Author Guide ·

Books Written by John Jeremiah Sullivan

Sullivan’s two books, thirteen years apart, share a restless, digressive curiosity that made him one of the defining magazine writers of his generation. Blood Horses turned a father’s dying reminiscence into a sprawling meditation on horses and grief; Pulphead took fourteen magazine pieces — on Christian rock, the Tea Party, Michael Jackson, a 90-something Southern Agrarian novelist — and made them add up to something like a portrait of contemporary America. Both books move at the same unhurried, associative pace, trusting the reader to follow.

By Lisanne Swart · 2 books · Essays & Narrative Nonfiction · Updated September 2026


Watch

John Jeremiah Sullivan on Pulphead

Sullivan discusses the essays in Pulphead and how teen and pop culture inform his writing.

Quick facts

Lives
Wilmington, North Carolina
Roles
Contributing writer, NYT Magazine; contributing editor, Harper’s
Former role
Southern editor, The Paris Review
Recognition
Two National Magazine Awards, Whiting Award
Books published
2
Latest book
Pulphead (2011)
01

Memoir · Nature

Blood Horses: Notes of a Sportswriter’s Son

John Jeremiah Sullivan · 2004

Sullivan’s debut interweaves an elegy for his father, longtime sportswriter Mike Sullivan, with a sprawling investigation into the history and culture of the Thoroughbred racehorse, prompted by his father’s offhand answer to what he remembered best from thirty years in the press box: watching Secretariat win the 1973 Derby.

Winner of a National Magazine Award and a 2004 Whiting Writers’ Award, Blood Horses is a stranger and more ambitious book than its subject matter suggests — part memoir, part natural history, part meditation on why humans and horses have stayed bound together for millennia. It’s the clearest evidence that Sullivan’s essay style, wandering but purposeful, was fully formed before Pulphead made him famous.

02

EssaysOn my shelf

Pulphead: Essays

John Jeremiah Sullivan · 2011

A collection of fourteen magazine pieces, substantially reworked from their original publications, ranging from a Christian rock festival to the Tea Party movement to living with the elderly Southern Agrarian writer Andrew Nelson Lytle to profiles of Michael Jackson, Axl Rose, and Bunny Wailer. The pieces are unified less by subject than by Sullivan’s restless, digressive curiosity.

Pulphead was named a New York Times Notable Book and a Time Top 10 Nonfiction Book of 2011, and the comparisons to David Foster Wallace’s essay collections were immediate and largely earned: Sullivan can shift from erudite to vernacular within a single paragraph, and his essay ‘Mister Lytle’ won a National Magazine Award and a Pushcart Prize on its own. This is the book that made him one of the defining magazine writers of his generation.

Frequently asked questions about John Jeremiah Sullivan’s books

How many books has John Jeremiah Sullivan written?
John Jeremiah Sullivan has published two books: Blood Horses: Notes of a Sportswriter’s Son (2004) and Pulphead: Essays (2011). A long-anticipated third book, The Prime Minister of Paradise, about 18th-century figure Christian Gottlieb Priber, has been announced but remains unpublished.
What is the best John Jeremiah Sullivan book to start with?
Pulphead. It’s his best-known and most acclaimed book, a New York Times Notable Book and Time Top 10 Nonfiction pick, and its essay format makes it easy to sample before committing to the more sustained narrative of Blood Horses.
Is John Jeremiah Sullivan similar to David Foster Wallace?
Reviewers have frequently compared Pulphead to Wallace’s essay collections, particularly A Supposedly Fun Thing I’ll Never Do Again, for its blend of erudition, digression, and genuine curiosity about ordinary and pop-cultural subjects. Sullivan himself has been reluctant to name direct influences, though critics also cite Joan Didion and Tom Wolfe.
What does John Jeremiah Sullivan do besides write books?
Sullivan is a contributing writer for The New York Times Magazine, a contributing editor at Harper’s Magazine, and the former southern editor of The Paris Review. His essay ‘Mister Lytle’ and profile ‘The Final Comeback of Axl Rose’ are widely regarded as among the best magazine writing of the 2000s.

From the bookshelf

“This is us, a people of savage sentimentality, weeping and lifting weights.”

— John Jeremiah Sullivan, Pulphead

For more essayists whose curiosity refuses to stay inside one subject, browse the full shelf.

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