Reading List

Authors Like Ottessa Moshfegh

Ottessa Moshfegh was born in Boston in 1981 to a Croatian mother and an Iranian Jewish father, both musicians who taught at the New England Conservatory. Her first novel, Eileen (2015), is narrated by a young woman working at a boys’ prison in 1960s Massachusetts; it won the PEN/Hemingway Award and was shortlisted for the Booker Prize. In My Year of Rest and Relaxation (2018), a young woman in Manhattan in 2000 decides to sleep for a year, on drugs prescribed by an erratic psychiatrist. Lapvona (2022) moves to a medieval village ruled by a cruel lord. Her narrators are rude, self-absorbed and often funny, and her books are frank about bodies, drink and loneliness. The ten writers below share that territory: people who opt out, voices that refuse to be likeable, and the odd comfort of a dark joke.

By Lisanne Swart · 10 authors · Dark comedy · Unlikeable narrators · Updated October 2026


Quick answer

If you love Ottessa Moshfegh, start with Sayaka Murata, whose Convenience Store Woman (2016) follows another woman who will not live the life expected of her. Jean Rhys’s Good Morning, Midnight (1939) follows a woman in Paris organising her days around drink and sleep, and Patricia Highsmith wrote the calm criminal inner voice that Eileen recalls. Further down are the nineteenth-century narrator who started it all and a writer who covers the same ground with tenderness.

10 authors like Ottessa Moshfegh

01
The first unpleasant narrator

Fyodor Dostoevsky

Russian · Notes from Underground (1864), Crime and Punishment (1866)

Dostoevsky was born in Moscow in 1821 and died in St Petersburg in 1881, after years in a Siberian prison camp and army exile. Notes from Underground is the monologue of a retired civil servant in St Petersburg who has withdrawn from the world and spends the first part of the book attacking his readers and himself.

The ancestor of Moshfegh’s narrators: spiteful, self-mocking, hyper-aware and in retreat from society. Her sleeping heroine in My Year of Rest and Relaxation is, in effect, an underground woman.

— Lisanne

Every book by Fyodor Dostoevsky →

02
A woman in retreat

Jean Rhys

British, born in Dominica · Good Morning, Midnight (1939), Wide Sargasso Sea (1966)

Rhys was born in Roseau, Dominica, in 1890, moved to England at sixteen and died in 1979. Good Morning, Midnight follows Sasha Jansen, an Englishwoman no longer young, back in Paris, who plans her days around drinking, sleeping and avoiding anything that might hurt. Wide Sargasso Sea gives a life to the first Mrs Rochester from Jane Eyre.

The closest older match for My Year of Rest and Relaxation: a woman managing her pain with alcohol and sleep, told in a flat, sharp voice that refuses self-pity. Rhys is sadder, Moshfegh funnier.

— Lisanne

Every book by Jean Rhys →

03
The grotesque, with a sting

Flannery O’Connor

American · Wise Blood (1952), A Good Man Is Hard to Find (1955)

O’Connor was born in Savannah, Georgia, in 1925 and died of lupus in 1964, at 39. Her stories set self-satisfied Southerners against violence and grace; The Complete Stories won the National Book Award in 1972. Letters published after her death contain openly racist remarks, and in 2020 Loyola University Maryland renamed a residence hall that had carried her name.

O’Connor and Moshfegh share a taste for bodies, ugliness and characters who are worse than they think, and both use comedy to make cruelty readable. Lapvona, with its religious violence, is close to O’Connor country.

— Lisanne
04
The calm criminal voice

Patricia Highsmith

American · Strangers on a Train (1950), The Talented Mr. Ripley (1955)

Highsmith was born in Fort Worth, Texas, in 1921 and died in Switzerland in 1995. The Talented Mr. Ripley, the first of five Ripley novels, follows a young American in Italy who kills his way into another man’s life. Her biographers have documented her antisemitism and racism, expressed in letters and, in later life, in pseudonymous letters to newspapers and officials.

Both writers keep readers inside the head of someone drifting towards a crime, and make that voice oddly companionable. Eileen is the closest Moshfegh comes to Highsmith territory.

— Lisanne

Every book by Patricia Highsmith →

05
The girl who will not fit

Shirley Jackson

American · The Haunting of Hill House (1959), We Have Always Lived in the Castle (1962)

Jackson was born in San Francisco in 1916 and died in Vermont in 1965. We Have Always Lived in the Castle is narrated by Merricat Blackwood, eighteen, who lives shut away with her sister and uncle after the rest of the family was poisoned at dinner. Her story “The Lottery” (1948) brought hundreds of letters to The New Yorker.

Merricat and Eileen are close relations: young women who live by their own strange rules, resent the people around them and dream of escape or revenge. Jackson’s hostile New England village is near neighbour to Eileen’s X-ville.

— Lisanne
06
Sex, power, no apologies

Mary Gaitskill

American · Bad Behavior (1988), Veronica (2005)

Gaitskill was born in Lexington, Kentucky, in 1954. The stories in Bad Behavior follow sex workers, office temps and lovers in 1980s New York; one of them, “Secretary”, became a 2002 film. Veronica, in which a former model remembers a friend who died of AIDS, was a National Book Award finalist.

Gaitskill opened the ground Moshfegh works on: women’s bodies, humiliation and desire, described without comfort or moral. Moshfegh is broader and more comic; Gaitskill more exact about feeling.

— Lisanne
07
Refusal as a way of living

Han Kang

South Korean · The Vegetarian (2007), Human Acts (2014)

Han was born in Gwangju in 1970. In The Vegetarian, Yeong-hye stops eating meat after a dream, and her family’s attempts to force her back into ordinary life turn violent; Deborah Smith’s translation won the International Booker Prize in 2016. Han won the Nobel Prize in Literature in 2024.

Like Moshfegh’s sleeper, Yeong-hye withdraws from the life expected of her by refusing something basic. Han treats the refusal as tragedy where Moshfegh plays it partly for comedy; read together, they give two answers to the same question.

— Lisanne

Every book by Han Kang →

08
The odd woman out, content

Sayaka Murata

Japanese · Convenience Store Woman (2016), Earthlings (2018)

Murata was born in Chiba Prefecture in 1979 and worked part-time in a Tokyo convenience store for eighteen years. Convenience Store Woman, which won the Akutagawa Prize, follows Keiko, who has worked in the same shop for half her life and is happy there, while everyone around her pushes her to marry or find a proper career. Ginny Tapley Takemori’s English translation appeared in 2018.

Murata’s heroines, like Moshfegh’s, opt out of what society expects of women, and both writers find dark comedy in it. The difference is that Keiko is not miserable; the pressure comes from everyone else.

— Lisanne

Every book by Sayaka Murata →

09
A newer voice, just as frank

Raven Leilani

American · Luster (2020)

Leilani was born in 1990. Luster follows Edie, a young Black woman in New York who drifts into an affair with an older white man in an open marriage and ends up living in his suburban house with his wife and their adopted daughter. It won the Dylan Thomas Prize, the Kirkus Prize and the National Book Critics Circle’s John Leonard Prize.

Edie shares the deadpan voice of Moshfegh’s narrators and their frankness about sex, money and bad jobs. Leilani adds race and class to the picture, which puts the comedy under more pressure.

— Lisanne
10
The same ground, with tenderness

Lucia Berlin

American · A Manual for Cleaning Women (2015)

Berlin was born in Juneau, Alaska, in 1936 and died in 2004, known mainly to readers of small presses. Her stories draw on her own jobs as a cleaner, hospital clerk, switchboard operator and teacher, and on her alcoholism. A Manual for Cleaning Women, published eleven years after her death with a foreword by Lydia Davis, became a bestseller.

The writer here who complicates Moshfegh. Berlin covers the same territory, drink, bodies, bad jobs and loneliness, but her narrators like other people and her humour is warm rather than cold. A corrective for readers who want the frankness without the contempt.

— Lisanne

Where to start if you loved Ottessa Moshfegh

If you loved My Year of Rest and Relaxation, read Jean Rhys.

Good Morning, Midnight: a woman in Paris getting through the days on drink and sleep.

If you loved Eileen, read Patricia Highsmith.

The Talented Mr. Ripley: a calm voice drifting towards crime.

If you want another woman who opts out, read Sayaka Murata.

Convenience Store Woman: Keiko is happy at work; everyone else is the problem.

If you want the frankness with warmth, read Lucia Berlin.

A Manual for Cleaning Women: stories of bad jobs and drink from a narrator who likes people.

If you want more Moshfegh, read her in order.

McGlue (2014), Eileen (2015), Homesick for Another World (2017), My Year of Rest and Relaxation (2018), Death in Her Hands (2020) and Lapvona (2022).

Frequently asked questions about authors like Ottessa Moshfegh

Who writes like Ottessa Moshfegh?

Sayaka Murata, Jean Rhys and Patricia Highsmith are the closest matches. Murata’s Convenience Store Woman has another woman who opts out, Rhys’s Good Morning, Midnight a woman who lives on drink and sleep, and Highsmith the calm criminal voice that Eileen recalls.

What should I read after My Year of Rest and Relaxation?

Jean Rhys’s Good Morning, Midnight (1939), Sayaka Murata’s Convenience Store Woman (2016) and Han Kang’s The Vegetarian (2007). All three follow women who withdraw from the lives expected of them.

Does Ottessa Moshfegh have a new book?

Her most recent novel is Lapvona (2022). We found no announced publication date for a new book when this list was reviewed in October 2026.

Which Ottessa Moshfegh book should I read first?

My Year of Rest and Relaxation (2018) is the usual starting point. Eileen (2015), her Booker-shortlisted first novel, is darker and closer to a thriller, and Homesick for Another World (2017) collects her stories.

Is Ottessa Moshfegh like Patricia Highsmith?

In part. Both keep readers inside the head of someone they should not trust, and Eileen is the closest Moshfegh comes to Highsmith’s crime territory. Moshfegh’s books are more comic and more physical.

Are Ottessa Moshfegh’s books dark?

Yes: they deal with addiction, violence, abuse and loneliness, often in graphic physical detail. They are also often funny, in the manner of Flannery O’Connor’s stories.

Written by Lisanne Swart, who has curated reading lists and author guides at lisanneswart.com since 2021. Every comparison here is a judgement about method and subject, not an algorithmic match. See more on her personal bookshelf.
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