Reading List

Authors Like Daphne du Maurier

“Last night I dreamt I went to Manderley again” is the first line of Rebecca, which Daphne du Maurier published in 1938, when she was 31. Its narrator, a shy young second wife who is never given a first name, arrives at her husband's Cornish house to find his dead first wife still present in every room, kept alive by the housekeeper Mrs Danvers. The book sold nearly three million copies by 1965, and Alfred Hitchcock's 1940 film won the Oscar for best picture. Du Maurier, born in London in 1907, the daughter of the actor-manager Gerald du Maurier, made her life in Cornwall, the setting of Jamaica Inn (1936), Frenchman's Creek (1941) and My Cousin Rachel (1951), and wrote the stories behind The Birds and Don't Look Now. The ten writers below share her territory: houses with a past, women unsure whom to trust, and suspense that never needs a ghost.

By Lisanne Swart · 10 authors · Gothic suspense · Cornwall · Updated October 2026


Quick answer

If you love Daphne du Maurier, start with Charlotte Brontë's Jane Eyre, the older story of a young woman, a man with a past and a first wife. For the modern version, read Sarah Waters's The Little Stranger and Kate Morton, whose novels keep returning to great houses and buried family secrets. Further down is a novel that tells Rebecca from Rebecca's side.

10 authors like Daphne du Maurier

01
The first wife in the attic

Charlotte Brontë

British · Jane Eyre (1847), Villette (1853)

Brontë was born in Thornton, Yorkshire, in 1816 and grew up at Haworth parsonage with her sisters Emily and Anne. Jane Eyre, published under the name Currer Bell, follows a governess who falls in love with her employer, Mr Rochester, and discovers that his first wife is alive and shut away at Thornfield Hall. She died in 1855.

The ancestor of Rebecca: a plain young woman, an older man with a past, and a first wife who stands between them. Du Maurier knew the family's story well enough to write a biography of Charlotte's brother, The Infernal World of Branwell Brontë (1960).

— Lisanne

Every book by Charlotte Brontë →

02
Identity stolen, fortune at stake

Wilkie Collins

British · The Woman in White (1860), The Moonstone (1868)

Collins was born in London in 1824 and was a friend and collaborator of Charles Dickens, whose magazine All the Year Round serialised The Woman in White in 1859–60. The novel, in which a young heiress is shut in an asylum under another woman's name, is told by several narrators in turn; The Moonstone is often called one of the first English detective novels. He died in 1889.

Collins built much of the machinery du Maurier later used: a house with secrets, money at stake, and a woman whose identity is taken from her. The Woman in White suits readers who loved the legal and financial plotting of My Cousin Rachel.

— Lisanne
03
Romantic suspense, invented

Mary Stewart

British · Madam, Will You Talk? (1955), Nine Coaches Waiting (1958), The Crystal Cave (1970)

Stewart was born in Sunderland in 1916 and taught at Durham University before her first novel. She is often called the pioneer of romantic suspense: Nine Coaches Waiting follows a young English governess at a French château who begins to fear for her pupil's life. She later wrote a series of novels about Merlin, beginning with The Crystal Cave. She died in 2014.

Stewart took du Maurier's young, uncertain narrator and gave her a mystery to solve and a faster plot. Nine Coaches Waiting is one of the closest relations to Rebecca in 1950s fiction.

— Lisanne
04
Cornwall, a governess, a dead wife

Victoria Holt

British · Mistress of Mellyn (1960)

Victoria Holt was one of many pen names of Eleanor Hibbert (1906–1993), who also wrote historical novels as Jean Plaidy and family sagas as Philippa Carr. Mistress of Mellyn, about a governess in a Cornish house, was so close to Rebecca in setting and mood that some readers guessed Holt was du Maurier under another name. It is credited with reviving the gothic romance, and she sold about 75 million books as Holt.

Holt is du Maurier turned into a genre: Cornwall, a governess, a widower and a house with a dead woman in its past. She suits readers who want more of Rebecca's atmosphere and do not mind a happier ending.

— Lisanne
05
The house as a trap

Shirley Jackson

American · “The Lottery” (1948), The Haunting of Hill House (1959), We Have Always Lived in the Castle (1962)

Jackson (1916–1965) caused a storm with “The Lottery”, published in The New Yorker in 1948, about a village's annual ritual. The Haunting of Hill House, nominated for the National Book Award, follows four people who stay in a house with a history, and We Have Always Lived in the Castle is narrated by Merricat Blackwood, who lives with her sister in the house where the rest of their family was poisoned.

The American writer who shares du Maurier's sense of a house as a trap and a family as a danger. Jackson is drier and stranger; “The Lottery” has the same matter-of-fact menace as “The Birds”.

— Lisanne
06
The English ghost story, and a sequel

Susan Hill

British · I'm the King of the Castle (1970), The Woman in Black (1983), Mrs de Winter (1993)

Hill was born in Scarborough in 1942. The Woman in Black, about a young solicitor sent to settle the affairs of a dead widow at a remote house on the marshes, became a stage play that ran in London's West End for more than thirty years. In 1993 she published Mrs de Winter, a sequel to Rebecca.

Hill writes the English ghost story du Maurier always stopped short of, with the same isolation and dread, and her Mrs de Winter follows the couple after Manderley. She suits readers who want Rebecca's mood with the supernatural let in.

— Lisanne
07
The modern great house

Sarah Waters

Welsh · Fingersmith (2002), The Little Stranger (2009)

Waters was born in Wales in 1966 and made her name with novels set in Victorian and wartime Britain, often about women who love women. Fingersmith, a Victorian crime novel built on a double-cross, was shortlisted for the Booker Prize, as was The Little Stranger, set in a decaying Warwickshire manor after the Second World War and narrated by a country doctor.

The Little Stranger is the closest modern novel to Rebecca's world: a great house in decline, class anxiety and a narrator you begin to doubt. Waters is more explicit about desire; du Maurier kept it beneath the surface.

— Lisanne

Every book by Sarah Waters →

08
Family secrets in the great house

Kate Morton

Australian · The House at Riverton (2006), The Forgotten Garden (2008), The Lake House (2015)

Morton was born in Berri, South Australia, and grew up in Queensland. Her novels move between a present-day investigator and a secret buried decades earlier, usually in an English great house: The House at Riverton is narrated by a former housemaid, and The Lake House is set on a Cornish estate where a child vanished in 1933. By 2015 she had sold more than 16 million books.

Morton is the most direct modern heir to du Maurier's Cornish mysteries: old houses, missing people and women piecing together what happened. She suits readers who want Rebecca's secrets with a puzzle structure.

— Lisanne

Every book by Kate Morton →

09
A marriage and an absent wife

Gillian Flynn

American · Sharp Objects (2006), Gone Girl (2012)

Flynn was born in Kansas City in 1971 and worked at Entertainment Weekly before her novels. Gone Girl opens on the day Amy Dunne disappears, her fifth wedding anniversary, and sets her husband's account against her diary; it spent eight weeks at number one on the New York Times list and was filmed by David Fincher in 2014.

Gone Girl shares one of Rebecca's deepest subjects: a marriage dominated by a woman who is absent, and the gap between the wife a husband imagined and the real one. Flynn is far more violent, so du Maurier readers should know what they are getting.

— Lisanne

Every book by Gillian Flynn →

10
Rebecca's side of the story

Sally Beauman

British · Destiny (1987), Rebecca's Tale (2001)

Beauman was born in 1944 and had an international bestseller with Destiny. An article she wrote about du Maurier's work for The New Yorker eventually led to Rebecca's Tale, a companion novel that reopens the question of Rebecca's life and death and gives her a voice of her own. She died in 2016.

The writer who argues with Rebecca. Du Maurier only ever shows the first wife through people who feared, envied or hated her; Beauman asks what she might say for herself. Read it after the original.

— Lisanne

Where to start if you loved Daphne du Maurier

If you want the ancestor, read Charlotte Brontë.

Jane Eyre (1847): a governess, a man with a past and a first wife.

If you want more Cornwall, read Victoria Holt.

Mistress of Mellyn (1960): the gothic romance that readers took for du Maurier.

If you want the modern great house, read Sarah Waters.

The Little Stranger (2009): a manor, a family and a doctor in post-war Warwickshire.

If you want Rebecca's side, read Sally Beauman.

Rebecca's Tale (2001): the first wife given a voice.

If you have only read Rebecca, try My Cousin Rachel (1951).

Du Maurier's other great novel of suspicion: a young man in Cornwall who cannot decide whether the woman he loves poisoned his cousin.

Frequently asked questions about authors like Daphne du Maurier

Who writes like Daphne du Maurier?

Charlotte Brontë and Wilkie Collins wrote the Victorian novels that came before her; Mary Stewart, Victoria Holt and Susan Hill wrote in her wake. Sarah Waters and Kate Morton are the closest living writers.

What should I read after Rebecca?

Charlotte Brontë's Jane Eyre (1847) for the older story of a young woman and a first wife, Sarah Waters's The Little Stranger (2009) for a modern great house, and Sally Beauman's Rebecca's Tale (2001) for Rebecca's side.

Is Daphne du Maurier like Shirley Jackson?

Both wrote about houses and families as sources of fear, without needing the supernatural. Du Maurier is lusher and more romantic; Jackson is drier and stranger.

Was Rebecca plagiarised?

Critics pointed out resemblances between Rebecca and the Brazilian writer Carolina Nabuco's novel A Sucessora (1934). Du Maurier and her publisher denied any copying, and the claim was never proved.

Which du Maurier books did Hitchcock film?

Alfred Hitchcock filmed Jamaica Inn (1939), Rebecca (1940) and “The Birds” (1963). Du Maurier liked his Rebecca but disliked The Birds, which moved her Cornish story to California.

Which Daphne du Maurier book should I read first?

Rebecca (1938) is the obvious start. My Cousin Rachel (1951) is the best next novel, and her short stories, including “The Birds” and “Don't Look Now”, show her at her most frightening.

Written by Lisanne Swart, who has curated reading lists and author guides at lisanneswart.com since 2021. Every comparison here is a judgement about method and subject, not an algorithmic match. See more on her personal bookshelf.
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