Reading List

Authors Like Sarah Waters

In 1995 Sarah Waters finished a PhD at Queen Mary, University of London, on lesbian and gay historical fiction from 1870 to the present, and then wrote one herself. Tipping the Velvet (1998) follows Nan Astley, an oyster girl from Whitstable, into the music halls of the 1890s after she falls for a male impersonator. Fingersmith (2002) is a Victorian crime novel with a double twist, set among London thieves; Park Chan-wook moved it to 1930s Korea under Japanese rule for his film The Handmaiden (2016). Three of her six novels were shortlisted for the Booker Prize, in 2002, 2006 and 2009. Her most recent, The Paying Guests (2014), turns on an affair between a young woman and her lodger’s wife in 1922 Camberwell. The ten writers below share her ground: women the official record left out, houses that keep secrets, and plots that hold their twist until late.

By Lisanne Swart · 10 authors · Historical fiction · Victorian and wartime · Updated October 2026


Quick answer

If you love Sarah Waters, start with Wilkie Collins, whose sensation novel The Woman in White (1860) is the kind of Victorian plot Fingersmith borrows and turns inside out. Michel Faber’s The Crimson Petal and the White (2002) takes a Victorian London prostitute as its heroine, and Elizabeth Bowen’s The Heat of the Day (1949) is the Blitz novel behind The Night Watch’s London. Further down are the ghost-story writers for The Little Stranger and a novelist who refuses realism altogether.

10 authors like Sarah Waters

01
The sensation novel, at the source

Wilkie Collins

British · The Woman in White (1860), The Moonstone (1868)

Collins was born in London in 1824 and was a friend and collaborator of Charles Dickens, whose magazine All the Year Round serialised The Woman in White in 1859–60. The novel, in which a young heiress is shut in an asylum under another woman’s name, is told by several narrators in turn; The Moonstone is often called one of the first English detective novels. He died in 1889.

Fingersmith is built from Collins’s parts: an heiress, a forged identity, an asylum, and a story handed from one narrator to another. Waters adds what Victorian fiction could not say aloud, which makes the two good to read side by side.

— Lisanne
02
London’s thieves and orphans

Charles Dickens

British · Oliver Twist (1838), Bleak House (1853), Great Expectations (1861)

Dickens was born in Portsmouth in 1812 and died in Kent in 1870. Oliver Twist follows an orphan from the workhouse into Fagin’s gang of child pickpockets in London. Dickens’s treatment of his wife Catherine, whom he left in 1858, has damaged his reputation; letters published in 2019 indicate he tried to have her committed to an asylum.

The Borough household of thieves and baby-farmers in Fingersmith is Fagin’s kitchen seen by a girl raised in it. Waters shares Dickens’s appetite for the city’s underworld and its slang, and gives it a heroine instead of a boy.

— Lisanne

Every book by Charles Dickens →

03
The house that holds the past

Daphne du Maurier

British · Rebecca (1938), My Cousin Rachel (1951)

Du Maurier was born in London in 1907 and spent most of her life in Cornwall, where she died in 1989. Rebecca follows a shy young second wife at Manderley, where her husband’s dead first wife is present in every room, and ends with the house in flames. In 1941 critics pointed out similarities between Rebecca and the Brazilian writer Carolina Nabuco’s A Sucessora (1934); du Maurier said she had never heard of the book.

Hundreds Hall in The Little Stranger belongs to the same line as Manderley: a great house in decline, a narrator who is not of its class, and a past that will not stay buried.

— Lisanne

Every book by Daphne du Maurier →

04
London in the Blitz

Elizabeth Bowen

Anglo-Irish · The Death of the Heart (1938), The Heat of the Day (1949)

Bowen was born in Dublin in 1899 and died in 1973. She lived in London through the Second World War and reported on Irish opinion for the British Ministry of Information. The Heat of the Day is set in the city during the Blitz, where a woman learns that her lover may be passing secrets to the enemy.

The wartime London of The Night Watch, written by someone who lived through it: blackouts, secret lives and love affairs conducted in rooms that might not survive the night. Bowen’s prose is more oblique; Waters supplies the plot Bowen leaves in the shadows.

— Lisanne
05
Is the house haunted?

Shirley Jackson

American · The Haunting of Hill House (1959), We Have Always Lived in the Castle (1962)

Jackson was born in San Francisco in 1916. Her story ‘The Lottery’, published in The New Yorker in 1948, brought the magazine hundreds of letters from angry and frightened readers. She died in 1965, aged 48. The Little Stranger was nominated for the Shirley Jackson Award in 2009.

The Little Stranger never settles whether anything supernatural happens at Hundreds Hall, and Jackson is the master of that unanswered question. Both writers locate the horror in families and class as much as in the house.

— Lisanne
06
A Victorian heroine from below

Michel Faber

Dutch-born British · Under the Skin (2000), The Crimson Petal and the White (2002)

Faber was born in The Hague in 1960, grew up in Australia from 1967 and moved to Scotland in 1993. The Crimson Petal and the White, an 850-page novel set in 1870s London, follows Sugar, a nineteen-year-old prostitute. His first novel, Under the Skin, became Jonathan Glazer’s 2013 film with Scarlett Johansson.

The closest modern match for Fingersmith and Tipping the Velvet: a long, crowded Victorian London novel told from the point of view of a woman the period’s own fiction kept at the margins. Faber is more explicit about sex and money.

— Lisanne
07
Historical women, closely seen

Emma Donoghue

Irish-Canadian · Slammerkin (2000), Room (2010), The Wonder (2016)

Donoghue was born in Dublin in 1969 and lives in London, Ontario. Her history Passions Between Women (1993) covers British lesbian culture from 1668 to 1801. Slammerkin grows from an eighteenth-century newspaper report of a servant who killed her employer; Room was shortlisted for the Booker Prize and filmed in 2015. Her most recent novel, The Paris Express (2025), was shortlisted for the Giller Prize.

Donoghue, like Waters, wrote about lesbian history as a scholar before her novels, and both build fiction from the stories of real women found in old records. Donoghue moves more widely in time and place, from eighteenth-century London to nineteenth-century Ireland.

— Lisanne
08
History from inside one mind

Hilary Mantel

British · Beyond Black (2005), Wolf Hall (2009), Bring Up the Bodies (2012)

Mantel was born in Derbyshire in 1952 and won the Booker Prize twice, for Wolf Hall and Bring Up the Bodies, the first woman to do so. The novels follow Thomas Cromwell from his boyhood in Putney to the court of Henry VIII. Beyond Black follows a professional medium in the suburbs around London. She died in September 2022.

Mantel and Waters both write historical fiction by staying close to one consciousness, so that the period is felt rather than explained. Read Beyond Black after Affinity for another medium whose gift may or may not be real.

— Lisanne

Every book by Hilary Mantel →

09
The Blitz, told again and again

Kate Atkinson

British · Behind the Scenes at the Museum (1995), Life After Life (2013), Transcription (2018)

Atkinson was born in York in 1951 and won the Whitbread Book of the Year with her first novel, Behind the Scenes at the Museum. In Life After Life, Ursula Todd is born in 1910 and dies again and again, living through the Blitz in several versions; Transcription follows a young woman recruited by MI5 in 1940.

Atkinson shares Waters’s fascination with London in the Second World War and with how a novel’s structure can change what we know. The Night Watch runs backwards; Life After Life starts over. Both are about chance and the lives that might have been.

— Lisanne

Every book by Kate Atkinson →

10
The argument with realism

Jeanette Winterson

British · Oranges Are Not the Only Fruit (1985), The Passion (1987), Sexing the Cherry (1989)

Winterson was born in Manchester in 1959 and raised by Pentecostal adoptive parents in Accrington, the background of Oranges Are Not the Only Fruit, which won the Whitbread First Novel Award. Sexing the Cherry is set in seventeenth-century London around a giant woman, the Dog-Woman, and retells the story of the Twelve Dancing Princesses.

The writer on this list who complicates the rest. Winterson also writes desire between women and the historical past, but she rejects the realist reconstruction Waters practises: her history is fable, fragment and invention. Read her to see what Waters chose not to do.

— Lisanne

Where to start if you loved Sarah Waters

If you loved Fingersmith, read Wilkie Collins.

The Woman in White: an heiress, a stolen identity, an asylum and several narrators.

If you loved Tipping the Velvet, read Michel Faber.

The Crimson Petal and the White: Victorian London from a heroine at the bottom of it.

If you loved The Night Watch, read Elizabeth Bowen.

The Heat of the Day: secrets and love affairs in Blitz London, written by someone who was there.

If you loved The Little Stranger, read Shirley Jackson.

The Haunting of Hill House: a house, a family and a question that is never answered.

If you want more Sarah Waters, read her in order.

Her six novels are standalones: Tipping the Velvet (1998), Affinity (1999), Fingersmith (2002), The Night Watch (2006), The Little Stranger (2009) and The Paying Guests (2014). Most readers start with Fingersmith.

Frequently asked questions about authors like Sarah Waters

Who writes like Sarah Waters?

Wilkie Collins, Michel Faber and Elizabeth Bowen are the closest matches. Collins wrote the Victorian sensation novels Fingersmith draws on, Faber’s The Crimson Petal and the White has a Victorian London prostitute as its heroine, and Bowen’s The Heat of the Day is set in the Blitz London of The Night Watch.

What should I read after Fingersmith?

Wilkie Collins’s The Woman in White (1860) for the sensation plot it borrows from, and Michel Faber’s The Crimson Petal and the White (2002) for another long Victorian London novel. Charles Dickens’s Oliver Twist (1838) has the thieves’ household that the Lant Street chapters echo.

What books are like The Little Stranger?

Shirley Jackson’s The Haunting of Hill House (1959) and Daphne du Maurier’s Rebecca (1938) are the closest: great houses, families in decline and events that may or may not be supernatural. The Little Stranger was nominated for the Shirley Jackson Award in 2009.

Does Sarah Waters have a new book?

No new novel has been announced. Her most recent book is The Paying Guests (2014), set in 1922 Camberwell, which was shortlisted for the Baileys Women’s Prize for Fiction.

Which Sarah Waters book should I read first?

Fingersmith (2002) is the usual starting point; it was shortlisted for the Booker Prize and the Orange Prize. Start with The Little Stranger (2009) if you prefer ghost stories, or The Night Watch (2006) for the Second World War.

Is Sarah Waters like Daphne du Maurier?

In part. The Little Stranger shares Rebecca’s great house in decline and its narrator from outside the family’s class. Waters’s plots also turn on class and on desire between women, which du Maurier’s novel leaves unspoken.

Written by Lisanne Swart, who has curated reading lists and author guides at lisanneswart.com since 2021. Every comparison here is a judgement about method and subject, not an algorithmic match. See more on her personal bookshelf.

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