Reading List

Authors Like D.T. Max

An Italian family had been dying the same way for two centuries: sleep stops, and then everything else does. The Family That Couldn't Sleep (2006) follows fatal familial insomnia back through that family's records and outward into the whole strange class of prion diseases — scrapie in sheep, kuru among the Fore people of New Guinea, mad cow disease in British herds — and the scientists who could not agree that a protein alone could be infectious. Six years later Max published Every Love Story Is a Ghost Story (2012), the first biography of David Foster Wallace, who died in 2008: the archives at Austin, the letters, the teaching, the addiction and the treatment, and the behaviour toward the writer Mary Karr that the book documented and that Karr has since described publicly herself. Then something quieter. In 2017 Max began interviewing Stephen Sondheim for a New Yorker profile pegged to a musical that was never finished, and kept going for three years until Sondheim's death in November 2021. Finale (Harper, 22 November 2022) is what survived: the transcripts, plus Max explaining what he was trying to get and how often he failed. Three books, three completely different subjects, one method. The ten below split along those lines.

By Lisanne Swart · 10 authors · Reported non-fiction · Medicine and biography · Three books · Updated September 2026


Quick answer

If you love D.T. Max, which half you loved decides the answer. For The Family That Couldn't Sleep, the closest match is Richard Preston, and Oliver Sacks if what held you was the neurology rather than the outbreak. For Every Love Story Is a Ghost Story, read Hermione Lee, the finest literary biographer working, and Mary Karr, who is in that story and writes better than anyone about it. For the interview craft in Finale, read John McPhee. And Ian Hamilton is the argument against writing a living author's life at all.

Every book by D.T. Max →

10 authors like D.T. Max

01
The disease as detective story · Closest match

Richard Preston

American · The Hot Zone (1994), The Demon in the Freezer (2002), Crisis in the Red Zone (2019)

The Hot Zone grew out of a New Yorker piece and tells the story of an Ebola-related virus appearing in a monkey house in suburban Virginia in 1989, alongside the earlier African outbreaks, in prose built for maximum dread. The Demon in the Freezer is about smallpox and the two official stocks of it that still exist; Crisis in the Red Zone returns to Ebola and the West African epidemic of 2014. He has been criticised for the intensity of his descriptions, which specialists say outruns the clinical record.

The closest match to The Family That Couldn't Sleep, and the writer who established the form. Both take a pathogen almost nobody has heard of, follow the scientists arguing about it, and use one family or one building as the way in. Max is the more careful of the two and less interested in making you flinch; Preston is the more propulsive. Read The Hot Zone and then decide whether the fear is earned.

— Lisanne
02
One family, sixty years of consequences

Rebecca Skloot

American · The Immortal Life of Henrietta Lacks (2010)

Cells taken without consent from a Black tobacco farmer dying of cervical cancer in 1951 became the first human cell line to grow indefinitely, underpinned decades of medical research and were sold worldwide, while her family could not afford health insurance and did not know they existed. Skloot spent ten years on it, largely alongside Lacks's daughter Deborah. HBO filmed it in 2017, and in 2023 the family reached a settlement with a biotechnology company over the use of the cells.

The same structure as Max's first book: a hereditary medical story followed through one family across generations, with the science explained by way of the people it happened to. Skloot puts herself in the narrative where Max stays out of it until Finale, and her book is finally about consent, which is the question hovering over any writer who makes a family's illness public.

— Lisanne

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03
The disease, given a biography

Siddhartha Mukherjee

Indian-American · The Emperor of All Maladies (2010), The Gene (2016)

The Emperor of All Maladies is a history of cancer by a practising oncologist, moving between ancient descriptions, the brutal early decades of chemotherapy, research politics and his own patients; it won the Pulitzer Prize for general non-fiction in 2011 and Ken Burns filmed it for PBS in 2015. The Gene braids the science of heredity with mental illness in his own family, and The Song of the Cell (2022) does the same for cellular medicine.

What Max does for one obscure disease, done for the largest one there is. Both write medicine as a sequence of arguments between stubborn people, and both are good on the long stretches where the consensus was confidently wrong. Mukherjee treats heredity as his central subject, which is precisely the horror at the centre of The Family That Couldn't Sleep: a family that can read its own future in its parents.

— Lisanne

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04
The neurologist who wrote his patients

Oliver Sacks

British-American · Awakenings (1973), The Man Who Mistook His Wife for a Hat (1985), On the Move (2015)

Sacks was a London-born neurologist in New York who wrote case histories as literature: patients frozen for decades by encephalitis lethargica and briefly woken by L-DOPA, a man who could not recognise faces, a surgeon with Tourette's. Awakenings became a 1990 film with Robin Williams and Robert De Niro. Disability scholars have long objected that his patients arrive as marvels rather than as people with lives, a criticism he engaged with in later work. His memoir On the Move appeared months before his death in 2015.

The tradition The Family That Couldn't Sleep comes out of, and the writer to read if what gripped you was the brain rather than the epidemiology. Sacks and Max share the conviction that a rare condition is worth a book because of what it reveals about ordinary function. Sacks was in the room as the doctor, which gives his work an intimacy Max cannot have and the ethical problem Max does not have.

— Lisanne

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05
The heredity book

Carl Zimmer

American · She Has Her Mother's Laugh (2018), Life's Edge (2021)

She Has Her Mother's Laugh is a six-hundred-page history of what people have believed about inheritance, from royal bloodlines and the American eugenics movement through mosaicism, chimeras and the microbes we pass on, with Zimmer having his own genome sequenced along the way. He has written a science column for The New York Times for years and has covered viruses, evolution and the definition of life itself.

The wider frame around Max's Italian family. A prion disease that runs in a bloodline is the sharpest possible version of Zimmer's subject: what exactly is passed down, and what people have wrongly believed is passed down. He is a science writer rather than a narrative one, so the pleasure is the argument rather than the suspense. Read him if the genetics chapters were what you slowed down for.

— Lisanne

Every book by Carl Zimmer →

06
The literary biographer

Hermione Lee

British · Virginia Woolf (1996), Penelope Fitzgerald (2013), Tom Stoppard (2020)

Lee has written the standard lives of Virginia Woolf, Edith Wharton, Penelope Fitzgerald and Tom Stoppard, the last with her subject alive and cooperating. She is unusually explicit about the biographer's problem — her book Body Parts is a set of essays on what biography can and cannot know — and she taught at Oxford, where she was President of Wolfson College. The Fitzgerald biography is often named the finest literary life of recent decades.

The standard Every Love Story Is a Ghost Story is measured against, and the reason to read a second literary biography rather than stopping at one. Lee does what Max does — archives, letters, interviews with everyone still living — with forty years of practice and a much clearer sense of where the evidence runs out. Read the Fitzgerald if you want to see how a life can be assembled from almost nothing.

— Lisanne
07
The person inside the biography

Mary Karr

American · The Liars' Club (1995), Lit (2009), The Art of Memoir (2015)

Karr is a poet who effectively restarted the American memoir with The Liars' Club, about a Texas oil-refinery childhood and a mother whose behaviour the book neither excuses nor flattens. Lit covers her drinking, her recovery and her conversion, and includes the period of her relationship with David Foster Wallace. The Art of Memoir comes out of decades teaching at Syracuse and is the best short book on how to write about real people.

The other side of the Wallace biography, from a writer who was in it. Max documented Wallace's behaviour toward Karr; Karr has spoken about it directly since, and her own books are the answer to what it is like to be a character in someone else's literary history. She also happens to be one of the finest prose writers on this page. Read Lit, then The Art of Memoir.

— Lisanne

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08
Older than the genre · The profile as form

John McPhee

American · Coming into the Country (1977), Annals of the Former World (1998), Draft No. 4 (2017)

McPhee has written for The New Yorker since 1965 and taught the same writing course at Princeton since 1975. He has built books out of oranges, a headmaster, the geology of a single interstate highway, and the men who move freight; Annals of the Former World won the Pulitzer Prize in 1999. Draft No. 4 explains his methods, including how he structures a piece and what he does when a subject stops talking.

The craft underneath Finale. McPhee is the master of the long relationship with a reluctant subject and of the piece where the reporting process becomes part of the story, which is exactly what Max ended up writing when the Sondheim profile could not be finished. Draft No. 4 is also the single most useful book here for understanding why Max structured that one the way he did.

— Lisanne

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09
The unusual mind, profiled

Larissa MacFarquhar

American · Strangers Drowning (2015)

MacFarquhar has written New Yorker profiles for decades and Strangers Drowning collects her reporting on people whose moral commitments are so extreme that their families suffer for them: a couple who adopt twenty children, a man who donates a kidney to a stranger, activists who give away nearly everything. She takes their arguments seriously rather than treating them as curiosities, and lets the philosophy sit alongside the domestic damage.

The nearest contemporary to what Max does in a long profile: sit with someone difficult for a very long time, refuse to resolve them into a type, and publish the ambivalence. She is the more philosophically rigorous of the two and the less narrative. If the parts of Finale you enjoyed were Max negotiating with a subject who did not really want to be understood, she is the next stop.

— Lisanne
10
The argument against him

Ian Hamilton

British · In Search of J. D. Salinger (1988), Keepers of the Flame (1992)

Hamilton set out to write a biography of J. D. Salinger, who sued to stop him quoting from unpublished letters held in university libraries. The courts ruled against Hamilton in 1987, and the book had to be rewritten into an account of the attempt itself, complete with the author arguing with an imagined version of his subject. Keepers of the Flame is his history of literary estates and the widows, sons and executors who have burned, edited and blocked the record.

The case against literary biography, made by someone who was stopped mid-sentence. Hamilton's question is the one hanging over Every Love Story Is a Ghost Story: what a writer's letters, therapy and private cruelties are anybody's business, and who gave permission. Max worked with the estate's cooperation, which is a different arrangement and not obviously a cleaner one. Read In Search of J. D. Salinger and the ethics stop being abstract.

— Lisanne

Where to start if you loved D.T. Max

If you loved The Family That Couldn't Sleep, read Richard Preston.

The Hot Zone. A filovirus in a monkey house in suburban Virginia, 1989.

If you want the neurology, read Oliver Sacks.

The Man Who Mistook His Wife for a Hat. Case histories written as literature.

If you loved the Wallace biography, read Hermione Lee.

Penelope Fitzgerald. A whole life assembled from almost no material at all.

If you want the other side of that story, read Mary Karr.

Lit. The years in question, by the writer who lived them.

If you want the argument against it, read Ian Hamilton.

In Search of J. D. Salinger. The biography its subject sued to stop.

If you want more non-fiction of this kind

My shelf has the rest.

Frequently asked questions about authors like D.T. Max

Who should I read if I love D.T. Max?

It depends on which of his books brought you here. For the medical one: Richard Preston is the closest, Oliver Sacks the best on the brain, Rebecca Skloot on a family and consent, Siddhartha Mukherjee on a disease given a full biography, and Carl Zimmer on heredity. For the David Foster Wallace biography: Hermione Lee is the finest literary biographer working, Mary Karr is inside that story and writes better than almost anyone, and Ian Hamilton is the argument against the whole undertaking. For the interview craft in Finale: John McPhee and Larissa MacFarquhar.

How many books has D.T. Max written?

Three. The Family That Couldn't Sleep: A Medical Mystery (Random House, 2006), Every Love Story Is a Ghost Story: A Life of David Foster Wallace (Viking, 2012), which was a New York Times bestseller, and Finale: Late Conversations with Stephen Sondheim (Harper, 22 November 2022, 240 pages). He has been a staff writer at The New Yorker throughout, and no fourth book has been announced as of September 2026.

Which D.T. Max book should I start with?

The Family That Couldn't Sleep if you want the one with the strongest narrative pull: an Italian family whose members have died of a hereditary insomnia for two centuries, and the scientific fight over whether a protein alone can be infectious. Every Love Story Is a Ghost Story if you have read David Foster Wallace and want the life. Finale is the shortest and the most unusual, and works best if you already care about Sondheim, because it is largely transcript.

What is Finale actually made of?

Interview transcripts, framed. Max began talking to Sondheim in 2017 for a New Yorker profile timed to the premiere of a musical Sondheim was writing. The profile kept being delayed by Sondheim's own hesitation and then by the pandemic, and he died in November 2021 before it ran. The New Yorker published excerpts in an online issue in February 2022, and the book followed that November. Max sets each scene, describes what he was after, and includes the exchanges where he got nowhere.

Is Every Love Story Is a Ghost Story a good biography of David Foster Wallace?

It is the standard one and the first, published in 2012, four years after Wallace's death, built on the archive at the University of Texas, his letters, and interviews with family, editors, students and friends. It is also the book that put on the record his behaviour toward the writer Mary Karr during their relationship, which Karr has since spoken about directly and which has changed how many readers approach his work. Read it alongside Karr's own books rather than instead of them.

What is fatal familial insomnia?

An extremely rare inherited prion disease in which the ability to sleep progressively fails, followed by other neurological functions. Max's book follows one Venetian family in which it has appeared for generations, and uses it as the way into prion science more broadly — scrapie in sheep, kuru among the Fore people of Papua New Guinea, and the bovine epidemic in Britain in the 1980s and 1990s — including the long resistance among scientists to the idea that a misfolded protein could transmit disease at all.

Is D.T. Max still writing for The New Yorker?

Yes. He has been a staff writer there for years and his magazine work covers a wide range: profiles, science, food, art and literary subjects. The books have tended to grow out of that reporting, which is the usual route for New Yorker writers and why the gaps between them are long. His most recent book remains Finale from 2022.

What should I read after the Wallace biography?

Mary Karr's Lit, for the same years from inside them, and Hermione Lee's Penelope Fitzgerald, to see what the form looks like at its best. Then Ian Hamilton's In Search of J. D. Salinger, which is about a biographer being stopped by his subject and is the sharpest thing written on whether any of this should be published at all. If you want more Wallace rather than more biography, his own essay collections are the place to go, not another life of him.

Written by Lisanne Swart, who has curated reading lists and author guides at lisanneswart.com since 2021. Every comparison here is a judgement about method and subject, not an algorithmic match. See more on her personal bookshelf.

From the bookshelf

“What a burden Sondheim labored under.”

— D.T. Max, Finale, 2022.

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