Reading List · Lisanne Swart

Best Books of 2014

2014 produced several novels that have only grown in standing since they were published. Station Eleven was read as a post-apocalyptic thriller and is now read as prophecy. All the Light We Cannot See spent three years in Doerr’s notebooks before it became the novel that won him the Pulitzer. The Narrow Road to the Deep North took Richard Flanagan twelve years to write and won the Man Booker. Dept. of Speculation was a book about a marriage breaking apart, written in fragments, that somehow described something most novels about marriage cannot get close to. These are the books from 2014 that ten years on still feel like the books of that year.

By Lisanne Swart · 5 books · Fiction · Non-Fiction · Updated June 2026


01
Fiction

All the Light We Cannot See

Anthony Doerr · 2014

A blind French girl and a German orphan boy are moving toward each other across the chaos of the Second World War, converging on the walled city of Saint-Malo in August 1944. Doerr spent ten years on this novel, and the precision shows: each sentence is placed with the care of someone who has thought about exactly what he wants it to do. It won the Pulitzer Prize for Fiction in 2015 and was on the New York Times bestseller list for more than two hundred weeks. It was adapted into a Netflix series in 2023.

This is the most widely read book on this list, and it earned that reach. Doerr writes about the war without reducing it to a moral argument — he is interested in the specific texture of a life being lived inside enormous historical events, and in the gaps between what people know and what they can bear to know. The blind girl and the German boy structure is simple in concept and demanding in execution, and Doerr executes it with the kind of control that makes a long novel feel short.

02
Fiction

Station Eleven

Emily St. John Mandel · 2014

A flu pandemic kills most of the world’s population in a matter of weeks. Twenty years later, a travelling Shakespearean theatre company moves between the settlements of the Great Lakes region, performing for survivors. The novel moves fluidly between before and after, building a portrait of what was lost and what — improbably, stubbornly — survived. It was a National Book Award finalist, became a television series in 2021, and has been read by more people since 2020 than it was in the six years before.

The novel that aged most strangely of anything on this list. Mandel wrote it as literary fiction, not as a warning — she was interested in beauty and theatre and the specific texture of loss. Reading it before 2020 was one experience; reading it after is another. What she gets right is not the mechanics of a pandemic but the human responses to one: what people cling to, what they abandon, what art means when survival is the only measure of anything. The motto of the travelling theatre — “survival is insufficient” — is the novel’s argument in three words.

03
Fiction · Man Booker Prize

The Narrow Road to the Deep North

Richard Flanagan · 2014

Australian surgeon Dorrigo Evans is a prisoner of war on the Burma Death Railway in 1943. Around that central atrocity — the forced labour of thousands of Allied prisoners in conditions that killed a third of them — Flanagan builds a novel about love, guilt, survival, and the inadequacy of memory to hold what happened. It took him twelve years to write; the title is taken from the seventeenth-century Japanese poet Matsuo Bashō. It won the Man Booker Prize in 2014.

This is the most demanding book on the list, and the one that has aged least as a literary object — it was built to last. Flanagan writes about war without sentimentality and without the comfort of easy moral positions. The novel is interested in how people live inside the worst that human beings do to each other, and in the impossibility of that experience being communicated to those who were not there. A book about the limits of language, written with extraordinary precision of language. The Booker judges were right.

04
Fiction

Dept. of Speculation

Jenny Offill · 2014

A novel in fragments about a marriage — its beginning, its difficulty, an infidelity, the long work of what comes after. The narrator is a writer who wanted to become an art monster; she has become instead a wife and mother, and the gap between who she expected to be and who she is forms the novel’s central ache. Offill writes in short paragraphs and white space, quoting cosmologists and philosophers alongside the daily texture of a life, and the combination produces something that reads as both intimate and cosmically scaled.

A small book that does something large. Offill’s formal choice — the fragment, the white space, the refusal of conventional narrative continuity — is not experimental for its own sake but is the right form for what she is describing: how a life and a marriage feel from inside, rather than how they look from outside. It is funny and devastating in roughly equal measure, and it is one of those novels that readers press into other people’s hands with a specificity that suggests it has named something they needed named.

05
Fiction

Lila

Marilynne Robinson · 2014

The third novel in Robinson’s Gilead sequence tells the story of Lila — the woman John Ames meets late in his life, the wife he had not expected and the child he will not live to see grow up. Lila arrives in Gilead as a drifter with no fixed history, and the novel follows her cautious, difficult approach to a life she cannot quite believe she deserves. It was a National Book Award finalist, a Pulitzer finalist, and is widely considered the finest novel in a sequence that is itself considered among the finest achievements in contemporary American fiction.

Robinson writes slowly and publishes rarely, and each Gilead novel is an event in the serious literary world. Lila is the most emotionally open of the three — it follows a character whose interiority is all uncertainty and survival instinct, a woman who has never been given a reason to trust anything, coming into the orbit of a man whose entire existence is founded on faith. The contrast should not work and does, completely. This is the book on this list most likely to make you want to read the other two immediately.

Not sure where to start?

If you want the most widely loved and the easiest entry point
→ Start with All the Light We Cannot See. It is propulsive and beautifully written and will carry you through 500 pages without effort. A deserved bestseller.

If you want the book that has grown most in meaning since it was published
→ Read Station Eleven. Read it knowing that Mandel wrote it without knowing what would happen in 2020, and then notice how much she got right.

If you want the best novel on the list in purely literary terms
→ Read The Narrow Road to the Deep North. It is the hardest and the most rewarding. Give it the attention it asks for.

Frequently asked questions about the best books of 2014

What won the Man Booker Prize in 2014?
The Narrow Road to the Deep North by Richard Flanagan won the Man Booker Prize in 2014. Flanagan, an Australian novelist, spent twelve years writing the book. The judges praised it as a novel of extraordinary scope and control — a war novel that is also a meditation on memory, love, and the limits of what language can hold. It was up against strong competition including David Mitchell’s The Bone Clocks and Richard Powers’s Orfeo.
What won the Pulitzer Prize for Fiction from books published in 2014?
All the Light We Cannot See by Anthony Doerr won the Pulitzer Prize for Fiction in 2015, for a book published in 2014. It also won the Carnegie Medal for Excellence in Fiction. The novel spent over three years on the New York Times bestseller list — an exceptional run for a work of literary fiction — and has sold millions of copies worldwide.
Is Station Eleven worth reading after watching the TV series?
Yes, and the experience is different enough to justify it. The HBO series (2021) expands and rearranges the novel considerably — it adds characters and plotlines that are not in the book, and changes the structure of the timeline. The novel is quieter, more elliptical, and more interested in texture than plot. Readers who loved the series for its emotional register tend to find the novel even more satisfying; readers who loved it for its momentum may find the book slower but deeper.
What other books from 2014 are worth reading?
Several books from 2014 have held up well alongside this list: Redeployment by Phil Klay, which won the National Book Award for Fiction — stories about American soldiers in Iraq and Afghanistan, told with an authority that comes from Klay’s own service; We Are All Completely Beside Ourselves by Karen Joy Fowler, a novel about a family and a behavioural psychology experiment whose central reveal changes everything that came before it; and Citizen by Claudia Rankine, a book-length poem about race in America that belongs in any serious reading list of the decade.
What made 2014 a good year for books?
The combination of prize winners was unusually strong — Flanagan’s Booker win, Doerr’s eventual Pulitzer, Robinson’s National Book Award nomination — and several books appeared that seemed to anticipate things that had not happened yet. Station Eleven is the obvious example: a pandemic novel published six years before a pandemic. But there is also something in the prevalence of books about survival and loss — what war does, what illness does, what ordinary domestic life does — that makes 2014 feel, in retrospect, like a year that knew something.

From the bookshelf

“Survival is insufficient.” — Emily St. John Mandel, Station Eleven

If this list resonated with you, you'll find more books like these on my personal bookshelf — hand-picked for readers who want books that stay with them long after the last page.

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