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Authors Like Gwendolyn Brooks

Gwendolyn Brooks was born in Topeka, Kansas, on 7 June 1917, and her family moved to Chicago when she was six weeks old. She published her first poem at 13. Her first book, A Street in Bronzeville (1945), is set on the South Side she lived on for the rest of her life, and on 1 May 1950 she won the Pulitzer Prize for Annie Allen, the first African American to win one. In 1960 The Bean Eaters included “We Real Cool”, seven pool players in a few short lines. In 1967, at a Black writers' conference at Fisk University, she heard younger poets such as Amiri Baraka and changed direction, leaving Harper & Row for small Black presses. In May 2026 Harper Perennial reissued her early poems in its American Classics series. The ten writers below share her ground: ordinary Black lives set down with formal precision, and the question of who a poem is for.

By Lisanne Swart · 10 authors · Poetry · Chicago · Black American life · Updated October 2026


Quick answer

The closest matches to Gwendolyn Brooks are Langston Hughes, who wrote Harlem from the street as she wrote Bronzeville; Terrance Hayes, who invented the golden shovel form out of her poem “We Real Cool”; and Rita Dove, whose Thomas and Beulah tells an ordinary Black marriage as a sequence of poems. Further down: the poet who refused the label Brooks embraced, voices from Guyana and Scotland, and the Chicago poet who put Brooks's life on stage.

10 authors like Gwendolyn Brooks

01
Harlem, from the street

Langston Hughes

American · The Weary Blues (1926), Montage of a Dream Deferred (1951)

Hughes (1901–1967) became the best-known poet of the Harlem Renaissance with The Weary Blues, poems built on the rhythms of blues and jazz. Montage of a Dream Deferred is a book-length sequence about Harlem after the Second World War. When the teenage Brooks sent him her poems at her mother's urging, he wrote back and told her to keep writing.

Hughes did for Harlem what Brooks did for Bronzeville: he wrote a neighbourhood from the street, in its own speech. He is looser and more musical; Brooks is tighter and more ironic. Read him to see the tradition she entered.

— Lisanne

Every book by Langston Hughes →

02
The poet her mother named

Paul Laurence Dunbar

American · Majors and Minors (1896), Lyrics of Lowly Life (1896)

Dunbar was born in Dayton, Ohio, in 1872 to parents who had been enslaved in Kentucky, and died there of tuberculosis in 1906, aged 33. Lyrics of Lowly Life, with an introduction by William Dean Howells, made him nationally known. He wrote both in conventional English and in dialect; the dialect poems were his most popular in his lifetime, and he reportedly felt limited by them. His poem “Sympathy” gave Maya Angelou the title I Know Why the Caged Bird Sings.

Brooks's mother predicted she would be a poet on Dunbar's level. He faced the question she inherited: whether to write in the voice the audience expected or the one he chose. His formal lyrics and his dialect poems sit side by side, as Brooks's sonnets and street speech do.

— Lisanne
03
The poet who refused the label

Robert Hayden

American · A Ballad of Remembrance (1962), Words in the Mourning Time (1970)

Hayden (1913–1980) grew up in Detroit and wrote “Those Winter Sundays”, one of the most anthologised American poems of the century, and “Middle Passage”, about the slave ship Amistad. In April 1966 he won the poetry prize at the World Festival of Negro Arts in Dakar; weeks later, at a Black writers' conference at Fisk University, younger poets denounced him for refusing to call himself a Black poet. He insisted on “American poet”. From 1976 to 1978 he was the first African American Consultant in Poetry to the Library of Congress.

Hayden is the argument Brooks had with herself. In 1967, a year after he was attacked at Fisk, she went to the same university, heard the younger poets and changed course; Hayden never did. Read together, they give two serious answers to the question of whom a Black poet writes for.

— Lisanne
04
The same lives, fewer words

Lucille Clifton

American · Good Times (1969), Two-Headed Woman (1980)

Clifton (1936–2010) was born in Depew, New York, and wrote short, mostly lower-case poems about family, the body and Black women's history. Good Times, her first book, was named one of the year's ten best books by The New York Times; Two-Headed Woman won the Juniper Prize; and Blessing the Boats won the National Book Award for Poetry in 2000.

Clifton shares Brooks's subject, ordinary Black families and women held up close, but strips the form down where Brooks builds it up. Suits readers who loved the mothers in Annie Allen and want them in fewer words.

— Lisanne
05
A marriage told in poems

Rita Dove

American · Thomas and Beulah (1986), On the Bus with Rosa Parks (1999)

Dove was born in Akron, Ohio, in 1952. Thomas and Beulah, two linked sequences about a husband and wife in Akron drawn from her grandparents' lives, won the Pulitzer Prize for Poetry in 1987; she was the second African American to win it, after Brooks. She was US Poet Laureate from 1993 to 1995, the first African American in the post after it took that name; Brooks had been the last to hold it as Consultant in Poetry.

Thomas and Beulah does for a marriage in Akron what Annie Allen does for a girl in Chicago: an ordinary Black life told as a sequence of poems, with history happening at the edges.

— Lisanne
06
The form built from her poem

Terrance Hayes

American · Lighthead (2010), American Sonnets for My Past and Future Assassin (2018)

Hayes was born in Columbia, South Carolina, in 1971. Lighthead won the National Book Award for Poetry in 2010; it contains “The Golden Shovel”, in which each line ends with a word from Brooks's “We Real Cool”, in order. The form spread, and The Golden Shovel Anthology (2017) gathered poems written that way for her centenary. He received a MacArthur Fellowship in 2014.

The most direct descendant on this list: Hayes carries Brooks's lines inside his own. His American Sonnets also share her habit of putting street speech and political anger into a strict traditional form.

— Lisanne
07
The poet who edited her

Elizabeth Alexander

American · The Venus Hottentot (1990), American Sublime (2005), The Light of the World (2015)

Alexander was born in Harlem in 1962. American Sublime was a finalist for the Pulitzer Prize, and in January 2009 she read “Praise Song for the Day” at Barack Obama's inauguration. In 2005 she edited The Essential Gwendolyn Brooks for the Library of America. The Light of the World is a memoir of her husband's sudden death. She has been president of the Mellon Foundation since 2018.

Alexander has read Brooks as closely as anyone writing now, and her poems share Brooks's mix of public history and private feeling. Start with her Brooks selection, then read her own.

— Lisanne
08
Chicago's poet now

Eve L. Ewing

American · Electric Arches (2017), 1919 (2019)

Ewing was born in 1986 and grew up in Chicago's Logan Square; she teaches at the University of Chicago. Electric Arches mixes poems, prose and drawings about a Black girlhood in the city. 1919 is a collection about the Chicago race riot of that year, which began with the drowning of a Black teenager, Eugene Williams. With Nate Marshall she wrote No Blue Memories: The Life of Gwendolyn Brooks, a play commissioned by the Poetry Foundation for Brooks's centenary.

Ewing writes Brooks's city, the South Side and its history, with the same eye for the single telling scene. 1919 is the book to read after In the Mecca: Chicago, documented in verse.

— Lisanne
09
A Black girlhood in Scotland

Jackie Kay

Scottish · The Adoption Papers (1991), Trumpet (1998), Red Dust Road (2010)

Kay was born in Edinburgh in 1961 to a Scottish mother and a Nigerian father, and adopted as a baby by a white couple who raised her near Glasgow. The Adoption Papers tells that story in the voices of the birth mother, the adoptive mother and the daughter. Trumpet, a novel inspired by the jazz musician Billy Tipton, won the Guardian Fiction Prize, and Red Dust Road is a memoir of finding her birth parents. She was Scotland's Makar, its national poet, from 2016 to 2021.

Kay shares Brooks's gift for the dramatic voice, letting several speakers tell one story, and her subject is Black life in a place few poets had written it. Suits readers who want Brooks's warmth and wit outside America.

— Lisanne
10
Women's history, in their voice

Grace Nichols

Guyanese-British · i is a long memoried woman (1983), The Fat Black Woman's Poems (1984)

Nichols was born in Georgetown, Guyana, in 1950 and moved to Britain in 1977. i is a long memoried woman, a cycle of poems following an African woman through enslavement in the Caribbean, won the Commonwealth Poetry Prize in 1983. The Fat Black Woman's Poems, published by Virago, is comic and defiant. She was awarded the Queen's Gold Medal for Poetry in 2021.

Like Brooks in Annie Allen, Nichols builds a book around one woman's life and lets history press in on it. The Fat Black Woman's Poems has the same sly humour as Brooks's mock-epic “The Anniad”.

— Lisanne

Where to start if you loved Gwendolyn Brooks

If you loved A Street in Bronzeville, read Langston Hughes.

Montage of a Dream Deferred: Harlem after the war, poem by poem, in the neighbourhood's own rhythms.

If you loved “We Real Cool”, read Terrance Hayes.

Lighthead, starting with “The Golden Shovel”, which carries Brooks's poem inside it.

If you loved Annie Allen, read Rita Dove.

Thomas and Beulah: a marriage in Akron told in two linked sequences, his and hers.

If you want the argument, read Robert Hayden.

“Those Winter Sundays” and “Middle Passage”, then set his refusal of the label beside Brooks's turn in 1967.

If you want more Brooks, read Maud Martha.

Her only long fiction (1953), told in 34 short vignettes of a young woman's life on the South Side; then The Bean Eaters (1960) and In the Mecca (1968).

Frequently asked questions about authors like Gwendolyn Brooks

Who writes like Gwendolyn Brooks?

Langston Hughes is the closest older match, writing Harlem from the street as she wrote Bronzeville. Among later poets, Terrance Hayes built a whole form from her “We Real Cool”, and Rita Dove's Thomas and Beulah tells an ordinary Black marriage as a sequence of poems. Lucille Clifton, Elizabeth Alexander and Eve L. Ewing also work in her territory.

Which Gwendolyn Brooks book should I read first?

A Street in Bronzeville (1945), her first book, introduces the neighbourhood and people her early work keeps returning to. If you prefer prose, start with Maud Martha (1953). The 2026 Harper Perennial Selected Poems draws on her first three collections in one volume.

Does Gwendolyn Brooks have a new book?

Brooks died in 2000, but in May 2026 Harper Perennial reissued her Selected Poems in its American Classics series, drawing on A Street in Bronzeville, Annie Allen and The Bean Eaters.

What is a golden shovel poem?

A form invented by Terrance Hayes in “The Golden Shovel”, from Lighthead (2010): each line of the new poem ends with a word from Brooks's “We Real Cool”, in order. The Golden Shovel Anthology (2017) collected poems in the form for her centenary.

Was Gwendolyn Brooks the first Black writer to win a Pulitzer Prize?

Yes. She won on 1 May 1950 for Annie Allen, the first African American to receive a Pulitzer. Rita Dove became the second African American to win the poetry prize, in 1987, for Thomas and Beulah.

Why did Gwendolyn Brooks change her style?

At a Black writers' conference at Fisk University in 1967 she heard younger poets such as Amiri Baraka and turned towards a Black audience and Black-owned presses. After In the Mecca (1968) she left Harper & Row, and Riot (1969) came out from Broadside Press in Detroit.

Written by Lisanne Swart, who has curated reading lists and author guides at lisanneswart.com since 2021. Every comparison here is a judgement about method and subject, not an algorithmic match. See more on her personal bookshelf.
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