Reading List

Authors Like Edgar Allan Poe

On 29 January 1845 the New York Evening Mirror printed “The Raven”, the poem that made Edgar Allan Poe famous; he was paid nine dollars for it. Two years later his wife Virginia, the cousin he had married when she was thirteen, died of tuberculosis in their cottage at Fordham. In October 1849 he was found semiconscious in Baltimore, wearing clothes that were not his own, and died four days later, aged forty; the cause has never been settled. His rival Rufus Griswold then published a memoir that painted him as a depraved madman, partly with forged letters. In between, Poe pioneered the detective story with C. Auguste Dupin and wrote the tales that still define the Gothic: a house that falls, a heart beating beneath the floor. The ten writers below share his ground: the narrator who cannot be trusted, the puzzle solved by reason, and fear that comes from inside.

By Lisanne Swart · 10 authors · Gothic horror · Detective fiction · Updated October 2026


Quick answer

If you love Edgar Allan Poe, start with E. T. A. Hoffmann, whose “The Sandman” (1816) has the doubles and the madness Poe made his own. For the detective tales, read Arthur Conan Doyle, whose Sherlock Holmes dismisses Dupin in his first case; for the haunted house, read Shirley Jackson. Further down are the poet who made Poe famous in France and the Japanese writer who took Poe's name.

10 authors like Edgar Allan Poe

01
The German tales of terror

E. T. A. Hoffmann

German · The Devil's Elixirs (1815–1816), “The Sandman” (1816), “The Nutcracker and the Mouse King” (1816)

Hoffmann (1776–1822) was a Prussian lawyer and judge who was also a composer and music critic. In “The Sandman” a student becomes convinced that a sinister lawyer is the childhood monster who steals eyes, and falls in love with a mechanical doll; Freud built his 1919 essay on the uncanny around it. His Nutcracker tale is the source of Tchaikovsky's ballet.

The kind of German tale Poe had in mind when he insisted that his terror was “not of Germany, but of the soul”. Both write doubles, automatons and narrators losing their grip, and both leave you unsure whether the horror is real or in the teller. Hoffmann is more fantastical and playful; Poe is tighter and darker.

— Lisanne
02
Gothic science

Mary Shelley

British · Frankenstein (1818), The Last Man (1826)

Mary Shelley (1797–1851) began Frankenstein at eighteen, in the summer of 1816 at the Villa Diodati near Geneva, when Lord Byron proposed that each of his guests write a ghost story. It was published anonymously in 1818. The Last Man imagines humanity wiped out by plague at the end of the twenty-first century.

Shelley and Poe share the Gothic told in the first person by a man destroyed by his own obsession, and both bring science into horror: Victor Frankenstein's laboratory, Poe's mesmerists and balloons. Shelley is longer and more humane; read her for the monster's own voice.

— Lisanne

Every book by Mary Shelley →

03
Guilt in Puritan New England

Nathaniel Hawthorne

American · Twice-Told Tales (1837), The Scarlet Letter (1850), The House of the Seven Gables (1851)

Hawthorne (1804–1864) was born in Salem, Massachusetts, a descendant of a judge at the Salem witch trials, and set much of his fiction in Puritan New England. Poe reviewed Twice-Told Tales in 1842 and used the review to set out his theory that a short story should build towards a single effect. The Scarlet Letter follows Hester Prynne, condemned to wear a scarlet A for adultery.

Poe's closest American contemporary in the dark short story. Both write guilt, secret sin and the past haunting the present, but Hawthorne's tales are moral allegories where Poe's are nightmares without a moral. “Young Goodman Brown” is the place to start.

— Lisanne
04
The translator who made him famous

Charles Baudelaire

French · Les Fleurs du mal (1857), Paris Spleen (1869)

Baudelaire (1821–1867) discovered Poe's tales in the late 1840s and spent years translating them; his Histoires extraordinaires (1856) and its successors became the standard Poe of continental Europe. His own collection, Les Fleurs du mal, was prosecuted for offending public morals in 1857, and six poems were banned. The prose poems of Paris Spleen were published two years after his death.

Baudelaire recognised in Poe a fellow poet of beauty and decay, and his poems share Poe's dead beloveds and his pleasure in the macabre. Read Les Fleurs du mal to see Poe's influence become modern poetry.

— Lisanne
05
The detective who mocked Dupin

Arthur Conan Doyle

Scottish · A Study in Scarlet (1887), The Sign of the Four (1890), The Hound of the Baskervilles (1902)

Conan Doyle (1859–1930) was an Edinburgh-trained doctor practising in Southsea when he wrote A Study in Scarlet, the first Sherlock Holmes story. Holmes and his narrator, Dr Watson, follow the pattern Poe set with Dupin and his unnamed friend. In later life Conan Doyle became a leading spiritualist and publicly backed the Cottingley fairy photographs.

Holmes owes Dupin his method, his eccentric brilliance and his admiring narrator, and in A Study in Scarlet he dismisses him anyway: “Dupin was a very inferior fellow.” Read Conan Doyle for Poe's detective turned into a series, with more warmth and less darkness.

— Lisanne

Every book by Arthur Conan Doyle →

06
Poe's horror made cosmic

H. P. Lovecraft

American · “The Call of Cthulhu” (1928), At the Mountains of Madness (1936)

Lovecraft (1890–1937) lived most of his life in Providence, Rhode Island, published mainly in pulp magazines such as Weird Tales and died poor and little known. His essay “Supernatural Horror in Literature” (1927) gives Poe a chapter of his own. His fiction and letters contain open racism and antisemitism, and in 2015 the World Fantasy Award dropped the bust of him that had served as its trophy.

At the Mountains of Madness picks up the Antarctic of Poe's Narrative of Arthur Gordon Pym, cry of “Tekeli-li” included. Lovecraft shares Poe's educated, breaking narrators and his dread of what lies underneath; he is wordier and colder, and his prejudices need to be read with open eyes.

— Lisanne
07
The writer who took Poe's name

Edogawa Ranpo

Japanese · “The Two-Sen Copper Coin” (1923), “The Case of the Murder on D. Hill” (1925), “The Human Chair” (1925)

Edogawa Ranpo was the pen name of Tarō Hirai (1894–1965); said quickly, it sounds like Edgar Allan Poe, whom he admired. “The Case of the Murder on D. Hill” introduced his detective Kogorō Akechi, and “The Human Chair” is the confession of a furniture maker who hides inside an armchair he has built. He founded the club that became the Mystery Writers of Japan, which has awarded the Edogawa Rampo Prize since 1955.

Ranpo took both halves of Poe's legacy, the reasoning detective and the grotesque confession, and wrote them for Japanese readers. “The Human Chair” has the same obsessive first-person voice as “The Tell-Tale Heart”. A good way to see how far Poe travelled.

— Lisanne
08
The detective story as a trap

Jorge Luis Borges

Argentine · Ficciones (1944), The Aleph (1949)

Borges (1899–1986) was born in Buenos Aires and became director of Argentina's National Library in 1955, by which time he was going blind. The short stories in Ficciones and The Aleph treat libraries, labyrinths and encyclopedias as whole worlds, and several, such as “Death and the Compass” and “The Garden of Forking Paths”, are detective stories that turn on a logical trap.

Borges takes Poe's tale of pure reasoning and turns it against itself: in “Death and the Compass” the detective's brilliance is exactly what leads him to his death. He shares Poe's taste for short, exact stories built around one idea, without the Gothic trappings.

— Lisanne

Every book by Jorge Luis Borges →

09
The house and the fragile mind

Shirley Jackson

American · “The Lottery” (1948), The Haunting of Hill House (1959), We Have Always Lived in the Castle (1962)

Jackson (1916–1965) caused a storm with “The Lottery”, published in The New Yorker in 1948, about a village's annual ritual. The Haunting of Hill House, nominated for the National Book Award, follows four people who stay in a house with a history, and We Have Always Lived in the Castle is narrated by Merricat Blackwood, who lives with her sister in the house where the rest of their family was poisoned.

The twentieth-century writer closest to “The Fall of the House of Usher”: an isolated house, a family bound to it and a mind coming apart inside. Jackson writes Poe's territory with more restraint and more wit, and leaves you unsure whether the house or the narrator is the problem.

— Lisanne
10
The Gothic in Buenos Aires

Mariana Enríquez

Argentine · Things We Lost in the Fire (2016), Our Share of Night (2019), A Sunny Place for Shady People (2024)

Enríquez was born in Buenos Aires in 1973 and works as a journalist and editor. Her stories, translated into English by Megan McDowell, set horror among Argentina's poor neighbourhoods and suburbs and the memory of the dictatorship's disappeared; The Dangers of Smoking in Bed was shortlisted for the International Booker Prize in 2021. Our Share of Night, about a father and son bound to a cult, won Spain's Premio Herralde in 2019.

Enríquez writes the short horror story in Poe's tradition for contemporary Argentina: rotting houses, obsessive narrators and bodies that will not stay buried, built towards a single shock. Unlike Poe, she ties her horror to real political violence.

— Lisanne

Where to start if you loved Edgar Allan Poe

If you loved Poe's detective stories, read Arthur Conan Doyle.

A Study in Scarlet, where Holmes first appears and dismisses Dupin.

If you loved “The Fall of the House of Usher”, read Shirley Jackson.

The Haunting of Hill House: a house, a fragile mind and no easy answer.

If you loved “The Tell-Tale Heart”, read Edogawa Ranpo.

“The Human Chair”: an obsessive confession from inside the furniture.

If you want Poe's horror written now, read Mariana Enríquez.

Things We Lost in the Fire: stories set in and around Buenos Aires.

If you want more Poe, start with the tales.

“The Fall of the House of Usher” (1839), “The Murders in the Rue Morgue” (1841) and “The Tell-Tale Heart” (1843), then “The Raven” (1845).

Frequently asked questions about authors like Edgar Allan Poe

Who writes like Edgar Allan Poe?

E. T. A. Hoffmann and Nathaniel Hawthorne are the closest writers of his own era; H. P. Lovecraft and Shirley Jackson carried his horror into the twentieth century, and Mariana Enríquez writes it now. For the detective stories, read Arthur Conan Doyle and Edogawa Ranpo.

What should I read after The Tell-Tale Heart?

Edogawa Ranpo's “The Human Chair” (1925) has the same obsessive confession, and E. T. A. Hoffmann's “The Sandman” (1816) the same narrator losing his grip.

Did Edgar Allan Poe invent the detective story?

He is generally regarded as its pioneer: “The Murders in the Rue Morgue” (1841) introduced C. Auguste Dupin and his admiring narrator, the pattern Conan Doyle used for Holmes and Watson. The Mystery Writers of America named their awards, the Edgars, after him.

Is H. P. Lovecraft like Poe?

Lovecraft admired Poe and gave him a chapter in his essay “Supernatural Horror in Literature” (1927), and At the Mountains of Madness borrows from Poe's Pym. Lovecraft's horror is cosmic where Poe's is psychological, and his work contains open racism.

Which Edgar Allan Poe story should I read first?

“The Tell-Tale Heart” (1843) is short and shows his method at its sharpest. Then read “The Fall of the House of Usher” (1839) for the Gothic and “The Murders in the Rue Morgue” (1841) for the detective.

Why was Poe so popular in France?

Charles Baudelaire translated his tales in the 1850s, and his versions became the standard Poe of continental Europe.

Written by Lisanne Swart, who has curated reading lists and author guides at lisanneswart.com since 2021. Every comparison here is a judgement about method and subject, not an algorithmic match. See more on her personal bookshelf.
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