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An Italian family had been dying the same way for two centuries: sleep stops, and then everything else does. The Family That Couldn't Sleep (2006) follows fatal familial insomnia back through that family's records and outward into the whole strange class of prion diseases — scrapie in sheep, kuru among the Fore people of New Guinea, mad cow disease in British herds — and the scientists who could not agree that a protein alone could be infectious. Six years later Max published Every Love Story Is a Ghost Story (2012), the first biography of David Foster Wallace, who died in 2008: the archives at Austin, the letters, the teaching, the addiction and the treatment, and the behaviour toward the writer Mary Karr that the book documented and that Karr has since described publicly herself. Then something quieter. In 2017 Max began interviewing Stephen Sondheim for a New Yorker profile pegged to a musical that was never finished, and kept going for three years until Sondheim's death in November 2021. Finale (Harper, 22 November 2022) is what survived: the transcripts, plus Max explaining what he was trying to get and how often he failed. Three books, three completely different subjects, one method. The ten below split along those lines.
By Lisanne Swart · 10 authors · Reported non-fiction · Medicine and biography · Three books · Updated September 2026
Quick answer
If you love D.T. Max, which half you loved decides the answer. For The Family That Couldn't Sleep, the closest match is Richard Preston, and Oliver Sacks if what held you was the neurology rather than the outbreak. For Every Love Story Is a Ghost Story, read Hermione Lee, the finest literary biographer working, and Mary Karr, who is in that story and writes better than anyone about it. For the interview craft in Finale, read John McPhee. And Ian Hamilton is the argument against writing a living author's life at all.
10 authors like D.T. Max
Where to start if you loved D.T. Max
If you loved The Family That Couldn't Sleep, read Richard Preston.
The Hot Zone. A filovirus in a monkey house in suburban Virginia, 1989.
If you want the neurology, read Oliver Sacks.
The Man Who Mistook His Wife for a Hat. Case histories written as literature.
If you loved the Wallace biography, read Hermione Lee.
Penelope Fitzgerald. A whole life assembled from almost no material at all.
If you want the other side of that story, read Mary Karr.
Lit. The years in question, by the writer who lived them.
If you want the argument against it, read Ian Hamilton.
In Search of J. D. Salinger. The biography its subject sued to stop.
If you want more non-fiction of this kind
My shelf has the rest.
Frequently asked questions about authors like D.T. Max
Who should I read if I love D.T. Max?
It depends on which of his books brought you here. For the medical one: Richard Preston is the closest, Oliver Sacks the best on the brain, Rebecca Skloot on a family and consent, Siddhartha Mukherjee on a disease given a full biography, and Carl Zimmer on heredity. For the David Foster Wallace biography: Hermione Lee is the finest literary biographer working, Mary Karr is inside that story and writes better than almost anyone, and Ian Hamilton is the argument against the whole undertaking. For the interview craft in Finale: John McPhee and Larissa MacFarquhar.
How many books has D.T. Max written?
Three. The Family That Couldn't Sleep: A Medical Mystery (Random House, 2006), Every Love Story Is a Ghost Story: A Life of David Foster Wallace (Viking, 2012), which was a New York Times bestseller, and Finale: Late Conversations with Stephen Sondheim (Harper, 22 November 2022, 240 pages). He has been a staff writer at The New Yorker throughout, and no fourth book has been announced as of September 2026.
Which D.T. Max book should I start with?
The Family That Couldn't Sleep if you want the one with the strongest narrative pull: an Italian family whose members have died of a hereditary insomnia for two centuries, and the scientific fight over whether a protein alone can be infectious. Every Love Story Is a Ghost Story if you have read David Foster Wallace and want the life. Finale is the shortest and the most unusual, and works best if you already care about Sondheim, because it is largely transcript.
What is Finale actually made of?
Interview transcripts, framed. Max began talking to Sondheim in 2017 for a New Yorker profile timed to the premiere of a musical Sondheim was writing. The profile kept being delayed by Sondheim's own hesitation and then by the pandemic, and he died in November 2021 before it ran. The New Yorker published excerpts in an online issue in February 2022, and the book followed that November. Max sets each scene, describes what he was after, and includes the exchanges where he got nowhere.
Is Every Love Story Is a Ghost Story a good biography of David Foster Wallace?
It is the standard one and the first, published in 2012, four years after Wallace's death, built on the archive at the University of Texas, his letters, and interviews with family, editors, students and friends. It is also the book that put on the record his behaviour toward the writer Mary Karr during their relationship, which Karr has since spoken about directly and which has changed how many readers approach his work. Read it alongside Karr's own books rather than instead of them.
What is fatal familial insomnia?
An extremely rare inherited prion disease in which the ability to sleep progressively fails, followed by other neurological functions. Max's book follows one Venetian family in which it has appeared for generations, and uses it as the way into prion science more broadly — scrapie in sheep, kuru among the Fore people of Papua New Guinea, and the bovine epidemic in Britain in the 1980s and 1990s — including the long resistance among scientists to the idea that a misfolded protein could transmit disease at all.
Is D.T. Max still writing for The New Yorker?
Yes. He has been a staff writer there for years and his magazine work covers a wide range: profiles, science, food, art and literary subjects. The books have tended to grow out of that reporting, which is the usual route for New Yorker writers and why the gaps between them are long. His most recent book remains Finale from 2022.
What should I read after the Wallace biography?
Mary Karr's Lit, for the same years from inside them, and Hermione Lee's Penelope Fitzgerald, to see what the form looks like at its best. Then Ian Hamilton's In Search of J. D. Salinger, which is about a biographer being stopped by his subject and is the sharpest thing written on whether any of this should be published at all. If you want more Wallace rather than more biography, his own essay collections are the place to go, not another life of him.
Sources
- Finale: Late Conversations with Stephen Sondheim — Publishers Weekly review
- D. T. Max to discuss Finale at the Drama Book Shop, with biography and quotation — BroadwayWorld
- Finale — publisher description of how the Sondheim interviews began and ended
- D.T. Max — author page and bibliography
- D. T. Max — Wikipedia
List last reviewed 9 September 2026.
More from the shelf
From the bookshelf
“What a burden Sondheim labored under.”
— D.T. Max, Finale, 2022.
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