late because he was delivering another baby; she finished the book she had brought, and under a pile of pamphlets found a devotional that mentioned Ballard. That was about fifteen years before The Frozen River was published. She has told the story in interviews with NPR and Audible, and it explains why the novel is so specific about what midwives actually did — minor surgery, wound care and, as the book opens, examining the dead.

Is Ariel Lawhon's historical fiction accurate?

Her practice is to keep the documented framework and invent inside it, and she sets out which is which in the author's notes at the back of each book, which are worth reading. The dates, trials, disasters and named people are real; motives, conversations and often a crime are hers. I Was Anastasia is the one to approach carefully, because it deliberately withholds a verdict on Anna Anderson's claim that the DNA evidence has since settled.

Written by Lisanne Swart, who has curated reading lists and author guides at lisanneswart.com since 2021. Every comparison here is a judgement about method and subject, not an algorithmic match. See more on her personal bookshelf.

From the bookshelf

“Martha wrote herself into American history.”

— Ariel Lawhon, interview with Audible, audible.com.

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