Authors Like John McPhee

Reading List

Authors Like John McPhee

For twenty years McPhee travelled with geologists along Interstate 80, reading the rock exposed in the road cuts. The four books that came out of it, gathered with a new fifth section as Annals of the Former World, won the Pulitzer Prize in 1999. He has written about oranges, a headmaster, a birchbark canoe, the Swiss army, the Mississippi's attempt to change its course and the coal trains of the Powder River Basin, almost all of it first in The New Yorker, and he has taught a writing course at Princeton since 1975. His newest book, Tabula Rasa (2023), is about the pieces he never wrote. The ten below were chosen on two counts: each spent a long time inside one subject, and each built a structure that hides how difficult the material is.

By Lisanne Swart · 10 authors · Literary non-fiction · Place, science and structure · Updated October 2026


Quick answer

If you love John McPhee, the closest match is Tracy Kidder: the same patience with subjects nobody expected to carry a book. For the natural world, read Annie Dillard and Elizabeth Kolbert; for geology told as story, Simon Winchester; and for walking through deep time, Robert Macfarlane. Tom Wolfe is the opposite school, useful for seeing what McPhee leaves out. Each entry below says what they immersed themselves in and how they built it.

Every book by John McPhee →

Where to start if you loved John McPhee

If you want the closest match, read Tracy Kidder.

The Soul of a New Machine. A computer, a deadline and the engineers who built it.

If you came for the landscape, read Annie Dillard.

Pilgrim at Tinker Creek. One creek, one year, every detail.

If you came for the science, read Elizabeth Kolbert.

The Sixth Extinction. Thirteen species, one argument.

If you came for the geology, read Robert Macfarlane.

Underland. Deep time, from caves to burial chambers.

If you want where it began, read Joseph Mitchell.

Up in the Old Hotel. The New York waterfront, before McPhee.

If you want more science writing

My list of the best science books has the rest.

10 authors like John McPhee

01
The same patience, inside a company · Closest match

Tracy Kidder

American · The Soul of a New Machine (1981), House (1985), Mountains Beyond Mountains (2003)

Kidder chooses subjects nobody would expect to carry a book — a team of engineers building a computer at Data General, the building of one house, a year in a fourth-grade classroom — and stays with them until they do. The Soul of a New Machine won the Pulitzer Prize in 1982; Mountains Beyond Mountains follows the doctor Paul Farmer.

Immersion:More than a year with a team of engineers at Data General.

Structure:A story that teaches computer architecture without ever stopping to lecture.

Kidder chooses subjects nobody would expect to carry a book — a computer, a house, a fourth-grade classroom — and stays until they can. Like McPhee he steps behind the people he follows, and The Soul of a New Machine is the nearest thing to McPhee's method in book-length narrative.

— Lisanne

Every book by Tracy Kidder →

02
The same landscape, from the inside

Annie Dillard

American · Pilgrim at Tinker Creek (1974), The Writing Life (1989)

Pilgrim at Tinker Creek records a year of close watching along a creek in the Roanoke Valley of Virginia — insects, muskrats, light, the violence inside ordinary nature — and won the Pulitzer Prize in 1975. Dillard writes in the first person and towards large questions, about attention, faith and time.

Immersion:A year of close watching along one creek in Virginia.

Structure:Seasons, not chapters: the book is built on the year itself.

Dillard is to the natural world what McPhee is to geology: exact about the facts and unafraid of the large question underneath them. She writes in the first person and towards wonder, where he stays out of view, but Pilgrim at Tinker Creek and Basin and Range sit naturally on the same shelf.

— Lisanne

Every book by Annie Dillard →

Authors like Annie Dillard →

03
The same science, a harder subject

Elizabeth Kolbert

American · Field Notes from a Catastrophe (2006), The Sixth Extinction (2014)

Kolbert travels with scientists in the field and explains their work through what she sees beside them. The Sixth Extinction, built as thirteen chapters around thirteen species, won the Pulitzer Prize in 2015. She has been a staff writer at The New Yorker since 1999.

Immersion:Field trips with scientists from the Andes to the Great Barrier Reef.

Structure:Thirteen chapters, each a species, adding up to one argument.

Kolbert is a New Yorker staff writer who travels with scientists and explains their work through what she sees beside them, which is McPhee's method almost exactly. Her subject is darker and her conclusions more urgent.

— Lisanne

Every book by Elizabeth Kolbert →

Authors like Elizabeth Kolbert →

04
The same New Yorker curiosity

Susan Orlean

American · The Orchid Thief (1998), The Library Book (2018)

The Orchid Thief follows John Laroche, arrested for taking rare orchids from a Florida swamp, and opens out into the history of orchid obsession; it became the film Adaptation (2002). The Library Book is about the 1986 fire at the Los Angeles Central Library. Orlean has been a staff writer at The New Yorker since 1992.

Immersion:Repeated trips into the Fakahatchee swamp with an orchid poacher.

Structure:A digressive shape that keeps opening onto history and botany.

Orlean shares McPhee's conviction that any subject becomes interesting if you go far enough into it. She is more present on the page and funnier about her own obsession; the structure is looser, but the curiosity is the same.

— Lisanne

Every book by Susan Orlean →

Authors like Susan Orlean →

05
The same engineering mind

William Langewiesche

American · American Ground (2002), The Outlaw Sea (2004)

Langewiesche was a professional pilot before he became a writer, and his subject is how complex systems work and fail: shipping, aviation, nuclear material. For American Ground he had unrestricted access to the clean-up of the World Trade Center site for months after 11 September 2001.

Immersion:Months with unrestricted access to the clean-up at Ground Zero.

Structure:Technical detail used as the engine of the story.

Langewiesche, a pilot before he was a writer, has McPhee's interest in how things physically work and how people manage them, from ships to airliners to the dismantling of the World Trade Center. He is more willing to argue, but his patience with a system is the same.

— Lisanne

Every book by William Langewiesche →

06
Not American · Geology for everyone

Simon Winchester

British-American · The Professor and the Madman (1998), The Map That Changed the World (2001), Krakatoa (2003)

Winchester studied geology at Oxford before becoming a foreign correspondent, and writes popular history outward from a single object or event: the making of the Oxford English Dictionary, William Smith's first geological map of Britain, the eruption of Krakatoa in 1883.

Immersion:A trained geologist who went to the places he writes about, from Krakatoa to the quarries of England.

Structure:History told outward from a single object or event.

Winchester also studied geology and writes it for general readers, in Krakatoa and The Map That Changed the World. He is more of a storyteller and more given to digression, a good second step for readers who came to McPhee through the rocks.

— Lisanne

Every book by Simon Winchester →

07
Not American · The same deep time, on foot

Robert Macfarlane

British · The Old Ways (2012), Underland (2019)

Macfarlane walks: along ancient paths for The Old Ways, and into caves, catacombs, mines and ice for Underland, which is about deep time and what humans bury. He teaches at Cambridge and writes as much about the language of landscape as about landscape itself.

Immersion:Thousands of miles on foot along old paths, and underground.

Structure:Each chapter a journey, each journey a reflection.

Macfarlane walks through landscapes the way McPhee drives through them with geologists, and writes deep time into the present. He is more lyrical and more interested in language itself; Underland is the book to pair with Annals of the Former World.

— Lisanne

Every book by Robert Macfarlane →

08
The same road, further east

Ian Frazier

American · Great Plains (1989), Travels in Siberia (2010)

Frazier is a New Yorker writer of long, patient, comic journeys. Great Plains drives across the American West, and Travels in Siberia braids five long trips across Russia over sixteen years with the region's history.

Immersion:Five long journeys across Siberia over sixteen years.

Structure:Travel, history and comedy braided into one route.

Frazier is another New Yorker writer of very long, patient pieces, and Great Plains is the book that most resembles McPhee's American West. His humour is broader, but the habit of driving until a place explains itself is shared.

— Lisanne

Every book by Ian Frazier →

09
Older than the genre

Joseph Mitchell

American · McSorley's Wonderful Saloon (1943), Joe Gould's Secret (1965), Up in the Old Hotel (1992)

Mitchell wrote for The New Yorker from 1938 about the fishmongers, bartenders, street preachers and eccentrics of New York's waterfront, in plain sentences built around his subjects' own long monologues. After Joe Gould's Secret he kept coming to the office for three decades and published almost nothing.

Immersion:Decades among the fishmongers, bartenders and eccentrics of the New York waterfront.

Structure:Plain sentences built around his subjects' own long monologues.

Mitchell was The New Yorker's great long-form reporter before McPhee arrived there, and the model for writing about working people with complete seriousness. Read Up in the Old Hotel for the Fulton Fish Market pieces; McPhee's patience starts here.

— Lisanne

Every book by Joseph Mitchell →

10
The opposite school

Tom Wolfe

American · The Electric Kool-Aid Acid Test (1968), The Right Stuff (1979), The Bonfire of the Vanities (1987)

Wolfe named and championed the New Journalism, editing the 1973 anthology of that name and setting out its devices: scene-by-scene construction, full dialogue, point of view and the details that mark a person's status. His reporting is loud, inventive and full of his own voice. In the 1980s he turned to novels.

Immersion:Months with test pilots and astronauts for The Right Stuff.

Structure:A loud, intrusive narrator: the voice is the structure.

Wolfe and McPhee began in the same years and chose opposite methods: Wolfe made the writer's voice the main event, McPhee made it almost disappear. Reading The Right Stuff after Coming into the Country is the quickest way to see what McPhee's restraint achieves.

— Lisanne

Every book by Tom Wolfe →

Authors like Tom Wolfe →

Frequently asked questions about authors like John McPhee

Who should I read if I love John McPhee?

Tracy Kidder is the closest match, with the same patience for subjects nobody expected to carry a book. Annie Dillard and Elizabeth Kolbert write the natural world with the same exactness, Simon Winchester and Robert Macfarlane write geology and deep time for general readers, and Susan Orlean, William Langewiesche and Ian Frazier share his long, curious form. Joseph Mitchell came before him at The New Yorker, and Tom Wolfe is the opposite school.

What books are like Annals of the Former World?

Underland by Robert Macfarlane (2019), on deep time and what lies beneath the surface; The Map That Changed the World by Simon Winchester (2001), on the first geological map of Britain; and The Sixth Extinction by Elizabeth Kolbert (2014), which reads the fossil record forward into the present.

What is John McPhee's most famous book?

Coming into the Country (1977), about Alaska, is the one most often named. Annals of the Former World (1998), his geology of North America, won the Pulitzer Prize in 1999.

Did John McPhee teach other writers?

Yes. He has taught a non-fiction writing course at Princeton since 1975, and many of his students became well-known writers. His book Draft No. 4 (2017) collects what he teaches about structure and revision.

Where should I start with John McPhee?

Coming into the Country (1977) for Alaska and its people, or Oranges (1967) to see how much he can make of a small subject. My guide to all thirty-six John McPhee books in order covers every one.

From the bookshelf

“Writing is selection.”

— John McPhee, Draft No. 4 (2017)

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